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Ruskin, the theatre and Victorian visual culture[electronic resource] /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	792.094109034
書名/作者:	Ruskin, the theatre and Victorian visual culture/ edited by Anselm Heinrich, Katherine Newey and Jeffrey Richards.
其他作者:	Heinrich, Anselm.
出版者:	Basingstoke ; : Palgrave Macmillan ;, 2009.
面頁冊數:	xiii, 242 p. : : ill. ;; 23 cm.
標題:	Theater - History - 19th century. - Great Britain
標題:	Theater and society - History - 19th century. - Great Britain
標題:	Visual communication.
標題:	Great Britain - Fiction.
ISBN:	9780230236790
ISBN:	0230236790
書目註:	Includes bibliographical references and index.
內容註:	Introduction: The Victorian Stage and Visual Culture / K.Newey -- John Ruskin, Olympian Painters and the Amateur Stage / J.Richards -- Ruskin at the Savoy / T.Hilton -- Ruskinian Moral Authority and Theatre's Ideal Woman / R.Dickinson -- Re-interpreting Ruskin and Browning's Dramatic 'Art-poems' / A.Leng -- Ruskin and the National Theatre / A.Heinrich -- The First Theatrical Pre-Raphaelite?Ruskin's Molèire / A.Tate -- The Britannia Theatre: Visual Culture and the Repertoire of a Popular Theatre / J.Norwood -- Supernumeraries: decorating the late-Victorian stage with lots (& lots & lots) of live bodies / D.Mayer -- 'A truer peepat Old Venice'. The Merchant of Venice on the Victorian stage / R.Foulkes -- The Photographic Portraiture of Henry Irving and Ellen Terry / S.West -- 'Auntie, can you do that?' or 'Ibsen in Brixton': Representingthe Victorian Stage through Cartoon and Caricature / J.Davis.
摘要、提要註:	This book brings together original research in theatre and the visual arts, around the commonobject of a revaluation of the intersections of the theatre and visual culture. Contributors are drawn from a stimulating mix of highly-esteemed and established scholars (such as Shearer West, Jim Davis, Richard Foulkes and David Mayer) and new scholars, bringing fresh research materials into the mix. The collection offers a set of essays around a theme of emerging interest in Victorian studies. There are few books focused on the theatre and the visual arts since Martin Meisel's Realizations. Since then, essay length pieces have been published by prominent theatre and art historians, several of whom are contributors to this work. The multi-author nature of this collection of essays allows abroader range of original material to be examined, and a number of critical approaches to be pursued. The collection is made coherent by the focus on John Ruskin's aesthetic and cultural theories, and their application to a re-evaluation of the popular theatre of the late nineteenth century. All contributors are working within a theoretical framework which challenges Modernist historiographical assumptions about a theatre in moral and aesthetic decline in this period.
電子資源:	access to fulltext (Palgrave)

Ruskin, the theatre and Victorian visual culture[electronic resource] /
Ruskin, the theatre and Victorian visual culture[electronic resource] /edited by Anselm Heinrich, Katherine Newey and Jeffrey Richards. - Basingstoke ;Palgrave Macmillan ;2009. - xiii, 242 p. :ill. ;23 cm.

Includes bibliographical references and index.

Introduction: The Victorian Stage and Visual Culture / K.Newey -- John Ruskin, Olympian Painters and the Amateur Stage / J.Richards -- Ruskin at the Savoy / T.Hilton -- Ruskinian Moral Authority and Theatre's Ideal Woman / R.Dickinson -- Re-interpreting Ruskin and Browning's Dramatic 'Art-poems' / A.Leng -- Ruskin and the National Theatre / A.Heinrich -- The First Theatrical Pre-Raphaelite?Ruskin's Molèire / A.Tate -- The Britannia Theatre: Visual Culture and the Repertoire of a Popular Theatre / J.Norwood -- Supernumeraries: decorating the late-Victorian stage with lots (& lots & lots) of live bodies / D.Mayer -- 'A truer peepat Old Venice'. The Merchant of Venice on the Victorian stage / R.Foulkes -- The Photographic Portraiture of Henry Irving and Ellen Terry / S.West -- 'Auntie, can you do that?' or 'Ibsen in Brixton': Representingthe Victorian Stage through Cartoon and Caricature / J.Davis.

This book brings together original research in theatre and the visual arts, around the commonobject of a revaluation of the intersections of the theatre and visual culture. Contributors are drawn from a stimulating mix of highly-esteemed and established scholars (such as Shearer West, Jim Davis, Richard Foulkes and David Mayer) and new scholars, bringing fresh research materials into the mix. The collection offers a set of essays around a theme of emerging interest in Victorian studies. There are few books focused on the theatre and the visual arts since Martin Meisel's Realizations. Since then, essay length pieces have been published by prominent theatre and art historians, several of whom are contributors to this work. The multi-author nature of this collection of essays allows abroader range of original material to be examined, and a number of critical approaches to be pursued. The collection is made coherent by the focus on John Ruskin's aesthetic and cultural theories, and their application to a re-evaluation of the popular theatre of the late nineteenth century. All contributors are working within a theoretical framework which challenges Modernist historiographical assumptions about a theatre in moral and aesthetic decline in this period.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.

Mode of access:World Wide Web.

ISBN: 9780230236790Subjects--Personal Names:

378686
Ruskin, John,
1819-1900.Subjects--Topical Terms:

373148
Theater
--History--Great Britain--19th century.Subjects--Geographical Terms:

337657
Great Britain
--Fiction.Index Terms--Genre/Form:

336502
Electronic books.

LC Class. No.: PN2594 / .R86 2009

Dewey Class. No.: 792.094109034

Ruskin, the theatre and Victorian visual culture[electronic resource] /
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245 0 0 $a Ruskin, the theatre and Victorian visual culture $h [electronic resource] / $c edited by Anselm Heinrich, Katherine Newey and Jeffrey Richards.
260 $a Basingstoke ; $a New York : $b Palgrave Macmillan ; $a [Bristol] : $b Arts &Humanities Research Council, $c 2009.
300 $a xiii, 242 p. : $b ill. ; $c 23 cm.
504 $a Includes bibliographical references and index.
505 0 $a Introduction: The Victorian Stage and Visual Culture / K.Newey -- John Ruskin, Olympian Painters and the Amateur Stage / J.Richards -- Ruskin at the Savoy / T.Hilton -- Ruskinian Moral Authority and Theatre's Ideal Woman / R.Dickinson -- Re-interpreting Ruskin and Browning's Dramatic 'Art-poems' / A.Leng -- Ruskin and the National Theatre / A.Heinrich -- The First Theatrical Pre-Raphaelite?Ruskin's Molèire / A.Tate -- The Britannia Theatre: Visual Culture and the Repertoire of a Popular Theatre / J.Norwood -- Supernumeraries: decorating the late-Victorian stage with lots (& lots & lots) of live bodies / D.Mayer -- 'A truer peepat Old Venice'. The Merchant of Venice on the Victorian stage / R.Foulkes -- The Photographic Portraiture of Henry Irving and Ellen Terry / S.West -- 'Auntie, can you do that?' or 'Ibsen in Brixton': Representingthe Victorian Stage through Cartoon and Caricature / J.Davis.
520 $a This book brings together original research in theatre and the visual arts, around the commonobject of a revaluation of the intersections of the theatre and visual culture. Contributors are drawn from a stimulating mix of highly-esteemed and established scholars (such as Shearer West, Jim Davis, Richard Foulkes and David Mayer) and new scholars, bringing fresh research materials into the mix. The collection offers a set of essays around a theme of emerging interest in Victorian studies. There are few books focused on the theatre and the visual arts since Martin Meisel's Realizations. Since then, essay length pieces have been published by prominent theatre and art historians, several of whom are contributors to this work. The multi-author nature of this collection of essays allows abroader range of original material to be examined, and a number of critical approaches to be pursued. The collection is made coherent by the focus on John Ruskin's aesthetic and cultural theories, and their application to a re-evaluation of the popular theatre of the late nineteenth century. All contributors are working within a theoretical framework which challenges Modernist historiographical assumptions about a theatre in moral and aesthetic decline in this period.
533 $a Electronic reproduction. $b Basingstoke, England : $c Palgrave Macmillan, $d 2009. $n Mode of access:World Wide Web. $n System requirements: Web browser. $n Title from title screen (viewed on Oct. 6, 2009). $n Access may berestricted to users at subscribing institutions.
600 1 0 $a Ruskin, John, $d 1819-1900. $3 378686
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650 0 $a Theater and society $z Great Britain $x History $y 19th century. $3 378688
650 0 $a Visual communication. $3 181693
651 0 $a Great Britain $v Fiction. $3 337657
655 7 $a Electronic books. $2 local $3 336502
700 1 $a Heinrich, Anselm. $3 378687
700 1 $a Newey, Katherine. $3 376484
700 1 $a Richards, Jeffrey. $3 376486
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