大葉大學圖書館 |

Eastern approaches to Western film[electronic resource] :Asian reception and aesthetics in cinema /

紀錄類型:	書目-電子資源 : Monograph/item
杜威分類號:	791.43091821
書名/作者:	Eastern approaches to Western film : Asian reception and aesthetics in cinema // Stephen Teo.
作者:	Teo, Stephen.
出版者:	London : : Bloomsbury Academic,, 2019.
面頁冊數:	1 online resource (xi, 292 p.)
附註:	Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily.
標題:	Motion pictures - History. - Asia
標題:	Motion pictures - History. - United States
標題:	Motion pictures - Appreciation - Asia.
標題:	Motion pictures - Europe
ISBN:	9781350116917 (ebk.)
ISBN:	9781784539825 (hbk.)
書目註:	Includes bibliographical references and index.
內容註:	Introduction -- 1. Star Wars Eastern Saga -- 2. Vertigo, Hitchcock's Chinese Riddle -- 3. Orson Welles' The Lady from Shanghai -- 4. Le Samouraï, Eastern Action in the Milieu -- 5. Robert Bresson, French or Daoist? -- 6. Dreyer's Vampyr, Wandering in the West -- 7. Eastern Principles in Sam Peckinpah's Westerns -- 8. Make Way for Tomorrow, America's Confucian Classic -- 9. John Ford and Asian Family Values -- 10.Conclusion.
摘要、提要註:	"Eastern Approaches to Western Film: Asian Aesthetics and Reception in Cinema offers a renewed critical outlook on Western classic film directly from the pantheon of European and American masters, including Alfred Hitchcock, George Lucas, Robert Bresson, Carl Dreyer, Jean-Pierre Melville, John Ford, Leo McCarey, Sam Peckinpah, and Orson Welles. The book contributes an 'Eastern Approach' into the critical studies of Western films by reappraising selected films of these masters, matching and comparing their visions, themes, and ideas with the philosophical and paradigmatic principles of the East. It traces Eastern inscriptions and signs embedded within these films as well as their social lifestyle values and other concepts that are also inherently Eastern. As such, the book represents an effort to reformulate established discourses on Western cinema that are overwhelmingly Eurocentric. Although it seeks to inject an alternative perspective, the ultimate aim is to reach a balance of East and West. By focusing on Eastern aesthetic and philosophical influences in Western films, the book suggests that there is a much more thorough integration of East and West than previously thought or imagined."--Bloomsbury Publishing.
電子資源:	https://dx.doi.org/10.5040/9781350116917?locatt=label:secondary_bloomsburyCollections

Eastern approaches to Western film[electronic resource] :Asian reception and aesthetics in cinema /
Teo, Stephen.

Eastern approaches to Western filmAsian reception and aesthetics in cinema /[electronic resource] :Stephen Teo. - London :Bloomsbury Academic,2019. - 1 online resource (xi, 292 p.) - World cinema.

Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily.

Includes bibliographical references and index.

Introduction -- 1. Star Wars Eastern Saga -- 2. Vertigo, Hitchcock's Chinese Riddle -- 3. Orson Welles' The Lady from Shanghai -- 4. Le Samouraï, Eastern Action in the Milieu -- 5. Robert Bresson, French or Daoist? -- 6. Dreyer's Vampyr, Wandering in the West -- 7. Eastern Principles in Sam Peckinpah's Westerns -- 8. Make Way for Tomorrow, America's Confucian Classic -- 9. John Ford and Asian Family Values -- 10.Conclusion.

"Eastern Approaches to Western Film: Asian Aesthetics and Reception in Cinema offers a renewed critical outlook on Western classic film directly from the pantheon of European and American masters, including Alfred Hitchcock, George Lucas, Robert Bresson, Carl Dreyer, Jean-Pierre Melville, John Ford, Leo McCarey, Sam Peckinpah, and Orson Welles. The book contributes an 'Eastern Approach' into the critical studies of Western films by reappraising selected films of these masters, matching and comparing their visions, themes, and ideas with the philosophical and paradigmatic principles of the East. It traces Eastern inscriptions and signs embedded within these films as well as their social lifestyle values and other concepts that are also inherently Eastern. As such, the book represents an effort to reformulate established discourses on Western cinema that are overwhelmingly Eurocentric. Although it seeks to inject an alternative perspective, the ultimate aim is to reach a balance of East and West. By focusing on Eastern aesthetic and philosophical influences in Western films, the book suggests that there is a much more thorough integration of East and West than previously thought or imagined."--Bloomsbury Publishing.

ISBN: 9781350116917 (ebk.)Subjects--Topical Terms:

746148
Motion pictures
--History.--Asia

LC Class. No.: PN1993.5.U6 / T46 2019

Dewey Class. No.: 791.43091821

Eastern approaches to Western film[electronic resource] :Asian reception and aesthetics in cinema /
LDR:02782cmm a2200265 a 4500 001 521802
003 UtOrBLW
005 20221003094336.0
006 m o d
007 cr cn
008 230316s2019 enka ob 001 0 eng d
020 $a 9781350116917 (ebk.)
020 $a 9781784539825 (hbk.)
035 $a 1110926047
040 $a UtOrBLW $b eng $c UtOrBLW $d UkLoBP $e pn
050 4 $a PN1993.5.U6 $b T46 2019
082 0 4 $a 791.43091821 $2 23
100 1 $a Teo, Stephen. $3 388432
245 1 0 $a Eastern approaches to Western film $h [electronic resource] : $b Asian reception and aesthetics in cinema / $c Stephen Teo.
260 $a London : $b Bloomsbury Academic, $c 2019.
300 $a 1 online resource (xi, 292 p.)
490 0 $a World cinema
500 $a Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily.
504 $a Includes bibliographical references and index.
505 0 $a Introduction -- 1. Star Wars Eastern Saga -- 2. Vertigo, Hitchcock's Chinese Riddle -- 3. Orson Welles' The Lady from Shanghai -- 4. Le Samouraï, Eastern Action in the Milieu -- 5. Robert Bresson, French or Daoist? -- 6. Dreyer's Vampyr, Wandering in the West -- 7. Eastern Principles in Sam Peckinpah's Westerns -- 8. Make Way for Tomorrow, America's Confucian Classic -- 9. John Ford and Asian Family Values -- 10.Conclusion.
520 $a "Eastern Approaches to Western Film: Asian Aesthetics and Reception in Cinema offers a renewed critical outlook on Western classic film directly from the pantheon of European and American masters, including Alfred Hitchcock, George Lucas, Robert Bresson, Carl Dreyer, Jean-Pierre Melville, John Ford, Leo McCarey, Sam Peckinpah, and Orson Welles. The book contributes an 'Eastern Approach' into the critical studies of Western films by reappraising selected films of these masters, matching and comparing their visions, themes, and ideas with the philosophical and paradigmatic principles of the East. It traces Eastern inscriptions and signs embedded within these films as well as their social lifestyle values and other concepts that are also inherently Eastern. As such, the book represents an effort to reformulate established discourses on Western cinema that are overwhelmingly Eurocentric. Although it seeks to inject an alternative perspective, the ultimate aim is to reach a balance of East and West. By focusing on Eastern aesthetic and philosophical influences in Western films, the book suggests that there is a much more thorough integration of East and West than previously thought or imagined."--Bloomsbury Publishing.
650 0 $a Motion pictures $z Asia $x History. $3 746148
650 0 $a Motion pictures $z United States $x History. $3 378497
650 0 $a Motion pictures $x Appreciation $z Asia. $3 746149
650 0 $a Motion pictures $z Europe $3 746150
856 4 0 $u https://dx.doi.org/10.5040/9781350116917?locatt=label:secondary_bloomsburyCollections