大葉大學圖書館 |

Poetry and the romantic musical aesthetic /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	781.1/7
書名/作者:	Poetry and the romantic musical aesthetic // James H. Donelan.
其他題名:	Poetry & the Romantic Musical Aesthetic
作者:	Donelan, James H.,
面頁冊數:	1 online resource (xvi, 216 pages) : : digital, PDF file(s).
附註:	Title from publisher's bibliographic system (viewed on 05 Oct 2015).
標題:	Music - Philosophy and aesthetics.
標題:	Poetry.
標題:	Romanticism.
ISBN:	9780511482076 (ebook)
內容註:	Self-consciousness and music in the late Enlightenment -- Hölderlin's Deutscher Gesang and the music of poetic self-consciousness -- Hegel's aesthetic theory: self-consciousness and musical material -- Nature, music, and the imagination in Wordsworth's poetry -- Beethoven and musical self-consciousness -- The persistence of sound.
摘要、提要註:	James H. Donelan describes how two poets, a philosopher and a composer – Hölderlin, Wordsworth, Hegel and Beethoven – developed an idea of self-consciousness based on music at the turn of the nineteenth century. This idea became an enduring cultural belief: the understanding of music as an ideal representation of the autonomous creative mind. Against a background of political and cultural upheaval, these four major figures – all born in 1770 – developed this idea in both metaphorical and actual musical structures, thereby establishing both the theory and the practice of asserting self-identity in music. Beethoven still carries the image of the heroic composer today; this book describes how it originated in both his music and in how others responded to him. Bringing together the fields of philosophy, musicology, and literary criticism, Donelan shows how this development emerged from the complex changes in European cultural life taking place between 1795 and 1831.
電子資源:	http://dx.doi.org/10.1017/CBO9780511482076

Poetry and the romantic musical aesthetic /
Donelan, James H.,1963-

Poetry and the romantic musical aesthetic /Poetry & the Romantic Musical AestheticJames H. Donelan. - 1 online resource (xvi, 216 pages) :digital, PDF file(s).

Title from publisher's bibliographic system (viewed on 05 Oct 2015).

Self-consciousness and music in the late Enlightenment -- Hölderlin's Deutscher Gesang and the music of poetic self-consciousness -- Hegel's aesthetic theory: self-consciousness and musical material -- Nature, music, and the imagination in Wordsworth's poetry -- Beethoven and musical self-consciousness -- The persistence of sound.

James H. Donelan describes how two poets, a philosopher and a composer – Hölderlin, Wordsworth, Hegel and Beethoven – developed an idea of self-consciousness based on music at the turn of the nineteenth century. This idea became an enduring cultural belief: the understanding of music as an ideal representation of the autonomous creative mind. Against a background of political and cultural upheaval, these four major figures – all born in 1770 – developed this idea in both metaphorical and actual musical structures, thereby establishing both the theory and the practice of asserting self-identity in music. Beethoven still carries the image of the heroic composer today; this book describes how it originated in both his music and in how others responded to him. Bringing together the fields of philosophy, musicology, and literary criticism, Donelan shows how this development emerged from the complex changes in European cultural life taking place between 1795 and 1831.

ISBN: 9780511482076 (ebook)Subjects--Topical Terms:

389123
Music
--Philosophy and aesthetics.

LC Class. No.: ML3800 / .D65 2008

Dewey Class. No.: 781.1/7

Poetry and the romantic musical aesthetic /
LDR:02385nam a22003138i 4500 001 448032
003 UkCbUP
005 20151005020620.0
006 m|||||o||d||||||||
007 cr||||||||||||
008 161201s2008||||enk o ||1 0|eng|d
020 $a 9780511482076 (ebook)
020 $z 9780521887618 (hardback)
020 $z 9780521130165 (paperback)
035 $a CR9780511482076
040 $a UkCbUP $b eng $e rda $c UkCbUP
050 0 0 $a ML3800 $b .D65 2008
082 0 0 $a 781.1/7 $2 22
100 1 $a Donelan, James H., $d 1963- $e author. $3 642196
245 1 0 $a Poetry and the romantic musical aesthetic / $c James H. Donelan.
246 3 $a Poetry & the Romantic Musical Aesthetic
264 1 $a Cambridge : $b Cambridge University Press, $c 2008.
300 $a 1 online resource (xvi, 216 pages) : $b digital, PDF file(s).
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
500 $a Title from publisher's bibliographic system (viewed on 05 Oct 2015).
505 0 $a Self-consciousness and music in the late Enlightenment -- Hölderlin's Deutscher Gesang and the music of poetic self-consciousness -- Hegel's aesthetic theory: self-consciousness and musical material -- Nature, music, and the imagination in Wordsworth's poetry -- Beethoven and musical self-consciousness -- The persistence of sound.
520 $a James H. Donelan describes how two poets, a philosopher and a composer – Hölderlin, Wordsworth, Hegel and Beethoven – developed an idea of self-consciousness based on music at the turn of the nineteenth century. This idea became an enduring cultural belief: the understanding of music as an ideal representation of the autonomous creative mind. Against a background of political and cultural upheaval, these four major figures – all born in 1770 – developed this idea in both metaphorical and actual musical structures, thereby establishing both the theory and the practice of asserting self-identity in music. Beethoven still carries the image of the heroic composer today; this book describes how it originated in both his music and in how others responded to him. Bringing together the fields of philosophy, musicology, and literary criticism, Donelan shows how this development emerged from the complex changes in European cultural life taking place between 1795 and 1831.
650 0 $a Music $x Philosophy and aesthetics. $3 389123
650 0 $a Poetry. $3 179391
650 0 $a Romanticism. $3 373166
776 0 8 $i Print version: $z 9780521887618
856 4 0 $u http://dx.doi.org/10.1017/CBO9780511482076