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On the sacred in African literature[...
~
Africa
On the sacred in African literature[electronic resource] :old gods and new worlds /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
杜威分類號:
820.9/382
書名/作者:
On the sacred in African literature : old gods and new worlds // MarkMathuray.
作者:
Mathuray, Mark,
出版者:
Basingstoke [England] ; : Palgrave Macmillan,, 2009.
面頁冊數:
viii, 205 p. ;; 23 cm.
標題:
African literature (English) - History and criticism.
標題:
Holy, The, in literature.
標題:
Myth in literature.
標題:
Religion in literature.
標題:
Culture in literature.
標題:
Magic realism (Literature)
標題:
Literature and society - History - 20th century. - Africa
標題:
Politics and literature - History - 20th century. - Africa
標題:
Africa - Languages.
ISBN:
9780230240919
ISBN:
0230240917
書目註:
Includes bibliographical references and index.
內容註:
Realising the sacred : Chinua Achebe's Arrow of god -- Dramatising the sacred : Wole Soyinka's "the fourth stage" and Kongi's harvest -- Politicising the sacred : Ngugi wa Thiong'o's The river between -- Sacredrealism : Ben Okri's The famished road -- The stalled sublime : J.M. Coetzee's Foe -- Conclusion : the political as tragic effect.
摘要、提要註:
The representation of myth, ritual and magic are important elements of African cultural production. Within African literary criticism, the distinctiveness of the African text, its distance fromor subversion ofEuropean literary forms, is elaborated and celebrated through analyzing its appropriation of myth and ritual. This innovative and challengingbook seeks not so much to dislodge myth, ritual, animism and other such terms from their place in critical discourse so much as to subsume them within the broader, more critically productive category of the sacred. Although an important idea in the disciplines of anthropology, sociology, political theory, and history (specifically, the history of religion), the sacred, surprisingly, has not been explored in relation to African literature.The sacred emerges in this ambitious book as a cognitive-cultural schema, in the Kantian sense, which is central to understanding social and political structures, religious and philosophical ideas and practices, and cultural production of much traditional African society. It argues that the persistence of the sacred in contemporary African society structures and determines African literary production in ways which both enable and delimit epistemological concerns and political possibilities. Oneof the book's important critical strategies is to bridge the seemingly unbridgeable gap between African and Western systems of thought and literary practices, instated by colonial discourse and oftenre-instated by much of African literary criticism.
電子資源:
access to fulltext (Palgrave)
On the sacred in African literature[electronic resource] :old gods and new worlds /
Mathuray, Mark,1972-
On the sacred in African literature
old gods and new worlds /[electronic resource] :MarkMathuray. - Basingstoke [England] ;Palgrave Macmillan,2009. - viii, 205 p. ;23 cm.
Includes bibliographical references and index.
Realising the sacred : Chinua Achebe's Arrow of god -- Dramatising the sacred : Wole Soyinka's "the fourth stage" and Kongi's harvest -- Politicising the sacred : Ngugi wa Thiong'o's The river between -- Sacredrealism : Ben Okri's The famished road -- The stalled sublime : J.M. Coetzee's Foe -- Conclusion : the political as tragic effect.
The representation of myth, ritual and magic are important elements of African cultural production. Within African literary criticism, the distinctiveness of the African text, its distance fromor subversion ofEuropean literary forms, is elaborated and celebrated through analyzing its appropriation of myth and ritual. This innovative and challengingbook seeks not so much to dislodge myth, ritual, animism and other such terms from their place in critical discourse so much as to subsume them within the broader, more critically productive category of the sacred. Although an important idea in the disciplines of anthropology, sociology, political theory, and history (specifically, the history of religion), the sacred, surprisingly, has not been explored in relation to African literature.The sacred emerges in this ambitious book as a cognitive-cultural schema, in the Kantian sense, which is central to understanding social and political structures, religious and philosophical ideas and practices, and cultural production of much traditional African society. It argues that the persistence of the sacred in contemporary African society structures and determines African literary production in ways which both enable and delimit epistemological concerns and political possibilities. Oneof the book's important critical strategies is to bridge the seemingly unbridgeable gap between African and Western systems of thought and literary practices, instated by colonial discourse and oftenre-instated by much of African literary criticism.
Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2010.
Mode of access:World Wide Web.
ISBN: 9780230240919
Standard No.: 10.1057/9780230240919doiSubjects--Topical Terms:
377974
African literature (English)
--History and criticism.Subjects--Geographical Terms:
337703
Africa
--Languages.Index Terms--Genre/Form:
336502
Electronic books.
LC Class. No.: PR9340.5 / .M37 2009
Dewey Class. No.: 820.9/382
On the sacred in African literature[electronic resource] :old gods and new worlds /
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The representation of myth, ritual and magic are important elements of African cultural production. Within African literary criticism, the distinctiveness of the African text, its distance fromor subversion ofEuropean literary forms, is elaborated and celebrated through analyzing its appropriation of myth and ritual. This innovative and challengingbook seeks not so much to dislodge myth, ritual, animism and other such terms from their place in critical discourse so much as to subsume them within the broader, more critically productive category of the sacred. Although an important idea in the disciplines of anthropology, sociology, political theory, and history (specifically, the history of religion), the sacred, surprisingly, has not been explored in relation to African literature.The sacred emerges in this ambitious book as a cognitive-cultural schema, in the Kantian sense, which is central to understanding social and political structures, religious and philosophical ideas and practices, and cultural production of much traditional African society. It argues that the persistence of the sacred in contemporary African society structures and determines African literary production in ways which both enable and delimit epistemological concerns and political possibilities. Oneof the book's important critical strategies is to bridge the seemingly unbridgeable gap between African and Western systems of thought and literary practices, instated by colonial discourse and oftenre-instated by much of African literary criticism.
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