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Performing the nation in interwar Ge...
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Germany
Performing the nation in interwar Germany[electronic resource] :sports, spectacles and political symbols, 1926-1936 /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
杜威分類號:
943.085
書名/作者:
Performing the nation in interwar Germany : sports, spectacles and political symbols, 1926-1936 // Nadine Rossol.
作者:
Rossol, Nadine,
出版者:
New York : : Palgrave Macmillan,, 2010.
面頁冊數:
1 online resource
標題:
Aesthetics, German - 20th century.
標題:
Popular culture - History - 20th century. - Germany
標題:
Political culture - History - 20th century. - Germany
標題:
Germany - Social conditions - 16th century.
ISBN:
9780230274778
ISBN:
0230274773
書目註:
Includes bibliographical references and index.
內容註:
Sports and Games, 1925-28 -- Staging the Republic: Constitution Day Festivities in 1929 -- Republican Nationalism: The Rhineland Celebration in 1930 -- Party Rallies and the Thingspiel in the Third Reich -- TheDeath of the Spectacle in the mid-1930s -- 'Like 100 years ago' Local Festivities in Weimar and Nazi Germany.
摘要、提要註:
Performing the Nation in Interwar Germany challenges the notion thatthe Nazis invented the use of aesthetics for the staging of their massevents. Instead, the book argues that the period from the mid-1920s tothe mid-1930s can be considered as a whole in regards to the development of politicalaesthetics and festive culture. A stress on rhythm, moving bodies, shapes, and community already characterized mass events in the republic and strongly influenced festivities, parades, sporting eventsand spectacles organized by the republican state. Consequently, theoriginality of Nazi propaganda and representation was limited as the public was well accustomed to mass staged events by the state and political organizations alike by the time the National Socialists came to power. 'Nazi aesthetics' were less quintessentially 'Nazi' but expressed the Zeitgeist of the 1920s and 1930s.
電子資源:
access to fulltext (Palgrave)
Performing the nation in interwar Germany[electronic resource] :sports, spectacles and political symbols, 1926-1936 /
Rossol, Nadine,1978-
Performing the nation in interwar Germany
sports, spectacles and political symbols, 1926-1936 /[electronic resource] :Nadine Rossol. - New York :Palgrave Macmillan,2010. - 1 online resource
Includes bibliographical references and index.
Sports and Games, 1925-28 -- Staging the Republic: Constitution Day Festivities in 1929 -- Republican Nationalism: The Rhineland Celebration in 1930 -- Party Rallies and the Thingspiel in the Third Reich -- TheDeath of the Spectacle in the mid-1930s -- 'Like 100 years ago' Local Festivities in Weimar and Nazi Germany.
Performing the Nation in Interwar Germany challenges the notion thatthe Nazis invented the use of aesthetics for the staging of their massevents. Instead, the book argues that the period from the mid-1920s tothe mid-1930s can be considered as a whole in regards to the development of politicalaesthetics and festive culture. A stress on rhythm, moving bodies, shapes, and community already characterized mass events in the republic and strongly influenced festivities, parades, sporting eventsand spectacles organized by the republican state. Consequently, theoriginality of Nazi propaganda and representation was limited as the public was well accustomed to mass staged events by the state and political organizations alike by the time the National Socialists came to power. 'Nazi aesthetics' were less quintessentially 'Nazi' but expressed the Zeitgeist of the 1920s and 1930s.
Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2010.
Mode of access:World Wide Web.
ISBN: 9780230274778Subjects--Topical Terms:
374649
Aesthetics, German
--20th century.Subjects--Geographical Terms:
342423
Germany
--Social conditions--16th century.Index Terms--Genre/Form:
336502
Electronic books.
LC Class. No.: DD240 / .R633 2010
Dewey Class. No.: 943.085
Performing the nation in interwar Germany[electronic resource] :sports, spectacles and political symbols, 1926-1936 /
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Performing the Nation in Interwar Germany challenges the notion thatthe Nazis invented the use of aesthetics for the staging of their massevents. Instead, the book argues that the period from the mid-1920s tothe mid-1930s can be considered as a whole in regards to the development of politicalaesthetics and festive culture. A stress on rhythm, moving bodies, shapes, and community already characterized mass events in the republic and strongly influenced festivities, parades, sporting eventsand spectacles organized by the republican state. Consequently, theoriginality of Nazi propaganda and representation was limited as the public was well accustomed to mass staged events by the state and political organizations alike by the time the National Socialists came to power. 'Nazi aesthetics' were less quintessentially 'Nazi' but expressed the Zeitgeist of the 1920s and 1930s.
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