大葉大學圖書館 |

Music in Germany since 1968[electronic resource] /

紀錄類型:	書目-電子資源 : Monograph/item
杜威分類號:	780.94309045
書名/作者:	Music in Germany since 1968/ by Alastair Williams.
作者:	Williams, Alastair.
出版者:	Cambridge : : Cambridge University Press,, 2013.
面頁冊數:	xi, 280 p. : : ill., music, digital ;; 26 cm.
標題:	Music - History and criticism. - 20th century - Germany
ISBN:	9781139034081
ISBN:	9780521877596
內容註:	Contexts and institutions -- Expanded horizons: established composers after 1968 -- The refusal of habit: Helmut Lachenmann -- Music and signs: Wolfgang Rihm -- Contemporaries of Lachenmann and Rihm: the younger generation.
摘要、提要註:	Music in Germany since 1968 modifies the dominant historiography of music in post-war Germany by shifting its axis from the years of reconstruction after 1945 to the era following the events of 1968. Arguing that the social transformations of 1968 led to a new phase of music in Germany, Alastair Williams examines the key topics, including responses to serialism, music and politics, and the re-evaluation of tradition. The book devotes central chapters to Helmut Lachenmann and Wolfgang Rihm, as focal points for areas such as postmodernism, musical semiotics and action-based gestures. Further chapters widen the scope by considering the precursors and contemporaries of Rihm and Lachenmann, especially in relation to the idea of historical inclusion. Williams's study also assesses the development of the Darmstadt summer courses, addresses the significance of German reunification, and considers the role of Germany in a new stage of musical modernism.
電子資源:	https://doi.org/10.1017/CBO9781139034081

Music in Germany since 1968[electronic resource] /
Williams, Alastair.

Music in Germany since 1968[electronic resource] /by Alastair Williams. - Cambridge :Cambridge University Press,2013. - xi, 280 p. :ill., music, digital ;26 cm. - Music since 1900. - Music since 1900..

Contexts and institutions -- Expanded horizons: established composers after 1968 -- The refusal of habit: Helmut Lachenmann -- Music and signs: Wolfgang Rihm -- Contemporaries of Lachenmann and Rihm: the younger generation.

Music in Germany since 1968 modifies the dominant historiography of music in post-war Germany by shifting its axis from the years of reconstruction after 1945 to the era following the events of 1968. Arguing that the social transformations of 1968 led to a new phase of music in Germany, Alastair Williams examines the key topics, including responses to serialism, music and politics, and the re-evaluation of tradition. The book devotes central chapters to Helmut Lachenmann and Wolfgang Rihm, as focal points for areas such as postmodernism, musical semiotics and action-based gestures. Further chapters widen the scope by considering the precursors and contemporaries of Rihm and Lachenmann, especially in relation to the idea of historical inclusion. Williams's study also assesses the development of the Darmstadt summer courses, addresses the significance of German reunification, and considers the role of Germany in a new stage of musical modernism.

ISBN: 9781139034081Subjects--Topical Terms:

392900
Music
--History and criticism.--Germany--20th century

LC Class. No.: ML275.5 / .W55 2013

Dewey Class. No.: 780.94309045

Music in Germany since 1968[electronic resource] /
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