Gender, theatre, and the origins of ...
Dryden, John, (1631-1700)

 

  • Gender, theatre, and the origins of criticism :from Dryden to Manley /
  • レコード種別: 言語・文字資料 (印刷物) : 単行資料
    [NT 15000414] null: 801/.95/094109033
    タイトル / 著者: Gender, theatre, and the origins of criticism : : from Dryden to Manley // by Marcie Frank.
    その他のタイトル: Gender, Theatre, & the Origins of Criticism
    著者: Frank, Marcie,
    記述: 1 online resource (ix, 175 pages) : : digital, PDF file(s).
    注記: Title from publisher's bibliographic system (viewed on 05 Oct 2015).
    主題: Criticism - History - 18th century. - Great Britain
    主題: English literature - History and criticism
    主題: Criticism - History - 17th century. - Great Britain
    主題: English drama - History and criticism
    主題: Sex role in literature.
    主題: Sex in literature.
    国際標準図書番号 (ISBN) : 9780511483578 (ebook)
    [NT 15000228] null: The critical stage -- "Equal to ourselves" : John Dryden's national literary history -- Staging criticism, staging Milton : John Dryden's The state of innocence -- Imitating Shakespeare : gender and criticism -- The female playwright and the city lady -- Scandals of a female nature.
    [NT 15000229] null: In Gender, Theatre and the Origins of Criticism, which was originally published in 2003, Marcie Frank explores the theoretical and literary legacy of John Dryden to a number of prominent women writers of the time. Frank examines the pre-eminence of gender, sexuality and the theatre in Dryden's critical texts that are predominantly rewritings of the work of his own literary precursors - Ben Jonson, Shakespeare and Milton. She proposes that Dryden develops a native literary tradition that is passed on as an inheritance to his heirs - Aphra Behn, Catharine Trotter, and Delarivier Manley - as well as their male contemporaries. Frank describes the development of criticism in the transition from a court-sponsored theatrical culture to one oriented toward a consuming public, with very different attitudes to gender and sexuality. This study also sets out to trace the historical origins of certain aspects of current criticism - the practices of paraphrase, critical self-consciousness and performativity.
    電子資源: http://dx.doi.org/10.1017/CBO9780511483578
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http://dx.doi.org/10.1017/CBO9780511483578
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