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Paradoxical japaneseness[electronic resource] :cultural representation in twenty-first century japanese cinema /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	791.430952
書名/作者:	Paradoxical japaneseness : cultural representation in twenty-first century japanese cinema // by Andrew Dorman.
作者:	Dorman, Andrew.
出版者:	London : : Palgrave Macmillan UK :, 2016.
面頁冊數:	xiii, 224 p. : : ill., digital ;; 24 cm.
Contained By:	Springer eBooks
標題:	Motion pictures - History - 21st century. - Japan
標題:	Motion picture industry - History - 21st century. - Japan
標題:	Cultural and Media Studies.
標題:	Asian Culture.
標題:	Asian Cinema.
標題:	Cultural Policy and Politics.
標題:	Cultural Theory.
標題:	Genre.
標題:	Japan - Relations - United States.
ISBN:	9781137551603
ISBN:	9781137551597
內容註:	Introduction -- Chapter 1: Cultural Specificity and Globalization -- Chapter 2: (Cult)ural Hybridity -- Chapter 3: Concealing Japan in J Horror -- Chapter 4: Utilizing International Film Festivals -- Chapter 5: 21st Century Jidaigeki and Commercial Ownership -- Conclusions.
摘要、提要註:	This book offers insightful analysis of cultural representation in Japanese cinema of the early 21st century. The impact of transnational production practices on films such as Dolls (2002), Sukiyaki Western Django (2007), Tetsuo: The Bullet Man (2009), and 13 Assassins (2010) is considered through textual and empirical analysis. The author discusses contradictory forms of cultural representation - cultural concealment and cultural performance - and their relationship to both changing practices in the Japanese film industry and the global film market. Case studies take into account popular genres such as J Horror and jidaigeki period films, as well as the work of renowned filmmakers Takeshi Kitano, Takashi Miike, Shinya Tsukamoto and Kiyoshi Kurosawa.
電子資源:	http://dx.doi.org/10.1057/978-1-137-55160-3

Paradoxical japaneseness[electronic resource] :cultural representation in twenty-first century japanese cinema /
Dorman, Andrew.

Paradoxical japanesenesscultural representation in twenty-first century japanese cinema /[electronic resource] :by Andrew Dorman. - London :Palgrave Macmillan UK :2016. - xiii, 224 p. :ill., digital ;24 cm.

Introduction -- Chapter 1: Cultural Specificity and Globalization -- Chapter 2: (Cult)ural Hybridity -- Chapter 3: Concealing Japan in J Horror -- Chapter 4: Utilizing International Film Festivals -- Chapter 5: 21st Century Jidaigeki and Commercial Ownership -- Conclusions.

This book offers insightful analysis of cultural representation in Japanese cinema of the early 21st century. The impact of transnational production practices on films such as Dolls (2002), Sukiyaki Western Django (2007), Tetsuo: The Bullet Man (2009), and 13 Assassins (2010) is considered through textual and empirical analysis. The author discusses contradictory forms of cultural representation - cultural concealment and cultural performance - and their relationship to both changing practices in the Japanese film industry and the global film market. Case studies take into account popular genres such as J Horror and jidaigeki period films, as well as the work of renowned filmmakers Takeshi Kitano, Takashi Miike, Shinya Tsukamoto and Kiyoshi Kurosawa.

ISBN: 9781137551603

Standard No.: 10.1057/978-1-137-55160-3doiSubjects--Topical Terms:

687529
Motion pictures
--History--Japan--21st century.Subjects--Geographical Terms:

372469
Japan
--Relations--United States.

LC Class. No.: PN1993.5.J3 / D67 2016

Dewey Class. No.: 791.430952

Paradoxical japaneseness[electronic resource] :cultural representation in twenty-first century japanese cinema /
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