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Spectacle culture and American ident...
~
Tenneriello, Susan,
Spectacle culture and American identity, 1815-1940 /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
杜威分類號:
306.0973
書名/作者:
Spectacle culture and American identity, 1815-1940 // by Susan Tenneriello.
作者:
Tenneriello, Susan,
面頁冊數:
1 online resource.
標題:
SOCIAL SCIENCE / Anthropology / Cultural
標題:
SOCIAL SCIENCE / Popular Culture
標題:
National characteristics, American.
標題:
Popular culture - History. - United States
標題:
Spectacular, The.
標題:
POLITICAL SCIENCE / Public Policy / Cultural Policy
標題:
Popular culture.
標題:
United States.
ISBN:
1137360623 (electronic bk.)
ISBN:
9781137360625 (electronic bk.)
書目註:
Includes bibliographical references and index.
內容註:
Introduction : setting the scene -- Immersive scenes : visual media, painted panoramas, and landscape narratives -- Moving scenes : multimedia performance along the Mississippi River -- Entertainment scenes : industrial strength brands of site specific spectacle -- Theme scenes : producing global strategies on U.S. Exhibition stages -- Instructional scenes: heritage preservation, commerce, and museum dioramas -- Epilogue.
摘要、提要註:
Looking at the emergent industries of spectacle practices in nineteenth- and early twentieth-century mass culture, Spectacle Culture and American Identity investigates the immersive energies of American landscape and history as a fluid scene space. The changing dynamics of the American experience are viewed in relation to the ways entertainment technologies flourishing in spectacle attractions communicate iconic sites and scenes. Arguing the ways in which spectacle immersion enacts an on-going civilian dialogue with landscape, Tenneriello uses a series of case studies featuring panoramas, multimedia performance, theatrical spectacles, exhibition sites, and museum dioramas to trace the country's movement from agrarian to multinational economies.
電子資源:
http://www.palgraveconnect.com/doifinder/10.1057/9781137360625
Spectacle culture and American identity, 1815-1940 /
Tenneriello, Susan,
Spectacle culture and American identity, 1815-1940 /
by Susan Tenneriello. - 1 online resource.
Includes bibliographical references and index.
Introduction : setting the scene -- Immersive scenes : visual media, painted panoramas, and landscape narratives -- Moving scenes : multimedia performance along the Mississippi River -- Entertainment scenes : industrial strength brands of site specific spectacle -- Theme scenes : producing global strategies on U.S. Exhibition stages -- Instructional scenes: heritage preservation, commerce, and museum dioramas -- Epilogue.
Looking at the emergent industries of spectacle practices in nineteenth- and early twentieth-century mass culture, Spectacle Culture and American Identity investigates the immersive energies of American landscape and history as a fluid scene space. The changing dynamics of the American experience are viewed in relation to the ways entertainment technologies flourishing in spectacle attractions communicate iconic sites and scenes. Arguing the ways in which spectacle immersion enacts an on-going civilian dialogue with landscape, Tenneriello uses a series of case studies featuring panoramas, multimedia performance, theatrical spectacles, exhibition sites, and museum dioramas to trace the country's movement from agrarian to multinational economies.
ISBN: 1137360623 (electronic bk.)
Source: 695082Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:
472556
SOCIAL SCIENCE / Anthropology / Cultural
Subjects--Geographical Terms:
411759
United States.
Index Terms--Genre/Form:
336502
Electronic books.
LC Class. No.: E169.1 / .T4635 2013
Dewey Class. No.: 306.0973
Spectacle culture and American identity, 1815-1940 /
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Looking at the emergent industries of spectacle practices in nineteenth- and early twentieth-century mass culture, Spectacle Culture and American Identity investigates the immersive energies of American landscape and history as a fluid scene space. The changing dynamics of the American experience are viewed in relation to the ways entertainment technologies flourishing in spectacle attractions communicate iconic sites and scenes. Arguing the ways in which spectacle immersion enacts an on-going civilian dialogue with landscape, Tenneriello uses a series of case studies featuring panoramas, multimedia performance, theatrical spectacles, exhibition sites, and museum dioramas to trace the country's movement from agrarian to multinational economies.
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http://www.palgraveconnect.com/doifinder/10.1057/9781137360625
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