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Transforming media coverage of viole...
~
Kampf, Zohar,
Transforming media coverage of violent conflicts :the new face of war /
纪录类型:
书目-语言数据,印刷品 : Monograph/item
[NT 15000414] null:
070.4/333
[NT 47271] Title/Author:
Transforming media coverage of violent conflicts : : the new face of war // Zohar Kampf, Tamar Liebes.
作者:
Kampf, Zohar,
[NT 51406] other author:
Liebes, Tamar,
面页册数:
1 online resource.
标题:
Television broadcasting of news.
标题:
War - Press coverage.
标题:
War in mass media.
标题:
Terrorism in mass media.
标题:
Mass media and war.
标题:
SOCIAL SCIENCE / Media Studies.
标题:
LANGUAGE ARTS & DISCIPLINES / Journalism
ISBN:
9781137313218 (electronic bk.)
ISBN:
1137313218 (electronic bk.)
[NT 15000227] null:
Includes bibliographical references and index.
[NT 15000228] null:
Machine generated contents note: Introduction: New Personae in Media Coverage of Violent Conflicts -- PART I: GIVING VOICE TO NEW ACTORS -- 1. Performer Journalists: The Latest Phase in the Profession -- 2. Celeb terrorists: The New Sought After Sources -- 3. Hosting Enemy Leaders: Negotiating Over the Heads of 'Our' Politicians -- 4. Foregrounding Ordinary People: Adopting the Logic of the Individual -- PART II: DOWNGRADING TRADITIONAL ACTORS -- 5. Missing the Editor: The Decline of Professionalism -- 6. Politicians Looking for Shelter: Distrusting National Leaders -- 7. Generals Under Fire: The Loss of Immunity of High-ranking Officers -- Conclusions: New Characters -- New Challenges.
[NT 15000229] null:
"Transforming Media Coverage of Violent Conflicts offers a fresh view of contemporary violent conflicts, suggesting an explanation to the dramatic changes in the ways in which war and terror are covered by Western media. It argues that viewers around the globe follow violent events, literally and metaphorically, on "wide" and "flat" screens, in "high-definition". The "wide-screen" means that at present the screen is wide enough to include new actors - terrorists, 'enemy' leaders, ordinary people in a range of roles, and journalists in the field - who have gained status of the kind that in the past was exclusive to editors, army generals and governmental actors. The "high-definition" metaphor means that the eye of the camera closes in on both traditional and new actors, probing their emotions, experiences and beliefs in ways that were irrelevant in past conflicts. The "flat-screen" metaphor stands for the consequences of the two former phenomena, leading to a loss of the hierarchy of the meanings of war. Paradoxically, the better the quality of viewing, the less the understanding of what we see. Through these metaphors, Kampf and Liebes systematically analyse changes in the practices, technologies, infrastructures and external institutional relationships of journalism"--
电子资源:
http://www.palgraveconnect.com/doifinder/10.1057/9781137313218
Transforming media coverage of violent conflicts :the new face of war /
Kampf, Zohar,
Transforming media coverage of violent conflicts :
the new face of war /Zohar Kampf, Tamar Liebes. - 1 online resource.
Includes bibliographical references and index.
Machine generated contents note: Introduction: New Personae in Media Coverage of Violent Conflicts -- PART I: GIVING VOICE TO NEW ACTORS -- 1. Performer Journalists: The Latest Phase in the Profession -- 2. Celeb terrorists: The New Sought After Sources -- 3. Hosting Enemy Leaders: Negotiating Over the Heads of 'Our' Politicians -- 4. Foregrounding Ordinary People: Adopting the Logic of the Individual -- PART II: DOWNGRADING TRADITIONAL ACTORS -- 5. Missing the Editor: The Decline of Professionalism -- 6. Politicians Looking for Shelter: Distrusting National Leaders -- 7. Generals Under Fire: The Loss of Immunity of High-ranking Officers -- Conclusions: New Characters -- New Challenges.
"Transforming Media Coverage of Violent Conflicts offers a fresh view of contemporary violent conflicts, suggesting an explanation to the dramatic changes in the ways in which war and terror are covered by Western media. It argues that viewers around the globe follow violent events, literally and metaphorically, on "wide" and "flat" screens, in "high-definition". The "wide-screen" means that at present the screen is wide enough to include new actors - terrorists, 'enemy' leaders, ordinary people in a range of roles, and journalists in the field - who have gained status of the kind that in the past was exclusive to editors, army generals and governmental actors. The "high-definition" metaphor means that the eye of the camera closes in on both traditional and new actors, probing their emotions, experiences and beliefs in ways that were irrelevant in past conflicts. The "flat-screen" metaphor stands for the consequences of the two former phenomena, leading to a loss of the hierarchy of the meanings of war. Paradoxically, the better the quality of viewing, the less the understanding of what we see. Through these metaphors, Kampf and Liebes systematically analyse changes in the practices, technologies, infrastructures and external institutional relationships of journalism"--
ISBN: 9781137313218 (electronic bk.)Subjects--Topical Terms:
374001
Television broadcasting of news.
Index Terms--Genre/Form:
336502
Electronic books.
LC Class. No.: PN4888.T4 / K36 2013eb
Dewey Class. No.: 070.4/333
Transforming media coverage of violent conflicts :the new face of war /
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Machine generated contents note: Introduction: New Personae in Media Coverage of Violent Conflicts -- PART I: GIVING VOICE TO NEW ACTORS -- 1. Performer Journalists: The Latest Phase in the Profession -- 2. Celeb terrorists: The New Sought After Sources -- 3. Hosting Enemy Leaders: Negotiating Over the Heads of 'Our' Politicians -- 4. Foregrounding Ordinary People: Adopting the Logic of the Individual -- PART II: DOWNGRADING TRADITIONAL ACTORS -- 5. Missing the Editor: The Decline of Professionalism -- 6. Politicians Looking for Shelter: Distrusting National Leaders -- 7. Generals Under Fire: The Loss of Immunity of High-ranking Officers -- Conclusions: New Characters -- New Challenges.
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"Transforming Media Coverage of Violent Conflicts offers a fresh view of contemporary violent conflicts, suggesting an explanation to the dramatic changes in the ways in which war and terror are covered by Western media. It argues that viewers around the globe follow violent events, literally and metaphorically, on "wide" and "flat" screens, in "high-definition". The "wide-screen" means that at present the screen is wide enough to include new actors - terrorists, 'enemy' leaders, ordinary people in a range of roles, and journalists in the field - who have gained status of the kind that in the past was exclusive to editors, army generals and governmental actors. The "high-definition" metaphor means that the eye of the camera closes in on both traditional and new actors, probing their emotions, experiences and beliefs in ways that were irrelevant in past conflicts. The "flat-screen" metaphor stands for the consequences of the two former phenomena, leading to a loss of the hierarchy of the meanings of war. Paradoxically, the better the quality of viewing, the less the understanding of what we see. Through these metaphors, Kampf and Liebes systematically analyse changes in the practices, technologies, infrastructures and external institutional relationships of journalism"--
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