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Romanticism and the Gothic :genre, r...
~
Baillie, Joanna, (1762-1851)
Romanticism and the Gothic :genre, reception, and canon formation /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
杜威分類號:
820.9/145
書名/作者:
Romanticism and the Gothic : : genre, reception, and canon formation // Michael Gamer.
其他題名:
Romanticism & the Gothic
作者:
Gamer, Michael,
面頁冊數:
1 online resource (xiii, 255 pages) : : digital, PDF file(s).
附註:
Title from publisher's bibliographic system (viewed on 05 Oct 2015).
標題:
English literature - History and criticism. - 18th century
標題:
Gothic revival (Literature) - Great Britain.
標題:
English literature - History and criticism. - 19th century
標題:
Literary form - History - 18th century.
標題:
Literary form - History - 19th century.
標題:
Romanticism - Great Britain.
標題:
Canon (Literature)
ISBN:
9780511484216 (ebook)
內容註:
Introduction: Romanticism's "pageantry of fear" -- Gothic, reception, and production -- Gothic and its contexts -- "Gross and violent stimulants": producing Lyrical ballads 1798 and 1800 -- National supernaturalism: Joanna Baillie, Germany, and the gothic drama -- "To foist thy stale romance": Scott, antiquarianism, and authorship.
摘要、提要註:
This is the first full-length study to examine the links between high Romantic literature and what has often been thought of as a merely popular genre - the Gothic. Michael Gamer offers a sharply focused analysis of how and why Romantic writers drew on Gothic conventions whilst, at the same time, denying their influence in order to claim critical respectability. He shows how the reception of Gothic literature, including its institutional and commercial recognition as a form of literature, played a fundamental role in the development of Romanticism as an ideology. In doing so he examines the early history of the Romantic movement and its assumptions about literary value, and the politics of reading, writing and reception at the end of the eighteenth century. As a whole the book makes an original contribution to our understanding of genre, tracing the impact of reception, marketing and audience on its formation.
電子資源:
http://dx.doi.org/10.1017/CBO9780511484216
Romanticism and the Gothic :genre, reception, and canon formation /
Gamer, Michael,
Romanticism and the Gothic :
genre, reception, and canon formation /Romanticism & the GothicMichael Gamer. - 1 online resource (xiii, 255 pages) :digital, PDF file(s). - Cambridge studies in Romanticism ;40. - Cambridge studies in Romanticism ;79..
Title from publisher's bibliographic system (viewed on 05 Oct 2015).
Introduction: Romanticism's "pageantry of fear" -- Gothic, reception, and production -- Gothic and its contexts -- "Gross and violent stimulants": producing Lyrical ballads 1798 and 1800 -- National supernaturalism: Joanna Baillie, Germany, and the gothic drama -- "To foist thy stale romance": Scott, antiquarianism, and authorship.
This is the first full-length study to examine the links between high Romantic literature and what has often been thought of as a merely popular genre - the Gothic. Michael Gamer offers a sharply focused analysis of how and why Romantic writers drew on Gothic conventions whilst, at the same time, denying their influence in order to claim critical respectability. He shows how the reception of Gothic literature, including its institutional and commercial recognition as a form of literature, played a fundamental role in the development of Romanticism as an ideology. In doing so he examines the early history of the Romantic movement and its assumptions about literary value, and the politics of reading, writing and reception at the end of the eighteenth century. As a whole the book makes an original contribution to our understanding of genre, tracing the impact of reception, marketing and audience on its formation.
ISBN: 9780511484216 (ebook)Subjects--Personal Names:
642721
Wordsworth, William,
1770-1850.Lyrical ballads.Subjects--Topical Terms:
371048
English literature
--History and criticism.--18th century
LC Class. No.: PR448.G6 / G36 2000
Dewey Class. No.: 820.9/145
Romanticism and the Gothic :genre, reception, and canon formation /
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Introduction: Romanticism's "pageantry of fear" -- Gothic, reception, and production -- Gothic and its contexts -- "Gross and violent stimulants": producing Lyrical ballads 1798 and 1800 -- National supernaturalism: Joanna Baillie, Germany, and the gothic drama -- "To foist thy stale romance": Scott, antiquarianism, and authorship.
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This is the first full-length study to examine the links between high Romantic literature and what has often been thought of as a merely popular genre - the Gothic. Michael Gamer offers a sharply focused analysis of how and why Romantic writers drew on Gothic conventions whilst, at the same time, denying their influence in order to claim critical respectability. He shows how the reception of Gothic literature, including its institutional and commercial recognition as a form of literature, played a fundamental role in the development of Romanticism as an ideology. In doing so he examines the early history of the Romantic movement and its assumptions about literary value, and the politics of reading, writing and reception at the end of the eighteenth century. As a whole the book makes an original contribution to our understanding of genre, tracing the impact of reception, marketing and audience on its formation.
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http://dx.doi.org/10.1017/CBO9780511484216
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