Urban gothic of the Second World War...
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  • Urban gothic of the Second World War[electronic resource] :dark London /
  • 紀錄類型: 書目-語言資料,印刷品 : Monograph/item
    杜威分類號: 823.912093581
    書名/作者: Urban gothic of the Second World War : dark London // Sara Wasson.
    作者: Wasson, Sara.
    出版者: Basingstoke, Hampshire [England] ; : Palgrave Macmillan,, 2010.
    面頁冊數: xii, 209 p. : : ill.
    標題: Gothic fiction (Literary genre), English - History and criticism.
    標題: English fiction - History and criticism. - 20th century
    標題: World War, 1939-1945 - Literature and the war.
    ISBN: 9780230274891
    ISBN: 0230274897
    書目註: Includes bibliographical references (p. 172-195) and index.
    內容註: Introduction: The Urban Gothic of the British Home Front -- Nightmare City: Gothic Fâlnerie and Wartime Spectacle in Henry Green and Roy Fuller -- Carceral City, Cryptic Signs: Wartime Fiction by Anna Kavan andGraham Greene -- Gothic, Mechanized Ghosts: Wartime Industry in Inez Holden, Anne Ridler and Diana Murray Hill -- Elizabeth Bowen's Uncanny Houses -- 'The Rubbish Pile and the Grave':Nation and the Abject in John Piper, Graham Sutherland and Mervyn Peake -- Afterword: The Politics of Lamentation.
    摘要、提要註: This book examines 'home front' literature of the Second World War, arguing that Gothic tropes and forms mark moments of fracture in the national mythologies of wartime home, city and fellowship. These works inthe Gothic mode subvert mythologies of nation that are still influential today. Anna Kavan, Mervyn Peake, Elizabeth Bowen, Roy Fuller, Henry Green and others present counter-stories to the dominant national mythology of British survival and emotional resilience. In the texts of thismonograph, the city grows strange, time distorts, and hallucinatory narrative voices depict a nightmare realm. Doubling, temporal dislocation, narrative disjunction and tropes of haunting gather around shadowy figures on the margin of the nation. This book moves from city streets, to hospitals and prisons, to factories, to homes and finally to morgues.Each location presents a London that is, in the words of Mervyn Peake,"half masonry, half pain.".
    電子資源: access to fulltext (Palgrave)
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