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Class divisions in serial television...
~
Lemke, Sieglinde.
Class divisions in serial television[electronic resource] /
纪录类型:
书目-语言数据,印刷品 : Monograph/item
[NT 15000414] null:
791.450973
[NT 47271] Title/Author:
Class divisions in serial television/ edited by Sieglinde Lemke, Wibke Schniedermann.
[NT 51406] other author:
Lemke, Sieglinde.
出版者:
London : : Palgrave Macmillan UK :, 2016.
面页册数:
vii, 213 p. : : ill., digital ;; 22 cm.
Contained By:
Springer eBooks
标题:
Television series - United States.
标题:
Social classes on television.
标题:
Motion pictures and television.
标题:
Cultural and Media Studies.
标题:
Film and Television Studies.
标题:
Film Theory.
标题:
Media and Communication.
标题:
Cultural Anthropology.
ISBN:
9781137594495
ISBN:
9781137594488
[NT 15000229] null:
This book brings the emergent interest in social class and inequality to the field of television studies. It reveals how the new visibility of class matters in serial television functions aesthetically and examines the cultural class politics articulated in these programmes. This ground-breaking volume argues that reality and quality TV's intricate politics of class entices viewers not only to grapple with previously invisible socio-economic realities but also to reconsider their class alignment. The stereotypical ways of framing class are now supplemented by those dedicated to exposing the economic and socio-psychological burdens of the (lower) middle class. The case studies in this book demonstrate how sophisticated narrative techniques coincide with equally complex ways of exposing class divisions in contemporary American life and how the examined shows disrupt the hegemonic order of class. The volume therefore also invites a rethinking of conventional models of social stratification.
电子资源:
http://dx.doi.org/10.1057/978-1-137-59449-5
Class divisions in serial television[electronic resource] /
Class divisions in serial television
[electronic resource] /edited by Sieglinde Lemke, Wibke Schniedermann. - London :Palgrave Macmillan UK :2016. - vii, 213 p. :ill., digital ;22 cm.
This book brings the emergent interest in social class and inequality to the field of television studies. It reveals how the new visibility of class matters in serial television functions aesthetically and examines the cultural class politics articulated in these programmes. This ground-breaking volume argues that reality and quality TV's intricate politics of class entices viewers not only to grapple with previously invisible socio-economic realities but also to reconsider their class alignment. The stereotypical ways of framing class are now supplemented by those dedicated to exposing the economic and socio-psychological burdens of the (lower) middle class. The case studies in this book demonstrate how sophisticated narrative techniques coincide with equally complex ways of exposing class divisions in contemporary American life and how the examined shows disrupt the hegemonic order of class. The volume therefore also invites a rethinking of conventional models of social stratification.
ISBN: 9781137594495
Standard No.: 10.1057/978-1-137-59449-5doiSubjects--Topical Terms:
484052
Television series
--United States.
LC Class. No.: PN1992.8.S4 / C437 2016
Dewey Class. No.: 791.450973
Class divisions in serial television[electronic resource] /
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edited by Sieglinde Lemke, Wibke Schniedermann.
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This book brings the emergent interest in social class and inequality to the field of television studies. It reveals how the new visibility of class matters in serial television functions aesthetically and examines the cultural class politics articulated in these programmes. This ground-breaking volume argues that reality and quality TV's intricate politics of class entices viewers not only to grapple with previously invisible socio-economic realities but also to reconsider their class alignment. The stereotypical ways of framing class are now supplemented by those dedicated to exposing the economic and socio-psychological burdens of the (lower) middle class. The case studies in this book demonstrate how sophisticated narrative techniques coincide with equally complex ways of exposing class divisions in contemporary American life and how the examined shows disrupt the hegemonic order of class. The volume therefore also invites a rethinking of conventional models of social stratification.
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