大葉大學圖書館 |

Propaganda and Hogarth's 'Line of Beauty' in the First World War[electronic resource] /

紀錄類型:	書目-電子資源 : Monograph/item
杜威分類號:	940.488
書名/作者:	Propaganda and Hogarth's 'Line of Beauty' in the First World War/ by Georgina Williams.
作者:	Williams, Georgina.
出版者:	London : : Palgrave Macmillan UK :, 2016.
面頁冊數:	ix, 176 p. : : ill., digital ;; 22 cm.
Contained By:	Springer eBooks
標題:	World War, 1914-1918 - Propaganda.
標題:	World War, 1914-1918 - Fiction.
標題:	Propaganda - History - 20th century.
標題:	Propaganda in art.
標題:	Art and war.
標題:	History.
標題:	History of Military.
標題:	Modern History.
標題:	History of Britain and Ireland.
ISBN:	9781137571946
ISBN:	9781137571939
內容註:	Introduction -- 1. The Genealogy of the Line and the Role of Resemblances -- 2. The Poster as a Functional Object -- 3. The Static Representation of Movement in Art and War -- 4. Representing the Real in the Aesthetics of Conflict -- 5. Propaganda and the Wider Visual Ecology of the Era -- Conclusion.
摘要、提要註:	Propaganda and Hogarth's 'Line of Beauty' in the First World War assesses the literal and metaphoric connotations of movement in William Hogarth's eighteenth-century theory of a 'line of beauty', and subsequently employs it as a mechanism by which the visual propaganda of this era can be innovatively explored. Hogarth's belief that this line epitomises not only movement, but movement at its most beautiful, creates conditions of possibility whereby the construct can be elevated from traditional analyses and consequently utilised to examine movement in artworks from both literal and metaphorical perspectives. Propagandist promotion of an alternate reality as a challenge to a current 'real' lends itself to these dual viewpoints; the early years of the twentieth century saw growth in the advertising of conflict via the pictorial poster, instigating intentionally or otherwise an aesthetic response from soldier-artists embroiled on the battlefields. The 'line of beauty' therefore serves as a productive mechanism by which this era of propaganda art can be appraised.
電子資源:	http://dx.doi.org/10.1057/978-1-137-57194-6

Propaganda and Hogarth's 'Line of Beauty' in the First World War[electronic resource] /
Williams, Georgina.

Propaganda and Hogarth's 'Line of Beauty' in the First World War[electronic resource] /by Georgina Williams. - London :Palgrave Macmillan UK :2016. - ix, 176 p. :ill., digital ;22 cm.

Introduction -- 1. The Genealogy of the Line and the Role of Resemblances -- 2. The Poster as a Functional Object -- 3. The Static Representation of Movement in Art and War -- 4. Representing the Real in the Aesthetics of Conflict -- 5. Propaganda and the Wider Visual Ecology of the Era -- Conclusion.

Propaganda and Hogarth's 'Line of Beauty' in the First World War assesses the literal and metaphoric connotations of movement in William Hogarth's eighteenth-century theory of a 'line of beauty', and subsequently employs it as a mechanism by which the visual propaganda of this era can be innovatively explored. Hogarth's belief that this line epitomises not only movement, but movement at its most beautiful, creates conditions of possibility whereby the construct can be elevated from traditional analyses and consequently utilised to examine movement in artworks from both literal and metaphorical perspectives. Propagandist promotion of an alternate reality as a challenge to a current 'real' lends itself to these dual viewpoints; the early years of the twentieth century saw growth in the advertising of conflict via the pictorial poster, instigating intentionally or otherwise an aesthetic response from soldier-artists embroiled on the battlefields. The 'line of beauty' therefore serves as a productive mechanism by which this era of propaganda art can be appraised.

ISBN: 9781137571946

Standard No.: 10.1057/978-1-137-57194-6doiSubjects--Personal Names:

660255
Hogarth, William,
1697-1764--Criticism and interpretation.Subjects--Topical Terms:

371005
World War, 1914-1918
--Propaganda.

LC Class. No.: D639.P6 / W55 2016

Dewey Class. No.: 940.488

Propaganda and Hogarth's 'Line of Beauty' in the First World War[electronic resource] /
LDR:02317nmm a2200313 a 4500 001 458810
003 DE-He213
005 20161125113311.0
006 m d
007 cr nn 008maaau
008 170113s2016 enk s 0 eng d
020 $a 9781137571946 $q (electronic bk.)
020 $a 9781137571939 $q (paper)
024 7 $a 10.1057/978-1-137-57194-6 $2 doi
035 $a 978-1-137-57194-6
040 $a GP $c GP
041 0 $a eng
050 4 $a D639.P6 $b W55 2016
072 7 $a HBW $2 bicssc
072 7 $a HIS027000 $2 bisacsh
082 0 4 $a 940.488 $2 23
090 $a D639.P6 $b W723 2016
100 1 $a Williams, Georgina. $3 660254
245 1 0 $a Propaganda and Hogarth's 'Line of Beauty' in the First World War $h [electronic resource] / $c by Georgina Williams.
260 $a London : $b Palgrave Macmillan UK : $b Imprint: Palgrave Macmillan, $c 2016.
300 $a ix, 176 p. : $b ill., digital ; $c 22 cm.
505 0 $a Introduction -- 1. The Genealogy of the Line and the Role of Resemblances -- 2. The Poster as a Functional Object -- 3. The Static Representation of Movement in Art and War -- 4. Representing the Real in the Aesthetics of Conflict -- 5. Propaganda and the Wider Visual Ecology of the Era -- Conclusion.
520 $a Propaganda and Hogarth's 'Line of Beauty' in the First World War assesses the literal and metaphoric connotations of movement in William Hogarth's eighteenth-century theory of a 'line of beauty', and subsequently employs it as a mechanism by which the visual propaganda of this era can be innovatively explored. Hogarth's belief that this line epitomises not only movement, but movement at its most beautiful, creates conditions of possibility whereby the construct can be elevated from traditional analyses and consequently utilised to examine movement in artworks from both literal and metaphorical perspectives. Propagandist promotion of an alternate reality as a challenge to a current 'real' lends itself to these dual viewpoints; the early years of the twentieth century saw growth in the advertising of conflict via the pictorial poster, instigating intentionally or otherwise an aesthetic response from soldier-artists embroiled on the battlefields. The 'line of beauty' therefore serves as a productive mechanism by which this era of propaganda art can be appraised.
600 1 0 $a Hogarth, William, $d 1697-1764 $x Criticism and interpretation. $3 660255
650 0 $a World War, 1914-1918 $x Propaganda. $3 371005
650 0 $a World War, 1914-1918 $v Fiction. $3 337660
650 0 $a Propaganda $x History $y 20th century. $3 660256
650 0 $a Propaganda in art. $3 660257
650 0 $a Art and war. $3 386943
650 1 4 $a History. $3 349095
650 2 4 $a History of Military. $3 639725
650 2 4 $a Modern History. $3 639682
650 2 4 $a History of Britain and Ireland. $3 639681
710 2 $a SpringerLink (Online service) $3 463450
773 0 $t Springer eBooks
856 4 0 $u http://dx.doi.org/10.1057/978-1-137-57194-6
950 $a History (Springer-41172)