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Sound, symbol, sociality[electronic ...
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Sound, symbol, sociality[electronic resource] :the aesthetic experience of extreme metal music /
紀錄類型:
書目-電子資源 : Monograph/item
杜威分類號:
781.66
書名/作者:
Sound, symbol, sociality : the aesthetic experience of extreme metal music // by Matthew P. Unger.
作者:
Unger, Matthew P.
出版者:
London : : Palgrave Macmillan UK :, 2016.
面頁冊數:
xiii, 133 p. : : ill., digital ;; 24 cm.
Contained By:
Springer eBooks
標題:
Extreme metal (Music)
標題:
Cultural and Media Studies.
標題:
Music.
標題:
Cultural Theory.
標題:
Sociology of Religion.
標題:
Hermeneutics.
標題:
Aesthetics.
標題:
Feminist Anthropology.
ISBN:
9781137478351
ISBN:
9781137478344
內容註:
1.Introduction -- 2.A Genre of Paradox and Dichotomies -- 3.Defilement and Social Theory -- 4.Post-Secular Aesthetics and the Symbolic Constitution of Extreme Metal Music -- 5.The Modalities of Defilement within Extreme Metal -- 6.The Symbolic Experience of Christian Extreme Metal.
摘要、提要註:
Based on ethnographic research within the extreme metal community, Unger offers a thought-provoking look at how symbols of authenticity and defilement fashion social experience in surprising ways. Exploring the many themes and ciphers that comprise this musical community, this book interprets aesthetic resonances as a way to understand contemporary identity, politics, and social relations. In the end, this book develops a unique argument: the internal composition of the community's music and sound moulds symbols that shape, reflect, and constrain social patterns of identity, difference, and transgression. This book contributes to the sociology of sound and music, the study of religion in popular culture, and the role of aesthetics in everyday life. It will be of interest to upper level students, post-graduate students and scholars of religion, popular culture, and philosophy. Currently a Post-Doctoral Fellow with the Canada Research Chair in Social Theory, Culture and Law at the University of Alberta, Canada Matthew Unger is co-editor (with George Pavlich) of Accusation (In process), andEntryways and Criminalization (In Process) His work encompasses social theoretical and archival approaches to socio-legal ethics, religion, and sound.
電子資源:
http://dx.doi.org/10.1057/978-1-137-47835-1
Sound, symbol, sociality[electronic resource] :the aesthetic experience of extreme metal music /
Unger, Matthew P.
Sound, symbol, sociality
the aesthetic experience of extreme metal music /[electronic resource] :by Matthew P. Unger. - London :Palgrave Macmillan UK :2016. - xiii, 133 p. :ill., digital ;24 cm.
1.Introduction -- 2.A Genre of Paradox and Dichotomies -- 3.Defilement and Social Theory -- 4.Post-Secular Aesthetics and the Symbolic Constitution of Extreme Metal Music -- 5.The Modalities of Defilement within Extreme Metal -- 6.The Symbolic Experience of Christian Extreme Metal.
Based on ethnographic research within the extreme metal community, Unger offers a thought-provoking look at how symbols of authenticity and defilement fashion social experience in surprising ways. Exploring the many themes and ciphers that comprise this musical community, this book interprets aesthetic resonances as a way to understand contemporary identity, politics, and social relations. In the end, this book develops a unique argument: the internal composition of the community's music and sound moulds symbols that shape, reflect, and constrain social patterns of identity, difference, and transgression. This book contributes to the sociology of sound and music, the study of religion in popular culture, and the role of aesthetics in everyday life. It will be of interest to upper level students, post-graduate students and scholars of religion, popular culture, and philosophy. Currently a Post-Doctoral Fellow with the Canada Research Chair in Social Theory, Culture and Law at the University of Alberta, Canada Matthew Unger is co-editor (with George Pavlich) of Accusation (In process), andEntryways and Criminalization (In Process) His work encompasses social theoretical and archival approaches to socio-legal ethics, religion, and sound.
ISBN: 9781137478351
Standard No.: 10.1057/978-1-137-47835-1doiSubjects--Topical Terms:
577484
Extreme metal (Music)
LC Class. No.: ML3534 / .U54 2016
Dewey Class. No.: 781.66
Sound, symbol, sociality[electronic resource] :the aesthetic experience of extreme metal music /
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1.Introduction -- 2.A Genre of Paradox and Dichotomies -- 3.Defilement and Social Theory -- 4.Post-Secular Aesthetics and the Symbolic Constitution of Extreme Metal Music -- 5.The Modalities of Defilement within Extreme Metal -- 6.The Symbolic Experience of Christian Extreme Metal.
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Based on ethnographic research within the extreme metal community, Unger offers a thought-provoking look at how symbols of authenticity and defilement fashion social experience in surprising ways. Exploring the many themes and ciphers that comprise this musical community, this book interprets aesthetic resonances as a way to understand contemporary identity, politics, and social relations. In the end, this book develops a unique argument: the internal composition of the community's music and sound moulds symbols that shape, reflect, and constrain social patterns of identity, difference, and transgression. This book contributes to the sociology of sound and music, the study of religion in popular culture, and the role of aesthetics in everyday life. It will be of interest to upper level students, post-graduate students and scholars of religion, popular culture, and philosophy. Currently a Post-Doctoral Fellow with the Canada Research Chair in Social Theory, Culture and Law at the University of Alberta, Canada Matthew Unger is co-editor (with George Pavlich) of Accusation (In process), andEntryways and Criminalization (In Process) His work encompasses social theoretical and archival approaches to socio-legal ethics, religion, and sound.
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