大葉大學圖書館 |

Semiotics of exile in contemporary Chinese film[electronic resource] /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	791.430951
書名/作者:	Semiotics of exile in contemporary Chinese film/ Hong Zeng.
作者:	Zeng, Hong.
出版者:	New York, NY : : Palgrave Macmillan,, 2012.
面頁冊數:	1 online resource.
標題:	Emigration and immigration in motion pictures.
標題:	Displacement (Psychology) in motion pictures.
標題:	Symbolism in motion pictures.
標題:	Motion pictures - China.
標題:	Motion pictures - Taiwan.
標題:	ART / Film & Video
標題:	PERFORMING ARTS / Film & Video / Reference
ISBN:	9781137031631 (electronic bk.)
ISBN:	1137031638 (electronic bk.)
書目註:	Includes bibliographical references.
內容註:	Introduction -- Semiotics of photography and exile -- Postmodernism and semiotics of exile -- Female doubling and postcolonial exile -- Semiotics of exile and genre upsetting: Xin Jin's subversion of melodrama in "Hibiscus town" -- Failure of root-searching in Cheng Kaige -- Semiotics of exile and displaced film codes: Jia Zhangke's three films -- Conclusion.
摘要、提要註:	Examines film form as a language that generates meaning through film codes, demonstrating that the motif of exile is not only a crucial characteristic of mainland China in its postsocialist, postmodern era and age of globalization, but also a defining frame for Taiwan and Hong Kong with their colonialist pasts.
電子資源:	http://www.palgraveconnect.com/doifinder/10.1057/9781137031631

Semiotics of exile in contemporary Chinese film[electronic resource] /
Zeng, Hong.

Semiotics of exile in contemporary Chinese film[electronic resource] /Hong Zeng. - New York, NY :Palgrave Macmillan,2012. - 1 online resource. - Semiotics and popular culture. - Semiotics and popular culture..

Includes bibliographical references.

Introduction -- Semiotics of photography and exile -- Postmodernism and semiotics of exile -- Female doubling and postcolonial exile -- Semiotics of exile and genre upsetting: Xin Jin's subversion of melodrama in "Hibiscus town" -- Failure of root-searching in Cheng Kaige -- Semiotics of exile and displaced film codes: Jia Zhangke's three films -- Conclusion.

Examines film form as a language that generates meaning through film codes, demonstrating that the motif of exile is not only a crucial characteristic of mainland China in its postsocialist, postmodern era and age of globalization, but also a defining frame for Taiwan and Hong Kong with their colonialist pasts.

ISBN: 9781137031631 (electronic bk.)

Source: 567813Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

523136
Emigration and immigration in motion pictures.
Index Terms--Genre/Form:

336502
Electronic books.

LC Class. No.: PN1995.9.E44 / Z46 2012

Dewey Class. No.: 791.430951

Semiotics of exile in contemporary Chinese film[electronic resource] /
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490 1 $a Semiotics and popular culture
504 $a Includes bibliographical references.
505 0 $a Introduction -- Semiotics of photography and exile -- Postmodernism and semiotics of exile -- Female doubling and postcolonial exile -- Semiotics of exile and genre upsetting: Xin Jin's subversion of melodrama in "Hibiscus town" -- Failure of root-searching in Cheng Kaige -- Semiotics of exile and displaced film codes: Jia Zhangke's three films -- Conclusion.
520 $a Examines film form as a language that generates meaning through film codes, demonstrating that the motif of exile is not only a crucial characteristic of mainland China in its postsocialist, postmodern era and age of globalization, but also a defining frame for Taiwan and Hong Kong with their colonialist pasts.
588 $a Description based on print version record.
650 0 $a Emigration and immigration in motion pictures. $3 523136
650 0 $a Displacement (Psychology) in motion pictures. $3 527936
650 0 $a Symbolism in motion pictures. $3 527937
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650 7 $a PERFORMING ARTS / Film & Video / Reference $2 bisacsh $3 472902
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830 0 $a Semiotics and popular culture. $3 478699
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