大葉大學圖書館 |

Form, program, and metaphor in the music of Berlioz /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	780.92
書名/作者:	Form, program, and metaphor in the music of Berlioz // Stephen Rodgers.
其他題名:	Form, Program, & Metaphor in the Music of Berlioz
作者:	Rodgers, Stephen,
面頁冊數:	1 online resource (x, 189 pages) : : digital, PDF file(s).
附註:	Title from publisher's bibliographic system (viewed on 05 Oct 2015).
標題:	Musical form.
標題:	Metaphor.
標題:	Music - Philosophy and aesthetics.
標題:	Program music.
ISBN:	9780511576409 (ebook)
內容註:	Introduction -- Preliminary examples and recent theories -- Form as metaphor -- Mixing genres, mixing forms : sonata and song in Le carnaval romain -- The vague des passions, monomania, and the first movement of the Symphonie fantastique -- Love's emergence and fulfillment : the Scène d'amour from Roméo et Juliette -- Epilogue.
摘要、提要註:	Few aspects of Berlioz's style are more idiosyncratic than his handling of musical form. This book, the first devoted solely to the topic, explores how his formal strategies are related to the poetic and dramatic sentiments that were his very reason for being. Rodgers draws upon Berlioz's ideas about musical representation and on the ideas that would have influenced him, arguing that the relationship between musical and extra-musical narrative in Berlioz's music is best construed as metaphorical rather than literal - 'intimate' but 'indirect' in Berlioz's words. Focusing on a type of varied-repetitive form that Berlioz used to evoke poetic ideas such as mania, obsession, and meditation, the book shows how, far from disregarding form when pushing the limits of musical evocation, Berlioz harnessed its powers to convey these ideas even more vividly.
電子資源:	http://dx.doi.org/10.1017/CBO9780511576409

Form, program, and metaphor in the music of Berlioz /
Rodgers, Stephen,1974-

Form, program, and metaphor in the music of Berlioz /Form, Program, & Metaphor in the Music of BerliozStephen Rodgers. - 1 online resource (x, 189 pages) :digital, PDF file(s).

Title from publisher's bibliographic system (viewed on 05 Oct 2015).

Introduction -- Preliminary examples and recent theories -- Form as metaphor -- Mixing genres, mixing forms : sonata and song in Le carnaval romain -- The vague des passions, monomania, and the first movement of the Symphonie fantastique -- Love's emergence and fulfillment : the Scène d'amour from Roméo et Juliette -- Epilogue.

Few aspects of Berlioz's style are more idiosyncratic than his handling of musical form. This book, the first devoted solely to the topic, explores how his formal strategies are related to the poetic and dramatic sentiments that were his very reason for being. Rodgers draws upon Berlioz's ideas about musical representation and on the ideas that would have influenced him, arguing that the relationship between musical and extra-musical narrative in Berlioz's music is best construed as metaphorical rather than literal - 'intimate' but 'indirect' in Berlioz's words. Focusing on a type of varied-repetitive form that Berlioz used to evoke poetic ideas such as mania, obsession, and meditation, the book shows how, far from disregarding form when pushing the limits of musical evocation, Berlioz harnessed its powers to convey these ideas even more vividly.

ISBN: 9780511576409 (ebook)Subjects--Personal Names:

416129
Berlioz, Hector,
1803-1869--Criticism and interpretation.Subjects--Topical Terms:

393886
Musical form.

LC Class. No.: ML410.B5 / R63 2009

Dewey Class. No.: 780.92

Form, program, and metaphor in the music of Berlioz /
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