| 紀錄類型: |
書目-電子資源
: Monograph/item
|
| 杜威分類號: |
070.4 |
| 書名/作者: |
Fashion film : art and advertising in the digital age // by Nick Rees-Roberts. |
| 作者: |
Rees-Roberts, Nick. |
| 出版者: |
London : : Bloomsbury Visual Arts,, 2018. |
| 面頁冊數: |
1 online resource (240 p.) |
| 附註: |
Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily. |
| 標題: |
Advertising - Fashion. |
| 標題: |
Fashion shows - Technological innovations. |
| 標題: |
Mass media. |
| 標題: |
Promotional films. |
| ISBN: |
9781474285995 (ebk.) |
| ISBN: |
9780857856661 (hbk.) |
| ISBN: |
9780857857002 (pbk.) |
| 書目註: |
Includes bibliographical references and index. |
| 內容註: |
Introduction: Fashion Film - The Long and Short of It -- PART I: PROMOTION: DIGITAL FASHION FILM -- Visual Communications -- Hyper-Advertising and The Mini-Film Event -- Branded Experience, Artistic Exploration and Cultural Critique -- Hybrid Content: Fashion Film and Music Video -- Editorial Convergence and Spreadable Content -- Film and Branded Entertainment -- Conceptual Fashion Film -- Narrative Fashion Film -- Commodity Auteurism -- Promotional Genres -- PART II: PROCESS: DOCUMENTARY FASHION FILM -- Behind The Scenes -- The Staging of Labour -- In and Out of Fashion with William Klein -- Backstage with Loïc Prigent -- Reframing Fashion History -- Filming Everyday Fashion -- The Fashion Photographer on Film -- The Fashion Model on Film -- PART III: PERSONALITIES: DESIGNER FASHION FILM -- Masters of Style -- Designer Lives -- Curating Chanel -- Documenting Dior -- All About Yves -- The Warhol Legacy -- Conclusion: The End of Fashion Film. |
| 摘要、提要註: |
"The moving image has become a key marketing tool for luxury fashion, central in enabling brands to shape their visual codes and extend their brand awareness. Fashion Film is the first detailed study of the shifting shape of fashion imagery in the digital age, investigating the role of the moving image in the promotion, communication and spectacle of contemporary fashion. Combining interdisciplinary analysis of cinema and digital culture, this ground-breaking book traces the emergence of fashion film in the 21st century through its historical roots in pre-digital forms of photography, experimental cinema, mass-media advertising and documentary film-making, right up to today's visual spread of contemporary fashion on video blogs, online magazines and live-streamed catwalk shows. Examining collaborations between fashion designers and pioneering image-makers such as Guy Bourdin, Jean-Paul Goode, William Klein and Nick Knight, the book highlights the critical tension between the fashion film conceived as a creative endeavour and as commercial enterprise. Fashion Film also includes a parallel focus on factual representations of fashion through the recent rise of documentary fashion film that goes behind the scenes to follow the processes and personalities involved in making fashion. Accessible and well-illustrated, Fashion Film will appeal to students and scholars of fashion, film, media, photography, celebrity, sociology and cultural studies."--Bloomsbury Publishing. |
| 電子資源: |
https://doi.org/10.5040/9781474285995?locatt=label:secondary_bloomsburyCollections |