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Film theory[electronic resource] :cr...

Colman, Felicity, (1967-)

Film theory[electronic resource] :creating a cinematic grammar /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	791
書名/作者:	Film theory : creating a cinematic grammar // Felicity Colman.
作者:	Colman, Felicity,
出版者:	New York : : Wallflower,, 2014.
面頁冊數:	1 online resource (136 p.)
附註:	"A Wallflower Press book"--Title page verso.
標題:	Film criticism.
標題:	Motion pictures.
ISBN:	9780231850605 (electronic bk.)
書目註:	Includes bibliographical references (p. 103-127) and index.
內容註:	Introduction : the written matter of a cinematic grammar -- Models -- Technology -- Spectators -- Conclusion : film theory as practice.
摘要、提要註:	"This book addresses the core concepts and arguments created or used by leading academics, critical film theorists, and prominent filmmakers. It takes the position that film theory is a form of writing that produces a unique cinematic grammar; and like all grammars, it forms part of the system of rules that govern a language, and is thus applicable to wider range of media forms. In their creation of authorial trends, identification of the technology of cinema as a creative force, and production of films as aesthetic markers, film theories contribute an epistemological resource that connects the technologies of filmmaking and film composition. This book explores these connections through film theorisations of processes of the diagrammatisation (the systems, methodologies, concepts, histories) of cinematic matters of the filmic world."--Page 4 of cover.
電子資源:	http://www.degruyter.com/isbn/9780231850605

Film theory[electronic resource] :creating a cinematic grammar /
Colman, Felicity,1967-

Film theorycreating a cinematic grammar /[electronic resource] :Felicity Colman. - New York :Wallflower,2014. - 1 online resource (136 p.) - Short cuts series ;56. - Short cuts (London, England) ;56..

"A Wallflower Press book"--Title page verso.

Includes bibliographical references (p. 103-127) and index.

Introduction : the written matter of a cinematic grammar -- Models -- Technology -- Spectators -- Conclusion : film theory as practice.

"This book addresses the core concepts and arguments created or used by leading academics, critical film theorists, and prominent filmmakers. It takes the position that film theory is a form of writing that produces a unique cinematic grammar; and like all grammars, it forms part of the system of rules that govern a language, and is thus applicable to wider range of media forms. In their creation of authorial trends, identification of the technology of cinema as a creative force, and production of films as aesthetic markers, film theories contribute an epistemological resource that connects the technologies of filmmaking and film composition. This book explores these connections through film theorisations of processes of the diagrammatisation (the systems, methodologies, concepts, histories) of cinematic matters of the filmic world."--Page 4 of cover.

ISBN: 9780231850605 (electronic bk.)

LCCN: 2015410753Subjects--Topical Terms:

383036
Film criticism.

LC Class. No.: PN1994 / .C565 2014

Dewey Class. No.: 791

Film theory[electronic resource] :creating a cinematic grammar /
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245 1 0 $a Film theory $h [electronic resource] : $b creating a cinematic grammar / $c Felicity Colman.
260 $a New York : $b Wallflower, $c 2014.
300 $a 1 online resource (136 p.)
490 1 $a Short cuts series ; $v 56
500 $a "A Wallflower Press book"--Title page verso.
504 $a Includes bibliographical references (p. 103-127) and index.
505 0 $a Introduction : the written matter of a cinematic grammar -- Models -- Technology -- Spectators -- Conclusion : film theory as practice.
520 $a "This book addresses the core concepts and arguments created or used by leading academics, critical film theorists, and prominent filmmakers. It takes the position that film theory is a form of writing that produces a unique cinematic grammar; and like all grammars, it forms part of the system of rules that govern a language, and is thus applicable to wider range of media forms. In their creation of authorial trends, identification of the technology of cinema as a creative force, and production of films as aesthetic markers, film theories contribute an epistemological resource that connects the technologies of filmmaking and film composition. This book explores these connections through film theorisations of processes of the diagrammatisation (the systems, methodologies, concepts, histories) of cinematic matters of the filmic world."--Page 4 of cover.
588 $a Description based on print version record.
650 0 $a Film criticism. $3 383036
650 0 $a Motion pictures. $3 371567
830 0 $a Short cuts (London, England) ; $v 56. $3 657681
856 4 0 $u http://www.degruyter.com/isbn/9780231850605

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