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Deviant modernism :sexual and textua...
~
Eliot, T. S. (1888-1965)
Deviant modernism :sexual and textual errancy in T.S. Eliot, James Joyce, and Marcel Proust /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
杜威分類號:
820.9/353
書名/作者:
Deviant modernism : : sexual and textual errancy in T.S. Eliot, James Joyce, and Marcel Proust // Colleen Lamos.
作者:
Lamos, Colleen,
面頁冊數:
1 online resource (x, 269 pages) : : digital, PDF file(s).
附註:
Title from publisher's bibliographic system (viewed on 05 Oct 2015).
標題:
Paraphilias in literature.
標題:
Gender identity in literature.
標題:
Masculinity in literature.
標題:
Modernism (Literature)
標題:
Sex in literature.
標題:
Men in literature.
ISBN:
9780511485138 (ebook)
摘要、提要註:
This original study re-evaluates central texts of the modernist canon - Eliot's early poetry including The Waste Land, Joyce's Ulysses and Proust's Remembrance of Things Past - by examining sexual energies and identifications in them that are typically regarded as perverse. According to modern cultural discourses and psychosexual categorizations, these deviant desires and identifications feminize men, or tend to render them homosexual. Colleen Lamos's analysis of the operations of gender and sexuality in these texts reveals conflicts, concerning the definition of masculine heterosexuality, which cut across the aesthetics of modernism. She argues that canonical male modernism, far from being a monolithic entity with a coherently conservative political agenda, is in fact the site of errant impulses and unresolved struggles. What emerges is a reconsideration of modernist literature as a whole, and a recognition of the heterogeneous forces which formed and deformed modernism.
電子資源:
http://dx.doi.org/10.1017/CBO9780511485138
Deviant modernism :sexual and textual errancy in T.S. Eliot, James Joyce, and Marcel Proust /
Lamos, Colleen,
Deviant modernism :
sexual and textual errancy in T.S. Eliot, James Joyce, and Marcel Proust /Colleen Lamos. - 1 online resource (x, 269 pages) :digital, PDF file(s).
Title from publisher's bibliographic system (viewed on 05 Oct 2015).
Straightening out literary criticism: T.S. Eliot and error.1.
This original study re-evaluates central texts of the modernist canon - Eliot's early poetry including The Waste Land, Joyce's Ulysses and Proust's Remembrance of Things Past - by examining sexual energies and identifications in them that are typically regarded as perverse. According to modern cultural discourses and psychosexual categorizations, these deviant desires and identifications feminize men, or tend to render them homosexual. Colleen Lamos's analysis of the operations of gender and sexuality in these texts reveals conflicts, concerning the definition of masculine heterosexuality, which cut across the aesthetics of modernism. She argues that canonical male modernism, far from being a monolithic entity with a coherently conservative political agenda, is in fact the site of errant impulses and unresolved struggles. What emerges is a reconsideration of modernist literature as a whole, and a recognition of the heterogeneous forces which formed and deformed modernism.
ISBN: 9780511485138 (ebook)Subjects--Personal Names:
414849
Eliot, T. S.
1888-1965--Criticism and interpretation.Subjects--Topical Terms:
472670
Paraphilias in literature.
LC Class. No.: PS3509.L43 / Z69174 1998
Dewey Class. No.: 820.9/353
Deviant modernism :sexual and textual errancy in T.S. Eliot, James Joyce, and Marcel Proust /
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This original study re-evaluates central texts of the modernist canon - Eliot's early poetry including The Waste Land, Joyce's Ulysses and Proust's Remembrance of Things Past - by examining sexual energies and identifications in them that are typically regarded as perverse. According to modern cultural discourses and psychosexual categorizations, these deviant desires and identifications feminize men, or tend to render them homosexual. Colleen Lamos's analysis of the operations of gender and sexuality in these texts reveals conflicts, concerning the definition of masculine heterosexuality, which cut across the aesthetics of modernism. She argues that canonical male modernism, far from being a monolithic entity with a coherently conservative political agenda, is in fact the site of errant impulses and unresolved struggles. What emerges is a reconsideration of modernist literature as a whole, and a recognition of the heterogeneous forces which formed and deformed modernism.
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http://dx.doi.org/10.1017/CBO9780511485138
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