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Widows and suitors in early modern E...
~
Panek, Jennifer,
Widows and suitors in early modern English comedy /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
杜威分類號:
822/.052309352654
書名/作者:
Widows and suitors in early modern English comedy // Jennifer Panek.
其他題名:
Widows & Suitors in Early Modern English Comedy
作者:
Panek, Jennifer,
面頁冊數:
1 online resource (x, 243 pages) : : digital, PDF file(s).
附註:
Title from publisher's bibliographic system (viewed on 05 Oct 2015).
標題:
English drama - History and criticism. - Early modern and Elizabethan, 1500-1600
標題:
Widows in literature.
標題:
English drama (Comedy) - History and criticism.
標題:
Courtship in literature.
ISBN:
9780511483868 (ebook)
內容註:
The widow's choice : female remarriage in early modern England -- The widow's threat : domestic government and male anxiety -- The suitor's fantasy : courtship and compensation -- The husband's fear : the lusty widow as wife -- A playwright's response : four Middletonian remarriage plots.
摘要、提要註:
The courtship and remarriage of a rich widow was a popular motif in early modern comic theatre. Jennifer Panek brings together a wide variety of texts, from ballads and jest-books to sermons and court records, to examine the staple widow of comedy in her cultural context and to examine early modern attitudes to remarriage. She persuasively challenges the critical tendency to see the stereotype of the lusty widow as a tactic to dissuade women from second marriages, arguing instead that it was deployed to enable her suitors to regain their masculinity, under threat from the dominant, wealthier widow. The theatre, as demonstrated by Middleton, Dekker, Beaumont and Fletcher and others, was the prime purveyor of a fantasy in which a young man's sexual mastery of a widow allowed him to seize the economic opportunity she offered.
電子資源:
http://dx.doi.org/10.1017/CBO9780511483868
Widows and suitors in early modern English comedy /
Panek, Jennifer,
Widows and suitors in early modern English comedy /
Widows & Suitors in Early Modern English ComedyJennifer Panek. - 1 online resource (x, 243 pages) :digital, PDF file(s).
Title from publisher's bibliographic system (viewed on 05 Oct 2015).
The widow's choice : female remarriage in early modern England -- The widow's threat : domestic government and male anxiety -- The suitor's fantasy : courtship and compensation -- The husband's fear : the lusty widow as wife -- A playwright's response : four Middletonian remarriage plots.
The courtship and remarriage of a rich widow was a popular motif in early modern comic theatre. Jennifer Panek brings together a wide variety of texts, from ballads and jest-books to sermons and court records, to examine the staple widow of comedy in her cultural context and to examine early modern attitudes to remarriage. She persuasively challenges the critical tendency to see the stereotype of the lusty widow as a tactic to dissuade women from second marriages, arguing instead that it was deployed to enable her suitors to regain their masculinity, under threat from the dominant, wealthier widow. The theatre, as demonstrated by Middleton, Dekker, Beaumont and Fletcher and others, was the prime purveyor of a fantasy in which a young man's sexual mastery of a widow allowed him to seize the economic opportunity she offered.
ISBN: 9780511483868 (ebook)Subjects--Topical Terms:
342649
English drama
--History and criticism.--Early modern and Elizabethan, 1500-1600
LC Class. No.: PR658.W53 / P36 2004
Dewey Class. No.: 822/.052309352654
Widows and suitors in early modern English comedy /
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The courtship and remarriage of a rich widow was a popular motif in early modern comic theatre. Jennifer Panek brings together a wide variety of texts, from ballads and jest-books to sermons and court records, to examine the staple widow of comedy in her cultural context and to examine early modern attitudes to remarriage. She persuasively challenges the critical tendency to see the stereotype of the lusty widow as a tactic to dissuade women from second marriages, arguing instead that it was deployed to enable her suitors to regain their masculinity, under threat from the dominant, wealthier widow. The theatre, as demonstrated by Middleton, Dekker, Beaumont and Fletcher and others, was the prime purveyor of a fantasy in which a young man's sexual mastery of a widow allowed him to seize the economic opportunity she offered.
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http://dx.doi.org/10.1017/CBO9780511483868
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