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Modernism on file[electronic resource] :writers, artists, and the FBI, 1920-1950 /

Record Type:	Language materials, printed : Monograph/item
[NT 15000414]:	810.9/112
Title/Author:	Modernism on file : writers, artists, and the FBI, 1920-1950 // edited by Claire A. Culleton and Karen Leick.
other author:	Culleton, Claire A.
Published:	New York : : Palgrave Macmillan,, 2008.
Description:	vi, 269 p.
Subject:	American literature - History and criticism. - 20th century
Subject:	Politics and literature - History - 20th century. - United States
Subject:	Literature and state - History - 20th century. - United States
Subject:	Art and state - History - 20th century. - United States
Subject:	Freedom of speech - History - 20th century. - United States
Subject:	Anti-communist movements - History - 20th century. - United States
Subject:	Modernism (Literature) - United States.
Subject:	Modernism (Art) - United States.
ISBN:	9780230610392
ISBN:	0230610390
[NT 15000227]:	Includes bibliographical references and index.
[NT 15000228]:	Ghostreaders and diaspora-writers: four theses on the FBI and African American modernism / William J. Maxwell -- Raising Muscovite ducks and government suspicions: Henry Roth and the FBI / Steven G. Kellman -- Telling stories from Hemingway's FBI file: conspiracy, paranoia, and masculinity / Debra A. Moddelmog -- Most wanted: Claude McKay and the "black specter" of African American poetry in the 1920s / Josh Gosciak -- Madness, paranoia, and Ezra Pound's FBI file / Karen Leick -- Investigative savagery: figuring Hoover in Richard Wright's Savage Holiday / Andrew Strombeck -- "Poetess probed as red": Muriel Rukeyser and the FBI /Jeanne Perreault -- An archive of the (political) unconscious: Jean Renoir at the FBI / Christopher Faulkner -- New information from the FBI,CNDI LA-BB-1: the surveillance of Bertolt Brecht's telephone in Los Angeles / Alexander Stephan, translated by EmilyBanwell -- Sour notes: Hanns Eisler and the FBI / James Wierzbicki -- Communism, perversion, and other crimes against the state: the FBI files of Klaus and Erika Mann/ Andrea Weiss -- Extorting HenryHolt & Co.: J. Edgar Hoover and the publishing industry / Claire A. Culleton.
[NT 15000229]:	Modernism on File: Writers, Artists, and the FBI, 1920-1950 brings together important new scholarship focused on J. Edgar Hoover's FBI and its institutional presence in shaping and directing American print, film, and art culture. From Harlem to Hollywood, Hoover and his bureau workers were bent on decontaminating America's creativity and this collection looks at the writers and artists who were tagged, tracked, and in some cases, trapped by the FBI. Contributors detail the threatening aspects of political power and critique the very historiography of modernism, acknowledging that modernism was on trial during those years.
Online resource:	access to fulltext (Palgrave)

Modernism on file[electronic resource] :writers, artists, and the FBI, 1920-1950 /
Modernism on filewriters, artists, and the FBI, 1920-1950 /[electronic resource] :edited by Claire A. Culleton and Karen Leick. - 1st ed. - New York :Palgrave Macmillan,2008. - vi, 269 p.

Includes bibliographical references and index.

Ghostreaders and diaspora-writers: four theses on the FBI and African American modernism / William J. Maxwell -- Raising Muscovite ducks and government suspicions: Henry Roth and the FBI / Steven G. Kellman -- Telling stories from Hemingway's FBI file: conspiracy, paranoia, and masculinity / Debra A. Moddelmog -- Most wanted: Claude McKay and the "black specter" of African American poetry in the 1920s / Josh Gosciak -- Madness, paranoia, and Ezra Pound's FBI file / Karen Leick -- Investigative savagery: figuring Hoover in Richard Wright's Savage Holiday / Andrew Strombeck -- "Poetess probed as red": Muriel Rukeyser and the FBI /Jeanne Perreault -- An archive of the (political) unconscious: Jean Renoir at the FBI / Christopher Faulkner -- New information from the FBI,CNDI LA-BB-1: the surveillance of Bertolt Brecht's telephone in Los Angeles / Alexander Stephan, translated by EmilyBanwell -- Sour notes: Hanns Eisler and the FBI / James Wierzbicki -- Communism, perversion, and other crimes against the state: the FBI files of Klaus and Erika Mann/ Andrea Weiss -- Extorting HenryHolt & Co.: J. Edgar Hoover and the publishing industry / Claire A. Culleton.

Modernism on File: Writers, Artists, and the FBI, 1920-1950 brings together important new scholarship focused on J. Edgar Hoover's FBI and its institutional presence in shaping and directing American print, film, and art culture. From Harlem to Hollywood, Hoover and his bureau workers were bent on decontaminating America's creativity and this collection looks at the writers and artists who were tagged, tracked, and in some cases, trapped by the FBI. Contributors detail the threatening aspects of political power and critique the very historiography of modernism, acknowledging that modernism was on trial during those years.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.

Mode of access:World Wide Web.

ISBN: 9780230610392

Standard No.: 10.1057/9780230610392doiSubjects--Corporate Names:

373443
United States.
Federal Bureau of Investigation--History--20th century.Subjects--Topical Terms:

370702
American literature
--History and criticism.--20th centuryIndex Terms--Genre/Form:

336502
Electronic books.

LC Class. No.: PS228.P6 / M57 2008eb

Dewey Class. No.: 810.9/112

Modernism on file[electronic resource] :writers, artists, and the FBI, 1920-1950 /
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250 $a 1st ed.
260 $a New York : $b Palgrave Macmillan, $c 2008.
300 $a vi, 269 p.
504 $a Includes bibliographical references and index.
505 0 $a Ghostreaders and diaspora-writers: four theses on the FBI and African American modernism / William J. Maxwell -- Raising Muscovite ducks and government suspicions: Henry Roth and the FBI / Steven G. Kellman -- Telling stories from Hemingway's FBI file: conspiracy, paranoia, and masculinity / Debra A. Moddelmog -- Most wanted: Claude McKay and the "black specter" of African American poetry in the 1920s / Josh Gosciak -- Madness, paranoia, and Ezra Pound's FBI file / Karen Leick -- Investigative savagery: figuring Hoover in Richard Wright's Savage Holiday / Andrew Strombeck -- "Poetess probed as red": Muriel Rukeyser and the FBI /Jeanne Perreault -- An archive of the (political) unconscious: Jean Renoir at the FBI / Christopher Faulkner -- New information from the FBI,CNDI LA-BB-1: the surveillance of Bertolt Brecht's telephone in Los Angeles / Alexander Stephan, translated by EmilyBanwell -- Sour notes: Hanns Eisler and the FBI / James Wierzbicki -- Communism, perversion, and other crimes against the state: the FBI files of Klaus and Erika Mann/ Andrea Weiss -- Extorting HenryHolt & Co.: J. Edgar Hoover and the publishing industry / Claire A. Culleton.
520 $a Modernism on File: Writers, Artists, and the FBI, 1920-1950 brings together important new scholarship focused on J. Edgar Hoover's FBI and its institutional presence in shaping and directing American print, film, and art culture. From Harlem to Hollywood, Hoover and his bureau workers were bent on decontaminating America's creativity and this collection looks at the writers and artists who were tagged, tracked, and in some cases, trapped by the FBI. Contributors detail the threatening aspects of political power and critique the very historiography of modernism, acknowledging that modernism was on trial during those years.
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650 0 $a Art and state $z United States $x History $y 20th century. $3 373447
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