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The homosexual revival of Renaissance style, 1850-1930[electronic resource] /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	820.9/352664
杜威分類號:	820.935309034
書名/作者:	The homosexual revival of Renaissance style, 1850-1930/ Yvonne Ivory.
作者:	Ivory, Yvonne,
出版者:	Basingstoke [England] ; : Palgrave Macmillan,, 2009.
面頁冊數:	ix, 240 p. ;; 23 cm.
標題:	English literature - History and criticism. - 19th century
標題:	English literature - History and criticism. - 20th century
標題:	Homosexuality and literature - History - 19th century.
標題:	Homosexuality and literature - History - 20th century.
標題:	Homosexuality in literature.
ISBN:	9780230242432
ISBN:	023024243X
書目註:	Includes bibliographical references (p. 213-227) and index.
內容註:	Consummate Criminals: Nineteenth-Century Renaissance Historiography and the Homosexual -- Individualist Inverts: Self-Realization as a Liberatory Sexual Discourse at the Turn of the Century -- Poison, Passion, and Personality: Oscar Wilde's Renaissance Self-Fashioning -- The Erotics of Fame; or, How Thomas Mann Conquered the Renaissance -- Orlando Emergent: Vita Sackville-West's RenaissancePersonae.
摘要、提要註:	Why were so many late-nineteenth-century homosexuals passionate about the Italian Renaissance? What drew John Addington Symonds, Vernon Lee, and Walter Pater to write socio-cultural studies of the era? Or Thomas Mann, Oscar Wilde, Vernon Lee, Vita Sackville-West, and Louis Couperus' to name but a few b7 sto set novels and plays in Renaissance Italy? That question is at the heart of this volume, which begins by showing that the Renaissance (as depicted by German and British intellectuals from 1850 onward) was an era whose hallmarks were beauty, self-expression, criminality, and sexual dissidence. As new laws and sciences emerged that banned or pathologized relations between members of the same sex, this imagined Renaissance which married beautiful bodies to criminalityand expansive self-fashioning provided models of same-sex love that went beyond the prevailing paradigm of etherealand pedagogical Greek Love. The first study to address the close ties between the anarchist-individualist and gay rights movements in 1890s Germany, The Homosexual Revival of Renaissance Style suggests, too, that if we are to begin to mapout the genealogy of our own era's consummate type, the impeccably stylish gay man, we might look to the nineteenth-century's peopling of theRenaissance with sexually corrupt 'but aesthetically immaculate' individualists.
電子資源:	access to fulltext (Palgrave)

The homosexual revival of Renaissance style, 1850-1930[electronic resource] /
Ivory, Yvonne,1967-

The homosexual revival of Renaissance style, 1850-1930[electronic resource] /Yvonne Ivory. - Basingstoke [England] ;Palgrave Macmillan,2009. - ix, 240 p. ;23 cm. - Palgrave studies in nineteenth-century writing and culture. - Palgrave studies in nineteenth-century writing and culture..

Includes bibliographical references (p. 213-227) and index.

Consummate Criminals: Nineteenth-Century Renaissance Historiography and the Homosexual -- Individualist Inverts: Self-Realization as a Liberatory Sexual Discourse at the Turn of the Century -- Poison, Passion, and Personality: Oscar Wilde's Renaissance Self-Fashioning -- The Erotics of Fame; or, How Thomas Mann Conquered the Renaissance -- Orlando Emergent: Vita Sackville-West's RenaissancePersonae.

Why were so many late-nineteenth-century homosexuals passionate about the Italian Renaissance? What drew John Addington Symonds, Vernon Lee, and Walter Pater to write socio-cultural studies of the era? Or Thomas Mann, Oscar Wilde, Vernon Lee, Vita Sackville-West, and Louis Couperus' to name but a few b7 sto set novels and plays in Renaissance Italy? That question is at the heart of this volume, which begins by showing that the Renaissance (as depicted by German and British intellectuals from 1850 onward) was an era whose hallmarks were beauty, self-expression, criminality, and sexual dissidence. As new laws and sciences emerged that banned or pathologized relations between members of the same sex, this imagined Renaissance which married beautiful bodies to criminalityand expansive self-fashioning provided models of same-sex love that went beyond the prevailing paradigm of etherealand pedagogical Greek Love. The first study to address the close ties between the anarchist-individualist and gay rights movements in 1890s Germany, The Homosexual Revival of Renaissance Style suggests, too, that if we are to begin to mapout the genealogy of our own era's consummate type, the impeccably stylish gay man, we might look to the nineteenth-century's peopling of theRenaissance with sexually corrupt 'but aesthetically immaculate' individualists.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.

Mode of access:World Wide Web.

ISBN: 9780230242432Subjects--Personal Names:

373373
Wilde, Oscar,
1854-1900--In literature.Subjects--Topical Terms:

371047
English literature
--History and criticism.--19th centuryIndex Terms--Genre/Form:

336502
Electronic books.

LC Class. No.: PR468.H65 / I86 2009

Dewey Class. No.: 820.9/352664

The homosexual revival of Renaissance style, 1850-1930[electronic resource] /
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505 0 $a Consummate Criminals: Nineteenth-Century Renaissance Historiography and the Homosexual -- Individualist Inverts: Self-Realization as a Liberatory Sexual Discourse at the Turn of the Century -- Poison, Passion, and Personality: Oscar Wilde's Renaissance Self-Fashioning -- The Erotics of Fame; or, How Thomas Mann Conquered the Renaissance -- Orlando Emergent: Vita Sackville-West's RenaissancePersonae.
520 $a Why were so many late-nineteenth-century homosexuals passionate about the Italian Renaissance? What drew John Addington Symonds, Vernon Lee, and Walter Pater to write socio-cultural studies of the era? Or Thomas Mann, Oscar Wilde, Vernon Lee, Vita Sackville-West, and Louis Couperus' to name but a few b7 sto set novels and plays in Renaissance Italy? That question is at the heart of this volume, which begins by showing that the Renaissance (as depicted by German and British intellectuals from 1850 onward) was an era whose hallmarks were beauty, self-expression, criminality, and sexual dissidence. As new laws and sciences emerged that banned or pathologized relations between members of the same sex, this imagined Renaissance which married beautiful bodies to criminalityand expansive self-fashioning provided models of same-sex love that went beyond the prevailing paradigm of etherealand pedagogical Greek Love. The first study to address the close ties between the anarchist-individualist and gay rights movements in 1890s Germany, The Homosexual Revival of Renaissance Style suggests, too, that if we are to begin to mapout the genealogy of our own era's consummate type, the impeccably stylish gay man, we might look to the nineteenth-century's peopling of theRenaissance with sexually corrupt 'but aesthetically immaculate' individualists.
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