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Japan and the cosmopolitan gothic[electronic resource] :specters of modernity /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	810/.9
書名/作者:	Japan and the cosmopolitan gothic : specters of modernity // by Michael J. Blouin.
作者:	Blouin, Michael J.
出版者:	New York : : Palgrave Macmillan,, 2013.
面頁冊數:	1 online resource.
標題:	LITERARY CRITICISM / American / General
標題:	American literature - Japanese influences.
標題:	American literature - History and criticism. - 20th century
標題:	Art, American - Japanese influences.
標題:	Japan - Relations - United States.
ISBN:	9781137305220 (electronic bk.)
ISBN:	1137305223 (electronic bk.)
內容註:	Machine generated contents note: -- Introduction: The Specters of a Wandering Mind -- 1. Ghosts and Spirits in Early Japanology -- 2. Ghostly Maidens in Sidney McCall's Fiction -- 3. Japonisme and the Female Gothic -- 4. Nuclear Criticism and a Deferred Reading of the Toho Terror -- 5. Japan Inc. and the American Nightmare -- 6. Atemporality and Communal Ethics in the Films of Shimizu Takashi -- 7. Difference and Doubt in Christopher Nolan's Inception -- Conclusion: Haunted Echo Chambers.
摘要、提要註:	In American discourse, Japan is routinely imagined as a supernatural entity. Gothic tales from these cultures are exchanged, adapted, and consumed. By analyzing this phenomenon, in texts ranging from those of Lafcadio Hearn to the films of Shimizu Takashi, Blouin explores the relationship between the two countries as well as the layers of complexity that accompany constructions of foreignness. Specifically, in response to the rise of a "Global Gothic," Blouin interprets these unsettling works to be evidence of a "cosmopolitan Gothic," one that refuses satisfactory enclosure and advocates a turn inward to re-invigorate dialogues upon the world stage.
電子資源:	http://www.palgraveconnect.com/doifinder/10.1057/9781137305220

Japan and the cosmopolitan gothic[electronic resource] :specters of modernity /
Blouin, Michael J.

Japan and the cosmopolitan gothicspecters of modernity /[electronic resource] :by Michael J. Blouin. - New York :Palgrave Macmillan,2013. - 1 online resource.

Machine generated contents note: -- Introduction: The Specters of a Wandering Mind -- 1. Ghosts and Spirits in Early Japanology -- 2. Ghostly Maidens in Sidney McCall's Fiction -- 3. Japonisme and the Female Gothic -- 4. Nuclear Criticism and a Deferred Reading of the Toho Terror -- 5. Japan Inc. and the American Nightmare -- 6. Atemporality and Communal Ethics in the Films of Shimizu Takashi -- 7. Difference and Doubt in Christopher Nolan's Inception -- Conclusion: Haunted Echo Chambers.

In American discourse, Japan is routinely imagined as a supernatural entity. Gothic tales from these cultures are exchanged, adapted, and consumed. By analyzing this phenomenon, in texts ranging from those of Lafcadio Hearn to the films of Shimizu Takashi, Blouin explores the relationship between the two countries as well as the layers of complexity that accompany constructions of foreignness. Specifically, in response to the rise of a "Global Gothic," Blouin interprets these unsettling works to be evidence of a "cosmopolitan Gothic," one that refuses satisfactory enclosure and advocates a turn inward to re-invigorate dialogues upon the world stage.

ISBN: 9781137305220 (electronic bk.)

Source: 654935Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

472773
LITERARY CRITICISM / American / General
Subjects--Geographical Terms:

372469
Japan
--Relations--United States.Index Terms--Genre/Form:

336502
Electronic books.

LC Class. No.: PS159.J3 / B58 2013

Dewey Class. No.: 810/.9

Japan and the cosmopolitan gothic[electronic resource] :specters of modernity /
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505 8 $a Machine generated contents note: -- Introduction: The Specters of a Wandering Mind -- 1. Ghosts and Spirits in Early Japanology -- 2. Ghostly Maidens in Sidney McCall's Fiction -- 3. Japonisme and the Female Gothic -- 4. Nuclear Criticism and a Deferred Reading of the Toho Terror -- 5. Japan Inc. and the American Nightmare -- 6. Atemporality and Communal Ethics in the Films of Shimizu Takashi -- 7. Difference and Doubt in Christopher Nolan's Inception -- Conclusion: Haunted Echo Chambers.
520 $a In American discourse, Japan is routinely imagined as a supernatural entity. Gothic tales from these cultures are exchanged, adapted, and consumed. By analyzing this phenomenon, in texts ranging from those of Lafcadio Hearn to the films of Shimizu Takashi, Blouin explores the relationship between the two countries as well as the layers of complexity that accompany constructions of foreignness. Specifically, in response to the rise of a "Global Gothic," Blouin interprets these unsettling works to be evidence of a "cosmopolitan Gothic," one that refuses satisfactory enclosure and advocates a turn inward to re-invigorate dialogues upon the world stage.
520 $a "In American discourse, Japan is routinely imagined as a supernatural entity. Gothic tales from these cultures are exchanged, adapted, and consumed. By analyzing this phenomenon, in texts ranging from those of Lafcadio Hearn to the films of Shimizu Takashi, we can better comprehend the relationship between the two countries as well as the layers of complexity that accompany constructions of foreignness. Specifically, in response to the rise of a "Global Gothic," Blouin interprets these unsettling works to be evidence of a "cosmopolitan Gothic," one that refuses satisfactory enclosure and advocates a turn inward to re-invigorate dialogues upon the world stage"-- $c Provided by publisher.
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