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Literature and the taste of knowledge /

Wood, Michael, (1936-)

Literature and the taste of knowledge /

レコード種別:	言語・文字資料 (印刷物) : 単行資料
[NT 15000414] null:	809/.93384
タイトル / 著者:	Literature and the taste of knowledge // Michael Wood.
その他のタイトル:	Literature & the Taste of Knowledge
著者:	Wood, Michael,
記述:	1 online resource (ix, 205 pages) : : digital, PDF file(s).
注記:	Title from publisher's bibliographic system (viewed on 05 Oct 2015).
主題:	Knowledge, Theory of, in literature.
国際標準図書番号 (ISBN) :	9780511485367 (ebook)
[NT 15000228] null:	Introduction: among the analogies -- What Henry knew -- After such knowledge -- Kafka and the Third Reich -- Seven types of obliquity -- Missing dates -- The fictionable world -- Epilogue: The essays of our life.
[NT 15000229] null:	What does literature know? Does it offer us knowledge of its own or does it only interrupt and question other forms of knowledge? This 2005 book seeks to answer and to prolong these questions through the close examination of individual works and the exploration of a broad array of examples. Chapters on Henry James, Kafka, and the form of the villanelle are interspersed with wider-ranging inquiries into forms of irony, indirection and the uses of fiction, with examples ranging from Auden to Proust and Rilke, and from Calvino to Jean Rhys and Yeats. Literature is a form of pretence. But every pretence could tilt us into the real, and many of them do. There is no safe place for the reader: no literalist's haven where fact is always fact; and no paradise of metaphor, where our poems, plays and novels have no truck at all with the harsh and shifting world.
電子資源:	http://dx.doi.org/10.1017/CBO9780511485367

Literature and the taste of knowledge /
Wood, Michael,1936-

Literature and the taste of knowledge /Literature & the Taste of KnowledgeMichael Wood. - 1 online resource (ix, 205 pages) :digital, PDF file(s). - The Empson lectures. - Empson lectures..

Title from publisher's bibliographic system (viewed on 05 Oct 2015).

Introduction: among the analogies -- What Henry knew -- After such knowledge -- Kafka and the Third Reich -- Seven types of obliquity -- Missing dates -- The fictionable world -- Epilogue: The essays of our life.

What does literature know? Does it offer us knowledge of its own or does it only interrupt and question other forms of knowledge? This 2005 book seeks to answer and to prolong these questions through the close examination of individual works and the exploration of a broad array of examples. Chapters on Henry James, Kafka, and the form of the villanelle are interspersed with wider-ranging inquiries into forms of irony, indirection and the uses of fiction, with examples ranging from Auden to Proust and Rilke, and from Calvino to Jean Rhys and Yeats. Literature is a form of pretence. But every pretence could tilt us into the real, and many of them do. There is no safe place for the reader: no literalist's haven where fact is always fact; and no paradise of metaphor, where our poems, plays and novels have no truck at all with the harsh and shifting world.

ISBN: 9780511485367 (ebook)Subjects--Topical Terms:

390305
Knowledge, Theory of, in literature.

LC Class. No.: PN56.K62 / W66 2005

Dewey Class. No.: 809/.93384

Literature and the taste of knowledge /
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505 0 $a Introduction: among the analogies -- What Henry knew -- After such knowledge -- Kafka and the Third Reich -- Seven types of obliquity -- Missing dates -- The fictionable world -- Epilogue: The essays of our life.
520 $a What does literature know? Does it offer us knowledge of its own or does it only interrupt and question other forms of knowledge? This 2005 book seeks to answer and to prolong these questions through the close examination of individual works and the exploration of a broad array of examples. Chapters on Henry James, Kafka, and the form of the villanelle are interspersed with wider-ranging inquiries into forms of irony, indirection and the uses of fiction, with examples ranging from Auden to Proust and Rilke, and from Calvino to Jean Rhys and Yeats. Literature is a form of pretence. But every pretence could tilt us into the real, and many of them do. There is no safe place for the reader: no literalist's haven where fact is always fact; and no paradise of metaphor, where our poems, plays and novels have no truck at all with the harsh and shifting world.
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