大葉大學圖書館 |

Philosophy, dreaming and the literary imagination[electronic resource] /

紀錄類型:	書目-電子資源 : Monograph/item
杜威分類號:	154.63
書名/作者:	Philosophy, dreaming and the literary imagination/ by Michaela Schrage-Fruh.
作者:	Schrage-Fruh, Michaela.
出版者:	Cham : : Springer International Publishing :, 2016.
面頁冊數:	ix, 305 p. : : ill., digital ;; 24 cm.
Contained By:	Springer eBooks
標題:	Dreams - Philosophy.
標題:	Dreams in literature.
標題:	Philosophy.
標題:	Aesthetics.
標題:	Philosophy of Mind.
標題:	Literary Theory.
標題:	Philosophy of Language.
ISBN:	9783319407241
ISBN:	9783319407234
內容註:	Contents -- Acknowledgments -- 1. Introduction -- 2. 1. Toward an Aesthetic of Dreaming. From Freud to Neuroscience. Evolutionary Perspectives on Dreaming and Waking Fictions -- 3. 2. Dreaming and Waking Imagination. The Spectrum of Imagination. The Dreamer as Author, the Author as Dreamer. The Dreamer as Reader, the Reader as Dreamer -- 4. 3. Dreaming Fictions, Writing Dreams. The Diversity of Dream Types. The 'Language' of Dreams.Translating the 'Language' of Dream -- 5. 4. Conjuring up the Dream: Three Literary Case Studies. Writing a Dream: Kazuo Ishiguro, The Unconsoled(1995) Dreaming of Wonderland: Clare Boylan, Black Baby (1988) Dreaming Up the Past: John Banville, The Sea (2005) -- 6. Conclusion -- Notes -- Bibliography -- Index.
摘要、提要註:	This book explores the intersections between dreaming and the literary imagination, in light of the findings of recent neurocognitive and empirical research, with the aim to lay a groundwork for an empirically informed aesthetic of dreaming. Drawing on perspectives from literary theory, philosophy of mind and dream research, this study investigates dreaming in relation to creativity and waking states of imagination such as writing and reading stories. Exploring the similarities and differences between the 'language' of dreams and the language of literature, it analyses the strategies employed by writers to create a sense of dream in literary fiction as well as the genres most conducive to this endeavour. The book closes with three case studies focusing on texts by Kazuo Ishiguro, Clare Boylan and John Banville to illustrate the diverse ways in which writers succeed in 'translating' the experience and 'language' of the dream.
電子資源:	http://dx.doi.org/10.1007/978-3-319-40724-1

Philosophy, dreaming and the literary imagination[electronic resource] /
Schrage-Fruh, Michaela.

Philosophy, dreaming and the literary imagination[electronic resource] /by Michaela Schrage-Fruh. - Cham :Springer International Publishing :2016. - ix, 305 p. :ill., digital ;24 cm.

Contents -- Acknowledgments -- 1. Introduction -- 2. 1. Toward an Aesthetic of Dreaming. From Freud to Neuroscience. Evolutionary Perspectives on Dreaming and Waking Fictions -- 3. 2. Dreaming and Waking Imagination. The Spectrum of Imagination. The Dreamer as Author, the Author as Dreamer. The Dreamer as Reader, the Reader as Dreamer -- 4. 3. Dreaming Fictions, Writing Dreams. The Diversity of Dream Types. The 'Language' of Dreams.Translating the 'Language' of Dream -- 5. 4. Conjuring up the Dream: Three Literary Case Studies. Writing a Dream: Kazuo Ishiguro, The Unconsoled(1995) Dreaming of Wonderland: Clare Boylan, Black Baby (1988) Dreaming Up the Past: John Banville, The Sea (2005) -- 6. Conclusion -- Notes -- Bibliography -- Index.

This book explores the intersections between dreaming and the literary imagination, in light of the findings of recent neurocognitive and empirical research, with the aim to lay a groundwork for an empirically informed aesthetic of dreaming. Drawing on perspectives from literary theory, philosophy of mind and dream research, this study investigates dreaming in relation to creativity and waking states of imagination such as writing and reading stories. Exploring the similarities and differences between the 'language' of dreams and the language of literature, it analyses the strategies employed by writers to create a sense of dream in literary fiction as well as the genres most conducive to this endeavour. The book closes with three case studies focusing on texts by Kazuo Ishiguro, Clare Boylan and John Banville to illustrate the diverse ways in which writers succeed in 'translating' the experience and 'language' of the dream.

ISBN: 9783319407241

Standard No.: 10.1007/978-3-319-40724-1doiSubjects--Topical Terms:

673267
Dreams
--Philosophy.

LC Class. No.: BF1078 / .S37 2016

Dewey Class. No.: 154.63

Philosophy, dreaming and the literary imagination[electronic resource] /
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505 0 $a Contents -- Acknowledgments -- 1. Introduction -- 2. 1. Toward an Aesthetic of Dreaming. From Freud to Neuroscience. Evolutionary Perspectives on Dreaming and Waking Fictions -- 3. 2. Dreaming and Waking Imagination. The Spectrum of Imagination. The Dreamer as Author, the Author as Dreamer. The Dreamer as Reader, the Reader as Dreamer -- 4. 3. Dreaming Fictions, Writing Dreams. The Diversity of Dream Types. The 'Language' of Dreams.Translating the 'Language' of Dream -- 5. 4. Conjuring up the Dream: Three Literary Case Studies. Writing a Dream: Kazuo Ishiguro, The Unconsoled(1995) Dreaming of Wonderland: Clare Boylan, Black Baby (1988) Dreaming Up the Past: John Banville, The Sea (2005) -- 6. Conclusion -- Notes -- Bibliography -- Index.
520 $a This book explores the intersections between dreaming and the literary imagination, in light of the findings of recent neurocognitive and empirical research, with the aim to lay a groundwork for an empirically informed aesthetic of dreaming. Drawing on perspectives from literary theory, philosophy of mind and dream research, this study investigates dreaming in relation to creativity and waking states of imagination such as writing and reading stories. Exploring the similarities and differences between the 'language' of dreams and the language of literature, it analyses the strategies employed by writers to create a sense of dream in literary fiction as well as the genres most conducive to this endeavour. The book closes with three case studies focusing on texts by Kazuo Ishiguro, Clare Boylan and John Banville to illustrate the diverse ways in which writers succeed in 'translating' the experience and 'language' of the dream.
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