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Dancing communities[electronic resou...
~
Hamera, Judith.
Dancing communities[electronic resource] :performance, difference, and connection in the global city /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
杜威分類號:
306.4/84
書名/作者:
Dancing communities : performance, difference, and connection in the global city // Judith Hamera.
作者:
Hamera, Judith.
出版者:
Basingstoke [England] ; : Palgrave Macmillian,, 2007.
面頁冊數:
xiv, 238 p. : : ill.
叢書名:
Studies in international performance
標題:
Dance - Social aspects.
標題:
Dance - Psychological aspects.
標題:
Performing arts - Social aspects.
標題:
Communication - Social aspects.
ISBN:
9780230626485
ISBN:
0230626483
書目註:
Includes bibliographical references (p. 222-232) and index.
內容註:
Introduction: Dancing the City -- Intimacies in Motion -- Corporeal Chronotopes: Making Placeand Keeping Time in Ballet -- Saving Khmer Classical Dance in Long Beach -- Dancing Other-Wise: Ethics, Difference and Transcendence in Hae Kyung Lee and Dancers -- Conclusion: Dancing Communities - Ideas of Order, Queer Intimacies, Civic Infrastructure.
摘要、提要註:
Every day, urban communities are danced into being. This more than ametaphor. It is a testament to the power of performance as a social force, as cultural poeisis, as communication infrastructure that makes identity, solidarity and memory sharable. Communities are danced into being in daily, routine labour, time and talk backstage and off - sometimes way off - stage, as well as onstage. They are danced into being by virtuoso technicians and earnest amateurs. Communities that serve as exemplary models for diverse, global connections emerge at dance's busy intersections of discipline and dreams, repetition and innovation, competition and care. Dancing Communities examines amateur and professional dance in Los Angeles, and argues that concert and amateur dance practice are laboratoriesfor re-fashioning myriad complex intersections of gender, sexuality, class, ethnicity and culture. Here, dance offers solidarity, and communal and cultural continuity. Using the 'global' city of Los Angeles, Hamera offers new possibilities for transforming intimacy in/and the global city and for wider discussons on the social and aesthetic force of performance as an urban political infrastructure.
電子資源:
access to fulltext (Palgrave)
Dancing communities[electronic resource] :performance, difference, and connection in the global city /
Hamera, Judith.
Dancing communities
performance, difference, and connection in the global city /[electronic resource] :Judith Hamera. - Basingstoke [England] ;Palgrave Macmillian,2007. - xiv, 238 p. :ill. - Studies in international performance.
Includes bibliographical references (p. 222-232) and index.
Introduction: Dancing the City -- Intimacies in Motion -- Corporeal Chronotopes: Making Placeand Keeping Time in Ballet -- Saving Khmer Classical Dance in Long Beach -- Dancing Other-Wise: Ethics, Difference and Transcendence in Hae Kyung Lee and Dancers -- Conclusion: Dancing Communities - Ideas of Order, Queer Intimacies, Civic Infrastructure.
Every day, urban communities are danced into being. This more than ametaphor. It is a testament to the power of performance as a social force, as cultural poeisis, as communication infrastructure that makes identity, solidarity and memory sharable. Communities are danced into being in daily, routine labour, time and talk backstage and off - sometimes way off - stage, as well as onstage. They are danced into being by virtuoso technicians and earnest amateurs. Communities that serve as exemplary models for diverse, global connections emerge at dance's busy intersections of discipline and dreams, repetition and innovation, competition and care. Dancing Communities examines amateur and professional dance in Los Angeles, and argues that concert and amateur dance practice are laboratoriesfor re-fashioning myriad complex intersections of gender, sexuality, class, ethnicity and culture. Here, dance offers solidarity, and communal and cultural continuity. Using the 'global' city of Los Angeles, Hamera offers new possibilities for transforming intimacy in/and the global city and for wider discussons on the social and aesthetic force of performance as an urban political infrastructure.
Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.
Mode of access:World Wide Web.
ISBN: 9780230626485
Standard No.: 10.1057/9780230626485doiSubjects--Topical Terms:
370801
Dance
--Social aspects.Index Terms--Genre/Form:
336502
Electronic books.
LC Class. No.: GV1595 / .H32 2007eb
Dewey Class. No.: 306.4/84
Dancing communities[electronic resource] :performance, difference, and connection in the global city /
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Introduction: Dancing the City -- Intimacies in Motion -- Corporeal Chronotopes: Making Placeand Keeping Time in Ballet -- Saving Khmer Classical Dance in Long Beach -- Dancing Other-Wise: Ethics, Difference and Transcendence in Hae Kyung Lee and Dancers -- Conclusion: Dancing Communities - Ideas of Order, Queer Intimacies, Civic Infrastructure.
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Every day, urban communities are danced into being. This more than ametaphor. It is a testament to the power of performance as a social force, as cultural poeisis, as communication infrastructure that makes identity, solidarity and memory sharable. Communities are danced into being in daily, routine labour, time and talk backstage and off - sometimes way off - stage, as well as onstage. They are danced into being by virtuoso technicians and earnest amateurs. Communities that serve as exemplary models for diverse, global connections emerge at dance's busy intersections of discipline and dreams, repetition and innovation, competition and care. Dancing Communities examines amateur and professional dance in Los Angeles, and argues that concert and amateur dance practice are laboratoriesfor re-fashioning myriad complex intersections of gender, sexuality, class, ethnicity and culture. Here, dance offers solidarity, and communal and cultural continuity. Using the 'global' city of Los Angeles, Hamera offers new possibilities for transforming intimacy in/and the global city and for wider discussons on the social and aesthetic force of performance as an urban political infrastructure.
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