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Marx at the movies[electronic resource] :revisiting history, theory and practice /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	791.4309
書名/作者:	Marx at the movies : revisiting history, theory and practice // Edited by Ewa Mazierska, Lars Kristensen.
作者:	Mazierska, Ewa,
其他作者:	Kristensen, Lars,
出版者:	Basingstoke : : Palgrave Macmillan :, 2014.
面頁冊數:	312 p. : : 30 figures.
附註:	Electronic book text.
標題:	Marxist criticism.
標題:	Motion pictures - History.
標題:	Film theory & criticism.
標題:	Marxism & Communism.
標題:	Performing Arts.
ISBN:	1137378611 (electronic bk.) :
ISBN:	9781137378613 (electronic bk.) :
ISBN:	9781137378620
內容註:	List of Figures Notes on Contributors Introduction-- Ewa Mazierska and Lars Kristensen 1. The Dialectical Image: Kant, Marx and Adorno-- Mike Wayne 2. The Utopian Function of Film Music-- Johan Siebers 3. Bloch on Film as Utopia: Terence Davies' Distant Voices, Still Lives-- Ian Fraser 4. 'But Joe, it's 'Hour of Ecstasy: A Materialist Revaluation of Fritz Lang's You and Me-- Iris Luppa 5. Laughing Matters: Four Marxist Takes on Film Comedy-- Jakob Ladegaard 6. Workerist Film Humour-- Dennis Rothermel 7. Alienated Heroes: Marxism and the Czechoslovak New Wave-- Peter Hames 8. The Work and the Rights of the Documentary Protagonist-- Silke Panse 9. Amateur Digital Filmmaking and Capitalism-- William Brown 10. Citizen: Marx/Kane-- John Hutnyk 11. The Meanings of History and the Uses of Translation in News from Ideological Antiquity - Marx/Eisenstein/The Capital (Video 2008) by Alexander Kluge-- Ewa Mazierska 12. Marx for Children: Moor and the Ravens of London and Hans Rockle and the Devil-- Martin Brady Index.
摘要、提要註:	Marx and the Moving Image approaches cinema from a Marxist perspective. It argues that the supposed 'end of history', marked by the comprehensive triumph of capitalism and the 'end of cinema', calls for revisiting Marx's writings in order to analyse film theories, histories and practices.
電子資源:	Online journal 'available contents' page

Marx at the movies[electronic resource] :revisiting history, theory and practice /
Mazierska, Ewa,

Marx at the moviesrevisiting history, theory and practice /[electronic resource] :Edited by Ewa Mazierska, Lars Kristensen. - 1st ed. - Basingstoke :Palgrave Macmillan :2014. - 312 p. :30 figures.

Electronic book text.

List of Figures Notes on Contributors Introduction-- Ewa Mazierska and Lars Kristensen 1. The Dialectical Image: Kant, Marx and Adorno-- Mike Wayne 2. The Utopian Function of Film Music-- Johan Siebers 3. Bloch on Film as Utopia: Terence Davies' Distant Voices, Still Lives-- Ian Fraser 4. 'But Joe, it's 'Hour of Ecstasy: A Materialist Revaluation of Fritz Lang's You and Me-- Iris Luppa 5. Laughing Matters: Four Marxist Takes on Film Comedy-- Jakob Ladegaard 6. Workerist Film Humour-- Dennis Rothermel 7. Alienated Heroes: Marxism and the Czechoslovak New Wave-- Peter Hames 8. The Work and the Rights of the Documentary Protagonist-- Silke Panse 9. Amateur Digital Filmmaking and Capitalism-- William Brown 10. Citizen: Marx/Kane-- John Hutnyk 11. The Meanings of History and the Uses of Translation in News from Ideological Antiquity - Marx/Eisenstein/The Capital (Video 2008) by Alexander Kluge-- Ewa Mazierska 12. Marx for Children: Moor and the Ravens of London and Hans Rockle and the Devil-- Martin Brady Index.

Document

Marx and the Moving Image approaches cinema from a Marxist perspective. It argues that the supposed 'end of history', marked by the comprehensive triumph of capitalism and the 'end of cinema', calls for revisiting Marx's writings in order to analyse film theories, histories and practices.Marx and the Moving Image approaches cinema from a perspective that has been marginalised by mainstream film studies for over three decades. It argues that the supposed 'end of history', marked by the comprehensive triumph of capitalism and the 'end of cinema', calls for revisiting Marx's writings in order to analyse film theories, histories and practices. Particular attention is paid to subjects rarely explored by Marxist scholars, such as classical Hollywood cinema and amateur filmmaking, as well as to the use of humour, the problem of adaptation and translation, the relationship between sound and image and the use of music and silence in film. Beyond Marx, the contributors also refer to the works of authors such as Benjamin, Bloch, Adorno, Brecht, Ranciere, Hardt and Negri, Svitak and Kosik.

PDF.

Ewa Mazierska is Professor in Film Studies, at the School of Journalism and Digital Communication, University of Central Lancashire, UK. She has published nearly twenty monographs and edited collections on subjects such as Eastern European cinema, representation of history and work in film. Mazierska's work has been translated into over ten languages and she is a principal editor of the journal, Studies in Eastern European Cinema. Lars Kristensen is Lecturer in Media, Aesthetics and Narration at University of Skovde, Sweden. His research focuses on representation in cinema, transnational and postcolonial filmmaking, bicycle cinema and intersections between game, film and fine art. He currently teaches moving image theories to game developers.

ISBN: 1137378611 (electronic bk.) :£60.00Subjects--Topical Terms:

446945
Marxist criticism.

LC Class. No.: PN1993.5.A1 / M3845 2014

Dewey Class. No.: 791.4309

Marx at the movies[electronic resource] :revisiting history, theory and practice /
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