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Images of England through popular music :class, youth and rock'n'roll, 1955-1976 /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	306.4842
書名/作者:	Images of England through popular music : : class, youth and rock'n'roll, 1955-1976 // Keith Gildart.
作者:	Gildart, Keith,
面頁冊數:	1 online resource.
標題:	1951 - 1980
標題:	Music - Social aspects - Great Britain.
標題:	Popular music - 1951-1960. - Great Britain
標題:	Popular music - 1961-1970. - Great Britain
標題:	Popular music - 1971-1980. - Great Britain
標題:	Youth - Social conditions. - Great Britain
標題:	Music - Social aspects.
標題:	POLITICAL SCIENCE / Public Policy / Cultural Policy
標題:	Popular music.
標題:	SOCIAL SCIENCE / Anthropology / Cultural
標題:	SOCIAL SCIENCE / Popular Culture
標題:	Youth - Social conditions.
標題:	Great Britain.
ISBN:	1137384255 (electronic bk.)
ISBN:	1306093104 (ebk)
ISBN:	9781137384256 (electronic bk.)
ISBN:	9781306093101 (ebk)
內容註:	PART I: TEDDY BOY ENGLAND -- 1. Coal, Cotton and Rock 'n' Roll in North West England -- 2. Exploring Soho and the Flamingo Club with Georgie Fame and the Blue Flames -- 3. Liverpool, the Beatles, and the Cultural Politics of Class, Race and Place -- PART II: MOD ENGLAND -- 4. My Generation: Pete Townshend, The Who and English Mods -- 5. Mods over England: Local Experiences and Social Control -- 6. Class, Nation and Social Change in the Kinks' England -- PART III: GLAM/PUNK ENGLAND -- 7. Aliens in England: Slade, David Bowie, Ziggy Stardust and Glam Rock -- 8. Darkness over England: Punk Rock and the Sex Pistols Anarchy Tour 1976 -- 9. Encore: On The Road to Wigan Pier with Georgie Fame and Billy Boston, 2 March 2003.
摘要、提要註:	What was the relationship between working-class youths and popular music between the years 1955-1976? Drawing on archival sources and oral testimony, Keith Gildart examines the ways in which popular music played an important role in reflecting and shaping social identities and working-class cultures and - through a focus on rock 'n' roll, rhythm and blues, punk, the mod subculture, and the many worlds of glam rock - created a sense of crisis in English society. Complemented by a critical reading of the songs, performances and impact of influential and emblematic musicians including Georgie Fame, The Beatles, Pete Townshend, Ray Davies, David Bowie and the Sex Pistols, Gildart brings together an investigation of particular localities, scenes, genres and individual and collective experiences and forms a critique of recent revisionist histories of popular music and youth culture.
電子資源:	http://www.palgraveconnect.com/doifinder/10.1057/9781137384256

Images of England through popular music :class, youth and rock'n'roll, 1955-1976 /
Gildart, Keith,

Images of England through popular music :class, youth and rock'n'roll, 1955-1976 /Keith Gildart. - 1 online resource.

PART I: TEDDY BOY ENGLAND -- 1. Coal, Cotton and Rock 'n' Roll in North West England -- 2. Exploring Soho and the Flamingo Club with Georgie Fame and the Blue Flames -- 3. Liverpool, the Beatles, and the Cultural Politics of Class, Race and Place -- PART II: MOD ENGLAND -- 4. My Generation: Pete Townshend, The Who and English Mods -- 5. Mods over England: Local Experiences and Social Control -- 6. Class, Nation and Social Change in the Kinks' England -- PART III: GLAM/PUNK ENGLAND -- 7. Aliens in England: Slade, David Bowie, Ziggy Stardust and Glam Rock -- 8. Darkness over England: Punk Rock and the Sex Pistols Anarchy Tour 1976 -- 9. Encore: On The Road to Wigan Pier with Georgie Fame and Billy Boston, 2 March 2003.

What was the relationship between working-class youths and popular music between the years 1955-1976? Drawing on archival sources and oral testimony, Keith Gildart examines the ways in which popular music played an important role in reflecting and shaping social identities and working-class cultures and - through a focus on rock 'n' roll, rhythm and blues, punk, the mod subculture, and the many worlds of glam rock - created a sense of crisis in English society. Complemented by a critical reading of the songs, performances and impact of influential and emblematic musicians including Georgie Fame, The Beatles, Pete Townshend, Ray Davies, David Bowie and the Sex Pistols, Gildart brings together an investigation of particular localities, scenes, genres and individual and collective experiences and forms a critique of recent revisionist histories of popular music and youth culture.

ISBN: 1137384255 (electronic bk.)

Source: 540561MILSubjects--Chronological Terms:

1951 - 1980
Subjects--Topical Terms:

435951
Music
--Social aspects--Great Britain.Subjects--Geographical Terms:

574623
Great Britain.
Index Terms--Genre/Form:

336502
Electronic books.

LC Class. No.: ML3917.G7

Dewey Class. No.: 306.4842

Images of England through popular music :class, youth and rock'n'roll, 1955-1976 /
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505 0 $a PART I: TEDDY BOY ENGLAND -- 1. Coal, Cotton and Rock 'n' Roll in North West England -- 2. Exploring Soho and the Flamingo Club with Georgie Fame and the Blue Flames -- 3. Liverpool, the Beatles, and the Cultural Politics of Class, Race and Place -- PART II: MOD ENGLAND -- 4. My Generation: Pete Townshend, The Who and English Mods -- 5. Mods over England: Local Experiences and Social Control -- 6. Class, Nation and Social Change in the Kinks' England -- PART III: GLAM/PUNK ENGLAND -- 7. Aliens in England: Slade, David Bowie, Ziggy Stardust and Glam Rock -- 8. Darkness over England: Punk Rock and the Sex Pistols Anarchy Tour 1976 -- 9. Encore: On The Road to Wigan Pier with Georgie Fame and Billy Boston, 2 March 2003.
520 $a What was the relationship between working-class youths and popular music between the years 1955-1976? Drawing on archival sources and oral testimony, Keith Gildart examines the ways in which popular music played an important role in reflecting and shaping social identities and working-class cultures and - through a focus on rock 'n' roll, rhythm and blues, punk, the mod subculture, and the many worlds of glam rock - created a sense of crisis in English society. Complemented by a critical reading of the songs, performances and impact of influential and emblematic musicians including Georgie Fame, The Beatles, Pete Townshend, Ray Davies, David Bowie and the Sex Pistols, Gildart brings together an investigation of particular localities, scenes, genres and individual and collective experiences and forms a critique of recent revisionist histories of popular music and youth culture.
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