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Postwar American fiction and the rise of modern conservatism :a literary history, 1945-2008 /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	813/.54093581
書名/作者:	Postwar American fiction and the rise of modern conservatism : : a literary history, 1945-2008 // Bryan M. Santin.
作者:	Santin, Bryan Michael.
出版者:	Cambridge, U.K. ; : Cambridge University Press,, 2021.
面頁冊數:	viii, 295 p. ;; 24 cm.
標題:	American fiction - History and criticism. - 20th century
標題:	Conservatism in literature.
標題:	Right and left (Political science) in literature.
標題:	Politics and literature - History - 20th century. - United States
標題:	Conservatism - History - 20th century. - United States
標題:	United States - Economic conditions - To 1865.
ISBN:	9781108832656 (hbk.) :
書目註:	Includes bibliographical references (p. 274-289) and index.
內容註:	US Literature and the Modern Right at Midcentury: Conservative Modernism, Race, and the Cold War, 1945-1960 -- The Conservative Movement's Foundational Fictions: Flannery O'Connor, Ayn Rand, and the Evolving Literary Forms of Conservatism, 1950-1964 -- The Strongbox of Custom: James Baldwin, Norman Mailer, and the Shifting Racial Logic of Postwar Conservatism, 1955-1972 -- Movement Conservatism, Neoconservatism, and the New Right: Saul Bellow and Thomas Pynchon in the Age of Reagan, 1970-1990 -- The American Novel and the Reagan Revolution: The Ascent of Toni Morrison in the Age of Conservative Pop Fiction, 1987-2000 -- Epilogue: The Curious (Conservative) Case of Marilynne Robinson.
摘要、提要註:	"By the 2nd decade of the twenty-1st century, the robust linkage between highbrow literary fiction and progressive liberalism was virtually axiomatic. In a 2014 cover story for National Review, 'Let Your Right Brain Run Free,' Adam Bellow, son of Saul Bellow, exemplified the typical conservative lament when faced with this fact. Unusually, though, Bellow transformed his complaint that a liberal ethos dominates the major institutions of the U.S. literary establishment into an argument for why 'conservative fiction' should be 'the next front in the culture war'. Using the left-brain/right-brain metaphor, Bellow claimed that for too long 'conservatives have favored the rational left brain at the expense of the right,' making the proverbial conservative mind 'hyperdeveloped in one respect, completely undeveloped in another'. By the left side of the conservative mind, Bellow meant the postwar creation of 'a network of think tanks, foundations, magazines, and publishing houses' that were the institutional and intellectual underpinnings of the modern conservative movement. To grow the right side, Bellow believed, conservatives essentially ought to recreate that massive organizational effort to produce American literature instead of political power: 'We need our own writing programs, fellowships, prizes, and so forth'"--

Postwar American fiction and the rise of modern conservatism :a literary history, 1945-2008 /
Santin, Bryan Michael.

Postwar American fiction and the rise of modern conservatism :a literary history, 1945-2008 /Bryan M. Santin. - Cambridge, U.K. ;Cambridge University Press,2021. - viii, 295 p. ;24 cm. - Cambridge studies in American literature and culture.

Includes bibliographical references (p. 274-289) and index.

US Literature and the Modern Right at Midcentury: Conservative Modernism, Race, and the Cold War, 1945-1960 -- The Conservative Movement's Foundational Fictions: Flannery O'Connor, Ayn Rand, and the Evolving Literary Forms of Conservatism, 1950-1964 -- The Strongbox of Custom: James Baldwin, Norman Mailer, and the Shifting Racial Logic of Postwar Conservatism, 1955-1972 -- Movement Conservatism, Neoconservatism, and the New Right: Saul Bellow and Thomas Pynchon in the Age of Reagan, 1970-1990 -- The American Novel and the Reagan Revolution: The Ascent of Toni Morrison in the Age of Conservative Pop Fiction, 1987-2000 -- Epilogue: The Curious (Conservative) Case of Marilynne Robinson.

"By the 2nd decade of the twenty-1st century, the robust linkage between highbrow literary fiction and progressive liberalism was virtually axiomatic. In a 2014 cover story for National Review, 'Let Your Right Brain Run Free,' Adam Bellow, son of Saul Bellow, exemplified the typical conservative lament when faced with this fact. Unusually, though, Bellow transformed his complaint that a liberal ethos dominates the major institutions of the U.S. literary establishment into an argument for why 'conservative fiction' should be 'the next front in the culture war'. Using the left-brain/right-brain metaphor, Bellow claimed that for too long 'conservatives have favored the rational left brain at the expense of the right,' making the proverbial conservative mind 'hyperdeveloped in one respect, completely undeveloped in another'. By the left side of the conservative mind, Bellow meant the postwar creation of 'a network of think tanks, foundations, magazines, and publishing houses' that were the institutional and intellectual underpinnings of the modern conservative movement. To grow the right side, Bellow believed, conservatives essentially ought to recreate that massive organizational effort to produce American literature instead of political power: 'We need our own writing programs, fellowships, prizes, and so forth'"--

ISBN: 9781108832656 (hbk.) :NTD 2,887

LCCN: 2020046991Subjects--Topical Terms:

371071
American fiction
--History and criticism.--20th centurySubjects--Geographical Terms:

338488
United States
--Economic conditions--To 1865.

LC Class. No.: PS374.C59 / S26 2021

Dewey Class. No.: 813/.54093581

Postwar American fiction and the rise of modern conservatism :a literary history, 1945-2008 /
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520 $a "By the 2nd decade of the twenty-1st century, the robust linkage between highbrow literary fiction and progressive liberalism was virtually axiomatic. In a 2014 cover story for National Review, 'Let Your Right Brain Run Free,' Adam Bellow, son of Saul Bellow, exemplified the typical conservative lament when faced with this fact. Unusually, though, Bellow transformed his complaint that a liberal ethos dominates the major institutions of the U.S. literary establishment into an argument for why 'conservative fiction' should be 'the next front in the culture war'. Using the left-brain/right-brain metaphor, Bellow claimed that for too long 'conservatives have favored the rational left brain at the expense of the right,' making the proverbial conservative mind 'hyperdeveloped in one respect, completely undeveloped in another'. By the left side of the conservative mind, Bellow meant the postwar creation of 'a network of think tanks, foundations, magazines, and publishing houses' that were the institutional and intellectual underpinnings of the modern conservative movement. To grow the right side, Bellow believed, conservatives essentially ought to recreate that massive organizational effort to produce American literature instead of political power: 'We need our own writing programs, fellowships, prizes, and so forth'"-- $c Provided by publisher.
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