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Hitchcock and contemporary art /
~
Hitchcock, Alfred, (1899-1980)
Hitchcock and contemporary art /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
杜威分類號:
791.4302/33092
書名/作者:
Hitchcock and contemporary art // by Christine Sprengler.
作者:
Sprengler, Christine,
面頁冊數:
1 online resource.
標題:
2000 - 2099
標題:
Art, Modern - 21st century.
標題:
Art, Modern.
ISBN:
0230392164 (electronic bk.)
ISBN:
9780230392168 (electronic bk.)
書目註:
Includes bibliographical references and index.
內容註:
Introduction: Alfred and the artworld -- Cinephilic pilgrimages and the reification of profilmic space -- Activating memories and museums through the expanded essay film -- Remediation and intermediality: from moving to (film) still -- Spatial montage, temporal collage, and the art(ifice) of rear projection -- The acoustics of Vertigo: soundtracks, soundscapes and scores -- Conclusion: repossessing cinema.
摘要、提要註:
"Hitchcock and Contemporary Art" introduces readers to the fascinating and diverse range of artistic practices devoted to Alfred Hitchcock's films. These practices are more than celebrations of his cinematic achievements. The artworks considered here are motivated by a cinephilia often deeply imprinted by epistemophilia, that is, a love of cinema charged by a desire to know more about it and to revel in the pleasures of discovery. As such, these works have the capacity to activate sophisticated engagements with Hitchcock's films and cinema more generally, tackling issues of time and space, memory and history, and sound and image.
電子資源:
http://www.palgraveconnect.com/doifinder/10.1057/9780230392168
Hitchcock and contemporary art /
Sprengler, Christine,
Hitchcock and contemporary art /
by Christine Sprengler. - 1 online resource.
Includes bibliographical references and index.
Introduction: Alfred and the artworld -- Cinephilic pilgrimages and the reification of profilmic space -- Activating memories and museums through the expanded essay film -- Remediation and intermediality: from moving to (film) still -- Spatial montage, temporal collage, and the art(ifice) of rear projection -- The acoustics of Vertigo: soundtracks, soundscapes and scores -- Conclusion: repossessing cinema.
"Hitchcock and Contemporary Art" introduces readers to the fascinating and diverse range of artistic practices devoted to Alfred Hitchcock's films. These practices are more than celebrations of his cinematic achievements. The artworks considered here are motivated by a cinephilia often deeply imprinted by epistemophilia, that is, a love of cinema charged by a desire to know more about it and to revel in the pleasures of discovery. As such, these works have the capacity to activate sophisticated engagements with Hitchcock's films and cinema more generally, tackling issues of time and space, memory and history, and sound and image.
ISBN: 0230392164 (electronic bk.)
Source: 570207Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Personal Names:
386739
Hitchcock, Alfred,
1899-1980--Themes, motives.Subjects--Chronological Terms:
2000 - 2099
Subjects--Topical Terms:
336690
Art, Modern
--21st century.Index Terms--Genre/Form:
574393
Criticism, interpretation, etc.
LC Class. No.: PN1998.3.H58 / S69 2014
Dewey Class. No.: 791.4302/33092
Hitchcock and contemporary art /
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Introduction: Alfred and the artworld -- Cinephilic pilgrimages and the reification of profilmic space -- Activating memories and museums through the expanded essay film -- Remediation and intermediality: from moving to (film) still -- Spatial montage, temporal collage, and the art(ifice) of rear projection -- The acoustics of Vertigo: soundtracks, soundscapes and scores -- Conclusion: repossessing cinema.
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"Hitchcock and Contemporary Art" introduces readers to the fascinating and diverse range of artistic practices devoted to Alfred Hitchcock's films. These practices are more than celebrations of his cinematic achievements. The artworks considered here are motivated by a cinephilia often deeply imprinted by epistemophilia, that is, a love of cinema charged by a desire to know more about it and to revel in the pleasures of discovery. As such, these works have the capacity to activate sophisticated engagements with Hitchcock's films and cinema more generally, tackling issues of time and space, memory and history, and sound and image.
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http://www.palgraveconnect.com/doifinder/10.1057/9780230392168
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