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World cinema's 'dialogues' with Hollywood[electronic resource] /

纪录类型:	书目-语言数据,印刷品 : Monograph/item
[NT 15000414] null:	791.4309
[NT 47271] Title/Author:	World cinema's 'dialogues' with Hollywood/ edited by Paul Cooke.
[NT 51406] other author:	Cooke, Paul,
出版者:	Basingstoke : : Palgrave Macmillan,, 2007.
面页册数:	xii, 266 p. : : ill.
标题:	Motion pictures - History.
标题:	Motion picture industry - History.
标题:	Motion pictures - History. - California
标题:	Motion picture industry - History. - California
ISBN:	9780230223189
ISBN:	0230223184
[NT 15000227] null:	Includes bibliographical references and indexes.
[NT 15000228] null:	From Caligari to Edward scissorhands: the continuing meta-cinematic journey of German expressionism / Paul Cooke -- Dream factory and film factor: the Soviet response to Hollywood 1917-1941 / Graham Roberts -- Anglo-American collaboration: Korda, Selznick and Goldwyn / Charles Drazin -- From Pirandello to MGM: when classical Hollywood reads European literature / Catherine O'Rawe -- The modernism of Frank Capra and European ethical thought / Sam B. Girgus -- The transnational journey of thecelluloid Baiana: round-trip Rio-LA / Lisa Shaw -- The American dream in post-war Italy / Geoffrey Nowell-Smith -- Colonising the European utopia: Hollywood musicals in Europe / Fiona Handyside -- Sex, gender andauteurism: the French new wave and Hollywood / Diana Holmes -- A fistful of Yojimbo: appropriation and dialogue in Japanese cinema / Rachel Hutchinson -- All that melodrama allows: Sirk, Fassbinder, Almodâovar, Haynes / Eric M. Thau -- Lost in translation: a few vagaries of the alphabetgame played between Bombay cinema and Hollywood / Kaushik Bhaumik -- Between sunrise and sunset: anelliptical dialogue between American and European cinema / Rob Stone -- Hero: how Chinese is it? Julian Stringer, Qiong Yu.
[NT 15000229] null:	World Cinema's 'Dialogues' with Hollywood looks at the way Hollywoodhas interacted with a range of national and transnational cinemas. It considers how Hollywood has acted both as a magnate forthe talent of the world's cinema and as a critical foil for filmmakers questioning theimperial powerof the US. From German Expressionism at the start of the twentieth century to East Asian martial arts movies at the start of the twenty-first, the contributors show the profound impact that Hollywoodhas had upon the history of the medium. At times it seems that if there is a 'dialogue' to be identified it is one where the US majors havedone all the talking. However, as this volume highlights throughout, this is far from the case. Indeed, it is impossible to understand the development of mainstream North American cinema without understanding theeconomic, aesthetic and political influence on it from the rest of theworld.
电子资源:	access to fulltext (Palgrave)

World cinema's 'dialogues' with Hollywood[electronic resource] /
World cinema's 'dialogues' with Hollywood[electronic resource] /edited by Paul Cooke. - Basingstoke :Palgrave Macmillan,2007. - xii, 266 p. :ill.

Includes bibliographical references and indexes.

From Caligari to Edward scissorhands: the continuing meta-cinematic journey of German expressionism / Paul Cooke -- Dream factory and film factor: the Soviet response to Hollywood 1917-1941 / Graham Roberts -- Anglo-American collaboration: Korda, Selznick and Goldwyn / Charles Drazin -- From Pirandello to MGM: when classical Hollywood reads European literature / Catherine O'Rawe -- The modernism of Frank Capra and European ethical thought / Sam B. Girgus -- The transnational journey of thecelluloid Baiana: round-trip Rio-LA / Lisa Shaw -- The American dream in post-war Italy / Geoffrey Nowell-Smith -- Colonising the European utopia: Hollywood musicals in Europe / Fiona Handyside -- Sex, gender andauteurism: the French new wave and Hollywood / Diana Holmes -- A fistful of Yojimbo: appropriation and dialogue in Japanese cinema / Rachel Hutchinson -- All that melodrama allows: Sirk, Fassbinder, Almodâovar, Haynes / Eric M. Thau -- Lost in translation: a few vagaries of the alphabetgame played between Bombay cinema and Hollywood / Kaushik Bhaumik -- Between sunrise and sunset: anelliptical dialogue between American and European cinema / Rob Stone -- Hero: how Chinese is it? Julian Stringer, Qiong Yu.

World Cinema's 'Dialogues' with Hollywood looks at the way Hollywoodhas interacted with a range of national and transnational cinemas. It considers how Hollywood has acted both as a magnate forthe talent of the world's cinema and as a critical foil for filmmakers questioning theimperial powerof the US. From German Expressionism at the start of the twentieth century to East Asian martial arts movies at the start of the twenty-first, the contributors show the profound impact that Hollywoodhas had upon the history of the medium. At times it seems that if there is a 'dialogue' to be identified it is one where the US majors havedone all the talking. However, as this volume highlights throughout, this is far from the case. Indeed, it is impossible to understand the development of mainstream North American cinema without understanding theeconomic, aesthetic and political influence on it from the rest of theworld.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.

Mode of access:World Wide Web.

ISBN: 9780230223189

Standard No.: 10.1057/9780230223189doiSubjects--Topical Terms:

371663
Motion pictures
--History.Index Terms--Genre/Form:

336502
Electronic books.

LC Class. No.: PN1993.5.A1 / W68 2007eb

Dewey Class. No.: 791.4309

World cinema's 'dialogues' with Hollywood[electronic resource] /
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520 $a World Cinema's 'Dialogues' with Hollywood looks at the way Hollywoodhas interacted with a range of national and transnational cinemas. It considers how Hollywood has acted both as a magnate forthe talent of the world's cinema and as a critical foil for filmmakers questioning theimperial powerof the US. From German Expressionism at the start of the twentieth century to East Asian martial arts movies at the start of the twenty-first, the contributors show the profound impact that Hollywoodhas had upon the history of the medium. At times it seems that if there is a 'dialogue' to be identified it is one where the US majors havedone all the talking. However, as this volume highlights throughout, this is far from the case. Indeed, it is impossible to understand the development of mainstream North American cinema without understanding theeconomic, aesthetic and political influence on it from the rest of theworld.
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