大葉大學圖書館 |

Visual peace :images, spectatorship, and the politics of violence /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	700/.4552
書名/作者:	Visual peace : : images, spectatorship, and the politics of violence // Frank Möller.
作者:	Möller, Frank,
面頁冊數:	1 online resource.
標題:	Documentary photography - Political aspects.
標題:	Violence in art.
標題:	Violence - Political aspects.
標題:	Visual communication - Political aspects.
標題:	ART / Art & Politics.
標題:	ART / Performance
標題:	ART / Reference
標題:	PHOTOGRAPHY / Photojournalism.
標題:	POLITICAL SCIENCE / International Relations / General.
標題:	POLITICAL SCIENCE / Peace.
ISBN:	1137020407 (electronic bk.)
ISBN:	9781137020406 (electronic bk.)
內容註:	Introduction - Impressions: Stretching the Limits of Representations -- 1. Ambiguities, Approximations, Abstractions -- 2. The Participant Witness -- 3. Reflections on Photojournalism -- 4. The Aftermath: Visions of Rwanda -- Portfolio 1: Rafiki Ubaldo, Temples of Memory -- 5. Visual Interventions in Rio de Janeiro's Culture of Violence -- 6. On Combatants and (Other) Victims -- Portfolio 2: Manuel Botelho, Aerogramas para 2010 -- 7. WHY - ARE - WE - SO - INVOLVED? -- Unfinished Business -- Notes --.
摘要、提要註:	"This unique study offers a political analysis of the relationship between visual representations and the politics of violence both nationally and internationally. It emphasizes the spectator and his or her own involvement in, responsibility for, and potential responses to the conditions depicted in given images. Through a series of case studies which engage with visual representations of the politics of violence, such as the aftermath of the 1994 genocide in Rwanda and the visualization of colonial memory, it analyzes the relationship between visibility and political agency and elaborates the extent to which people who have normally been subjects of the image production of others can become agents of their own image. This book's comprehensive analysis of different genres including photography, graphic novels, comics and paintings introduces a new research agenda for the emerging field of visual peace. "--
電子資源:	http://www.palgraveconnect.com/doifinder/10.1057/9781137020406

Visual peace :images, spectatorship, and the politics of violence /
Möller, Frank,1963-

Visual peace :images, spectatorship, and the politics of violence /Frank Möller. - 1 online resource.

Introduction - Impressions: Stretching the Limits of Representations -- 1. Ambiguities, Approximations, Abstractions -- 2. The Participant Witness -- 3. Reflections on Photojournalism -- 4. The Aftermath: Visions of Rwanda -- Portfolio 1: Rafiki Ubaldo, Temples of Memory -- 5. Visual Interventions in Rio de Janeiro's Culture of Violence -- 6. On Combatants and (Other) Victims -- Portfolio 2: Manuel Botelho, Aerogramas para 2010 -- 7. WHY - ARE - WE - SO - INVOLVED? -- Unfinished Business -- Notes --.

"This unique study offers a political analysis of the relationship between visual representations and the politics of violence both nationally and internationally. It emphasizes the spectator and his or her own involvement in, responsibility for, and potential responses to the conditions depicted in given images. Through a series of case studies which engage with visual representations of the politics of violence, such as the aftermath of the 1994 genocide in Rwanda and the visualization of colonial memory, it analyzes the relationship between visibility and political agency and elaborates the extent to which people who have normally been subjects of the image production of others can become agents of their own image. This book's comprehensive analysis of different genres including photography, graphic novels, comics and paintings introduces a new research agenda for the emerging field of visual peace. "--

ISBN: 1137020407 (electronic bk.)Subjects--Topical Terms:

574999
Documentary photography
--Political aspects.Index Terms--Genre/Form:

336502
Electronic books.

LC Class. No.: HM1116 / .M655 2013

Dewey Class. No.: 700/.4552

Visual peace :images, spectatorship, and the politics of violence /
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505 0 $a Introduction - Impressions: Stretching the Limits of Representations -- 1. Ambiguities, Approximations, Abstractions -- 2. The Participant Witness -- 3. Reflections on Photojournalism -- 4. The Aftermath: Visions of Rwanda -- Portfolio 1: Rafiki Ubaldo, Temples of Memory -- 5. Visual Interventions in Rio de Janeiro's Culture of Violence -- 6. On Combatants and (Other) Victims -- Portfolio 2: Manuel Botelho, Aerogramas para 2010 -- 7. WHY - ARE - WE - SO - INVOLVED? -- Unfinished Business -- Notes --.
520 $a "This unique study offers a political analysis of the relationship between visual representations and the politics of violence both nationally and internationally. It emphasizes the spectator and his or her own involvement in, responsibility for, and potential responses to the conditions depicted in given images. Through a series of case studies which engage with visual representations of the politics of violence, such as the aftermath of the 1994 genocide in Rwanda and the visualization of colonial memory, it analyzes the relationship between visibility and political agency and elaborates the extent to which people who have normally been subjects of the image production of others can become agents of their own image. This book's comprehensive analysis of different genres including photography, graphic novels, comics and paintings introduces a new research agenda for the emerging field of visual peace. "-- $c Provided by publisher.
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650 0 $a Violence in art. $3 224851
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650 0 $a Visual communication $x Political aspects. $3 575000
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650 7 $a POLITICAL SCIENCE / International Relations / General. $2 bisacsh $3 473518
650 7 $a POLITICAL SCIENCE / Peace. $2 bisacsh $3 473482
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