大葉大學圖書館 |

The cinema of James Cameron[electronic resource] :bodies in heroic motion /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	791.4302/33092
書名/作者:	The cinema of James Cameron : bodies in heroic motion // James Clarke.
作者:	Clarke, James,
出版者:	New York : : Wallflower Press,, c2014.
面頁冊數:	1 online resource (vii, 176 p.) : : ill.
標題:	Motion picture producers and directors - Canada.
ISBN:	9780231850629 (electronic bk.)
書目註:	Includes bibliographical references (p. 163-172) and index.
內容註:	Introduction -- Genesis: From short film visions to low-budget monster movie -- The Terminator (1984) -- Aliens (1986) -- The Abyss (1989) -- Terminator 2: Judgement Day (1991) -- True Lies (1994) -- Titanic (1997) -- Avatar (2009) -- Cameron's Documentaries -- Cameron as writer and producer.
摘要、提要註:	This timely volume explores the massively popular cinema of writer-director James Cameron. It couches Cameron's films within the evolving generic traditions of science fiction, melodrama, and the cinema of spectacle. The book also considers Cameron's engagement with the aesthetic of visual effects and the 'now' technology of performance-capture which is arguably moving a certain kind of event-movie cinema from photography to something more akin to painting. This book is explicit in presenting Cameron as an authentic auteur, and each chapter is dedicated to a single film in his body of work, from The Terminator to Avatar. Space is also given to discussion of Strange Days as well as his short films and documentary works. -- Provided by publisher.
電子資源:	http://www.degruyter.com/isbn/9780231850629

The cinema of James Cameron[electronic resource] :bodies in heroic motion /
Clarke, James,1972-

The cinema of James Cameronbodies in heroic motion /[electronic resource] :James Clarke. - New York :Wallflower Press,c2014. - 1 online resource (vii, 176 p.) :ill. - Directors' cuts. - Directors' cuts..

Includes bibliographical references (p. 163-172) and index.

Introduction -- Genesis: From short film visions to low-budget monster movie -- The Terminator (1984) -- Aliens (1986) -- The Abyss (1989) -- Terminator 2: Judgement Day (1991) -- True Lies (1994) -- Titanic (1997) -- Avatar (2009) -- Cameron's Documentaries -- Cameron as writer and producer.

This timely volume explores the massively popular cinema of writer-director James Cameron. It couches Cameron's films within the evolving generic traditions of science fiction, melodrama, and the cinema of spectacle. The book also considers Cameron's engagement with the aesthetic of visual effects and the 'now' technology of performance-capture which is arguably moving a certain kind of event-movie cinema from photography to something more akin to painting. This book is explicit in presenting Cameron as an authentic auteur, and each chapter is dedicated to a single film in his body of work, from The Terminator to Avatar. Space is also given to discussion of Strange Days as well as his short films and documentary works. -- Provided by publisher.

ISBN: 9780231850629 (electronic bk.)

LCCN: 2015410751Subjects--Personal Names:

391805
Cameron, James,
1954-Subjects--Topical Terms:

657740
Motion picture producers and directors
--Canada.

LC Class. No.: PN1998.3.C352 / C57 2014

Dewey Class. No.: 791.4302/33092

The cinema of James Cameron[electronic resource] :bodies in heroic motion /
LDR:02075cam a2200301 a 4500 001 457339
005 20150928114538.0
006 m o d
007 cr cn|||||||||
008 161227s2014 nyua ob 001 0 eng d
010 $a 2015410751
020 $a 9780231850629 (electronic bk.)
020 $z 9780231169769 (hbk.)
020 $z 9780231169776 (pbk.)
035 $a (OCoLC)ocn863199949
035 $a 18640406
040 $a YDXCP $c YDXCP $d BTCTA $d ERASA $d BDX $d OCLCO $d NDD $d MUU $d UAB $d CHVBK $d OCLCF $d DLC
043 $a n-cn---
050 0 0 $a PN1998.3.C352 $b C57 2014
082 0 4 $a 791.4302/33092 $2 23
100 1 $a Clarke, James, $d 1972- $3 391803
245 1 4 $a The cinema of James Cameron $h [electronic resource] : $b bodies in heroic motion / $c James Clarke.
260 $a New York : $b Wallflower Press, $c c2014.
300 $a 1 online resource (vii, 176 p.) : $b ill.
490 1 $a Directors' cuts
504 $a Includes bibliographical references (p. 163-172) and index.
505 0 $a Introduction -- Genesis: From short film visions to low-budget monster movie -- The Terminator (1984) -- Aliens (1986) -- The Abyss (1989) -- Terminator 2: Judgement Day (1991) -- True Lies (1994) -- Titanic (1997) -- Avatar (2009) -- Cameron's Documentaries -- Cameron as writer and producer.
520 $a This timely volume explores the massively popular cinema of writer-director James Cameron. It couches Cameron's films within the evolving generic traditions of science fiction, melodrama, and the cinema of spectacle. The book also considers Cameron's engagement with the aesthetic of visual effects and the 'now' technology of performance-capture which is arguably moving a certain kind of event-movie cinema from photography to something more akin to painting. This book is explicit in presenting Cameron as an authentic auteur, and each chapter is dedicated to a single film in his body of work, from The Terminator to Avatar. Space is also given to discussion of Strange Days as well as his short films and documentary works. -- Provided by publisher.
588 $a Description based on print version record.
600 1 0 $a Cameron, James, $d 1954- $3 391805
650 0 $a Motion picture producers and directors $z Canada. $3 657740
830 0 $a Directors' cuts. $3 657739
856 4 0 $u http://www.degruyter.com/isbn/9780231850629