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Toward a general theory of acting[electronic resource] :cognitive science and performance /

纪录类型:	书目-语言数据,印刷品 : Monograph/item
[NT 15000414] null:	792.02/801
[NT 47271] Title/Author:	Toward a general theory of acting : cognitive science and performance // John Lutterbie.
作者:	Lutterbie, John Harry,
出版者:	New York : : Palgrave Macmillan,, 2011.
面页册数:	1 online resource (x, 269 p.)
标题:	Acting - Philosophy.
标题:	Theatre.
标题:	Fine Arts.
标题:	PERFORMING ARTS - Acting & Auditioning.
标题:	PERFORMING ARTS - Theater
标题:	PERFORMING ARTS - Theater
ISBN:	9780230119468 (electronic bk.)
ISBN:	0230119468 (electronic bk.)
ISBN:	9780230342538
ISBN:	0230342531
[NT 15000227] null:	Includes bibliographical references (p. [249]-254) and index.
[NT 15000228] null:	The Language of Acting �Theatre and Dynamic Systems Theory �The Actor's Tools �Technique �Improvisation �The Actor's Score �In Performance.
[NT 15000229] null:	Toward a General Theory of Acting explores the actor's art through the lens of Dynamic Systems Theory and recent findings in the Cognitive Sciences. An analysis of different theories of acting in the West from Stanislavski to Lecoq is followed by an in depth discussion of technique, improvisation, and creating a score. In the final chapter, the focus shifts to how these three are interwoven when the actor steps in front of an audience, whether performing realist, non-realist, or postdramatic theatre. Far from using the sciences to reduce acting to a formula, Lutterbie celebrates the mystery of the creative process.
电子资源:	An electronic book accessible through the World Wide Web; click for information

Toward a general theory of acting[electronic resource] :cognitive science and performance /
Lutterbie, John Harry,1948-

Toward a general theory of actingcognitive science and performance /[electronic resource] :John Lutterbie. - 1st ed. - New York :Palgrave Macmillan,2011. - 1 online resource (x, 269 p.) - Cognitive studies in literature and performance. - Cognitive studies in literature and performance..

Includes bibliographical references (p. [249]-254) and index.

The Language of Acting *�Theatre and Dynamic Systems Theory *�The Actor's Tools *�Technique *�Improvisation *�The Actor's Score *�In Performance.

Toward a General Theory of Acting explores the actor's art through the lens of Dynamic Systems Theory and recent findings in the Cognitive Sciences. An analysis of different theories of acting in the West from Stanislavski to Lecoq is followed by an in depth discussion of technique, improvisation, and creating a score. In the final chapter, the focus shifts to how these three are interwoven when the actor steps in front of an audience, whether performing realist, non-realist, or postdramatic theatre. Far from using the sciences to reduce acting to a formula, Lutterbie celebrates the mystery of the creative process.

ISBN: 9780230119468 (electronic bk.)

Source: 527084Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

410924
Acting
--Philosophy.Index Terms--Genre/Form:

336502
Electronic books.

LC Class. No.: PN2061 / .L84 2011

Dewey Class. No.: 792.02/801

Toward a general theory of acting[electronic resource] :cognitive science and performance /
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504 $a Includes bibliographical references (p. [249]-254) and index.
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520 $a Toward a General Theory of Acting explores the actor's art through the lens of Dynamic Systems Theory and recent findings in the Cognitive Sciences. An analysis of different theories of acting in the West from Stanislavski to Lecoq is followed by an in depth discussion of technique, improvisation, and creating a score. In the final chapter, the focus shifts to how these three are interwoven when the actor steps in front of an audience, whether performing realist, non-realist, or postdramatic theatre. Far from using the sciences to reduce acting to a formula, Lutterbie celebrates the mystery of the creative process.
520 $a "Toward a General Theory of Acting explores the actors art through the lens of Dynamic Systems Theory and recent findings in the Cognitive Sciences. An analysis of different theories of acting in the West from Stanislavski to Lecoq is followed by an in depth discussion of technique, improvisation, and creating a score. In the final chapter, the focus shifts to how these three are interwoven when the actor steps in front of an audience, whether performing realist, non-realist, or postdramatic theatre. Far from using the sciences to reduce acting to a formula, Lutterbie celebrates the mystery of the creative process"-- $c Provided by publisher.
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