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Modular narratives in contemporary cinema[electronic resource] /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	791.43/6
書名/作者:	Modular narratives in contemporary cinema/ Allan Cameron.
作者:	Cameron, Allan,
出版者:	Basingstoke [England] ; : Palgrave Macmillan,, 2008.
面頁冊數:	ix, 211 p. : : ill.
標題:	Motion pictures and literature.
標題:	Narration (Rhetoric)
ISBN:	9780230594197
ISBN:	0230594190
書目註:	Includes bibliographical references (p. 185-205) and index.
內容註:	Modular narratives in contemporary cinema -- The shape of narrative time : subjective, schismatic and modular -- Projecting the future : order, chaos and modularity -- Navigating memory : temporal anchoring andthe modular subject -- Articulating history : archival aesthetics and the national narrative -- Deciphering the present : simultaneity, succession and mediation -- Coda : playing games with cinema.
摘要、提要註:	Since the early 1990s there has been a trend towards narrative complexity within popular cinema, as evidenced by the successes of such films as Pulp Fiction, Memento and Run Lola Run. Modular Narratives in Contemporary Cinema looks at the way a number of these films play with timeand narrative. Allan Cameron shows how this formal play reflects a persistent fascination with questions of chance and destiny, memory and history, and the representation of simultaneous events. Collectively, modular narratives represent encounters between linearity and non-linearity, narrative and database, memory and forgetting, temporal anchoring and temporal drift, simultaneity and succession, and chaos and order. Ultimately, they stage the crisis and redemption of time, exploring the relationships among past, present and future in the context of contemporary media and database aesthetics.
電子資源:	access to fulltext (Palgrave)

Modular narratives in contemporary cinema[electronic resource] /
Cameron, Allan,1973-

Modular narratives in contemporary cinema[electronic resource] /Allan Cameron. - Basingstoke [England] ;Palgrave Macmillan,2008. - ix, 211 p. :ill.

Includes bibliographical references (p. 185-205) and index.

Modular narratives in contemporary cinema -- The shape of narrative time : subjective, schismatic and modular -- Projecting the future : order, chaos and modularity -- Navigating memory : temporal anchoring andthe modular subject -- Articulating history : archival aesthetics and the national narrative -- Deciphering the present : simultaneity, succession and mediation -- Coda : playing games with cinema.

Since the early 1990s there has been a trend towards narrative complexity within popular cinema, as evidenced by the successes of such films as Pulp Fiction, Memento and Run Lola Run. Modular Narratives in Contemporary Cinema looks at the way a number of these films play with timeand narrative. Allan Cameron shows how this formal play reflects a persistent fascination with questions of chance and destiny, memory and history, and the representation of simultaneous events. Collectively, modular narratives represent encounters between linearity and non-linearity, narrative and database, memory and forgetting, temporal anchoring and temporal drift, simultaneity and succession, and chaos and order. Ultimately, they stage the crisis and redemption of time, exploring the relationships among past, present and future in the context of contemporary media and database aesthetics.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.

Mode of access:World Wide Web.

ISBN: 9780230594197

Standard No.: 10.1057/9780230594197doiSubjects--Topical Terms:

372336
Motion pictures and literature.
Index Terms--Genre/Form:

336502
Electronic books.

LC Class. No.: PN1995.3 / .C36 2008eb

Dewey Class. No.: 791.43/6

Modular narratives in contemporary cinema[electronic resource] /
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300 $a ix, 211 p. : $b ill.
504 $a Includes bibliographical references (p. 185-205) and index.
505 0 $a Modular narratives in contemporary cinema -- The shape of narrative time : subjective, schismatic and modular -- Projecting the future : order, chaos and modularity -- Navigating memory : temporal anchoring andthe modular subject -- Articulating history : archival aesthetics and the national narrative -- Deciphering the present : simultaneity, succession and mediation -- Coda : playing games with cinema.
520 $a Since the early 1990s there has been a trend towards narrative complexity within popular cinema, as evidenced by the successes of such films as Pulp Fiction, Memento and Run Lola Run. Modular Narratives in Contemporary Cinema looks at the way a number of these films play with timeand narrative. Allan Cameron shows how this formal play reflects a persistent fascination with questions of chance and destiny, memory and history, and the representation of simultaneous events. Collectively, modular narratives represent encounters between linearity and non-linearity, narrative and database, memory and forgetting, temporal anchoring and temporal drift, simultaneity and succession, and chaos and order. Ultimately, they stage the crisis and redemption of time, exploring the relationships among past, present and future in the context of contemporary media and database aesthetics.
533 $a Electronic reproduction. $b Basingstoke, England : $c Palgrave Macmillan, $d 2009. $n Mode of access:World Wide Web. $n System requirements: Web browser. $n Title from title screen (viewed on Mar. 3, 2009). $n Access may berestricted to users at subscribing institutions.
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