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Shakespeare and Game of thrones /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	791.45/72
書名/作者:	Shakespeare and Game of thrones // Jeffrey R. Wilson.
作者:	Wilson, Jeffrey R.
出版者:	Abingdon, Oxon ; : Routledge,, 2021.
面頁冊數:	xi, 127 p. : : ill. ;; 23 cm.
附註:	"Routledge Focus"--Cover.
標題:	History on television.
標題:	Literature and history.
標題:	Great Britain - Fiction.
ISBN:	9780367483920 (hbk.) :
書目註:	Includes bibliographical references and index.
內容註:	The Tudor myth -- Martin's Shakespeare -- The Shakespearean slingshot -- Composition history and co(rporate)-authorship -- From true tragedy to historical fantasy -- Comical-tragical-historical-pastoral : mixed genre -- Narrative relief : from comedy to nudity -- Spectacle and success from the medieval church service to CGI -- Game of thrones as Shakespearean performance : interviews with the actors -- External predictability, internal unpredictability -- Eddard as Gloucester : de casibus virorum illustrum -- Wars of Roses : a literary trope in social life -- The stigmatized protagonist : the tragic model and the heroic model -- Girl power : mimetic feminism and rhetorical misogyny -- Generic bias : gender, race, criticism -- The bloody hand : intertextual metatheater -- The Targaryen myth -- How George R.R. Martin changed the ending of Game Of thrones -- Fandom as IKEA effect.
摘要、提要註:	"It is widely acknowledged that the hit franchise Game of Thrones is based on the Wars of the Roses, a bloody 15th-century civil war between feuding English families. In this book, Jeffrey R. Wilson shows how that connection was mediated by Shakespeare, and how a knowledge of the Shakespearean context enriches our understanding of the literary elements of Game of Thrones. On the one hand, Shakespeare influenced Game of Thrones indirectly because his history plays significantly shaped the way the Wars of the Roses are now remembered, including the modern histories and historical fictions George R.R. Martin drew upon. On the other, Game of Thrones also responds to Shakespeare's 1st tetralogy directly by adapting several of its literary strategies (such as shifting perspectives, mixed genres, and metatheater) and tropes (including the stigmatized protagonist and the prince who was promised). Presenting new interviews with the Game of Thrones cast, and comparing contextual circumstances of composition-such as collaborative authorship and political currents-this book also lodges a series of provocations about writing and acting for the stage in the Elizabethan age and for the screen in the twenty-1st century. An essential read for fans of the franchise, as well as students and academics looking at Shakespeare and Renaissance Literature in the context of modern media"-- Provided by publisher.

Shakespeare and Game of thrones /
Wilson, Jeffrey R.1982-

Shakespeare and Game of thrones /Jeffrey R. Wilson. - Abingdon, Oxon ;Routledge,2021. - xi, 127 p. :ill. ;23 cm.

"Routledge Focus"--Cover.

Includes bibliographical references and index.

The Tudor myth -- Martin's Shakespeare -- The Shakespearean slingshot -- Composition history and co(rporate)-authorship -- From true tragedy to historical fantasy -- Comical-tragical-historical-pastoral : mixed genre -- Narrative relief : from comedy to nudity -- Spectacle and success from the medieval church service to CGI -- Game of thrones as Shakespearean performance : interviews with the actors -- External predictability, internal unpredictability -- Eddard as Gloucester : de casibus virorum illustrum -- Wars of Roses : a literary trope in social life -- The stigmatized protagonist : the tragic model and the heroic model -- Girl power : mimetic feminism and rhetorical misogyny -- Generic bias : gender, race, criticism -- The bloody hand : intertextual metatheater -- The Targaryen myth -- How George R.R. Martin changed the ending of Game Of thrones -- Fandom as IKEA effect.

"It is widely acknowledged that the hit franchise Game of Thrones is based on the Wars of the Roses, a bloody 15th-century civil war between feuding English families. In this book, Jeffrey R. Wilson shows how that connection was mediated by Shakespeare, and how a knowledge of the Shakespearean context enriches our understanding of the literary elements of Game of Thrones. On the one hand, Shakespeare influenced Game of Thrones indirectly because his history plays significantly shaped the way the Wars of the Roses are now remembered, including the modern histories and historical fictions George R.R. Martin drew upon. On the other, Game of Thrones also responds to Shakespeare's 1st tetralogy directly by adapting several of its literary strategies (such as shifting perspectives, mixed genres, and metatheater) and tropes (including the stigmatized protagonist and the prince who was promised). Presenting new interviews with the Game of Thrones cast, and comparing contextual circumstances of composition-such as collaborative authorship and political currents-this book also lodges a series of provocations about writing and acting for the stage in the Elizabethan age and for the screen in the twenty-1st century. An essential read for fans of the franchise, as well as students and academics looking at Shakespeare and Renaissance Literature in the context of modern media"-- Provided by publisher.

ISBN: 9780367483920 (hbk.) :NTD 1,809

LCCN: 2020027376Subjects--Personal Names:

740725
Martin, George R. R.
Song of ice and fire.Subjects--Uniform Titles:

Game of thrones (Television program)
Subjects--Topical Terms:

376178
History on television.
Subjects--Geographical Terms:

337657
Great Britain
--Fiction.

LC Class. No.: PN1992.77.G35 / W54 2021

Dewey Class. No.: 791.45/72

Shakespeare and Game of thrones /
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520 $a "It is widely acknowledged that the hit franchise Game of Thrones is based on the Wars of the Roses, a bloody 15th-century civil war between feuding English families. In this book, Jeffrey R. Wilson shows how that connection was mediated by Shakespeare, and how a knowledge of the Shakespearean context enriches our understanding of the literary elements of Game of Thrones. On the one hand, Shakespeare influenced Game of Thrones indirectly because his history plays significantly shaped the way the Wars of the Roses are now remembered, including the modern histories and historical fictions George R.R. Martin drew upon. On the other, Game of Thrones also responds to Shakespeare's 1st tetralogy directly by adapting several of its literary strategies (such as shifting perspectives, mixed genres, and metatheater) and tropes (including the stigmatized protagonist and the prince who was promised). Presenting new interviews with the Game of Thrones cast, and comparing contextual circumstances of composition-such as collaborative authorship and political currents-this book also lodges a series of provocations about writing and acting for the stage in the Elizabethan age and for the screen in the twenty-1st century. An essential read for fans of the franchise, as well as students and academics looking at Shakespeare and Renaissance Literature in the context of modern media"-- Provided by publisher.
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