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European cinema in motion[electronic resource] :migrant and diasporic film in contemporary Europe /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	791.436552
書名/作者:	European cinema in motion : migrant and diasporic film in contemporary Europe // edited by Daniela Berghahn and Claudia Sternberg.
其他作者:	Berghahn, Daniela,
出版者:	Basingstoke : : Palgrave Macmillan,, c2010.
面頁冊數:	1 online resource (xiv, 321 p.) : : ill.
標題:	Motion pictures - History. - Europe
標題:	Emigration and immigration in motion pictures.
標題:	Identity (Psychology) in motion pictures.
標題:	Immigrants in motion pictures.
標題:	Culture in motion pictures.
標題:	Europe.
標題:	History.
標題:	Motion pictures.
標題:	PERFORMING ARTS - Film & Video
ISBN:	9780230295070 (electronic bk.)
ISBN:	023029507X (electronic bk.)
書目註:	Includes bibliographical references and index.
摘要、提要註:	Transnational mobility and migration are amongst the most powerful forces of social transformation in the contemporary world. Over the past three decades, representations of migrant and diasporic experiences and the dynamics of postmodern multiculturalism have assumed a prominent position in European mainstream and art house cinema. Filmmakers with a migratory background have brought about the World Cinema turn in European cinema by introducing new narratives and by fusing Western and non-Western aesthetic traditions. European Cinema in Motion develops an original theory of migrant and diasporic cinema and provides an overview of its cultural and industrial contexts in Europe. Representative case studies of more than eighty films adopt a comparative perspective in the search for the commonalities and differences between productions from Western, Southern and Eastern Europe. The contributions reflect the wide spectrum of this important new field at the interface of (trans)national, European and World Cinema.
電子資源:	An electronic book accessible through the World Wide Web; click for information

European cinema in motion[electronic resource] :migrant and diasporic film in contemporary Europe /
European cinema in motionmigrant and diasporic film in contemporary Europe /[electronic resource] :edited by Daniela Berghahn and Claudia Sternberg. - Basingstoke :Palgrave Macmillan,c2010. - 1 online resource (xiv, 321 p.) :ill.

Includes bibliographical references and index.

Locating migrant and diasporic cinema in contemporary Europe /Daniela Berghahn and Claudia Sternberg --

Transnational mobility and migration are amongst the most powerful forces of social transformation in the contemporary world. Over the past three decades, representations of migrant and diasporic experiences and the dynamics of postmodern multiculturalism have assumed a prominent position in European mainstream and art house cinema. Filmmakers with a migratory background have brought about the World Cinema turn in European cinema by introducing new narratives and by fusing Western and non-Western aesthetic traditions. European Cinema in Motion develops an original theory of migrant and diasporic cinema and provides an overview of its cultural and industrial contexts in Europe. Representative case studies of more than eighty films adopt a comparative perspective in the search for the commonalities and differences between productions from Western, Southern and Eastern Europe. The contributions reflect the wide spectrum of this important new field at the interface of (trans)national, European and World Cinema.

ISBN: 9780230295070 (electronic bk.)

Standard No.: 9786612998645

Source: 471051Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

341198
Motion pictures
--History.--EuropeIndex Terms--Genre/Form:

336502
Electronic books.

LC Class. No.: PN1993.5.E85 / E85 2010

Dewey Class. No.: 791.436552

European cinema in motion[electronic resource] :migrant and diasporic film in contemporary Europe /
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504 $a Includes filmography (p. 293-300).
505 0 0 $t Locating migrant and diasporic cinema in contemporary Europe / $r Daniela Berghahn and Claudia Sternberg -- $t Migration and cinematic process in post-Cold War Europe / $r Dina Iordanova -- $t State and other funding for migrant, diasporic and world cinemas in Europe / $r Anne J�ackel -- $t Nostalgic journeys in post-Soviet cinema : $t towards a lost home? / $r Birgit Beumers -- $t Transculturation in German and Spanish migrant and diasporic cinema : $t on constrained spaces and minor intimacies in Princesses and A little bit of freedom / $r Encarnaci�on Guti�errez Rodr�iguez -- $t The dark side of hybridity : $t contemporary black and Asian British cinema / $r Sarita Malik -- $t Body matters : $t immigrants in recent Spanish, Italian and Greek cinemas / $r Isabel Santaolalla -- $t Gendering diaspora : $t the work of diasporic women film-makers in Western Europe / $r Carrie Tarr -- $t Queering the diaspora / $r James S. Williams -- $t Sound bridges : $t transnational mobility as ironic melodrama / $r Deniz G�okt�urk -- $t Coming of age in "the hood" : $t the diasporic youth film and questions of genre / $r Daniela Berghahn -- $t Migration, diaspora and metacinematic reflection / $r Claudia Sternberg -- $t Future imperfect : $t some onward perspectives on migrant and diasporic film practice / $r Gareth Jones.
520 $a Transnational mobility and migration are amongst the most powerful forces of social transformation in the contemporary world. Over the past three decades, representations of migrant and diasporic experiences and the dynamics of postmodern multiculturalism have assumed a prominent position in European mainstream and art house cinema. Filmmakers with a migratory background have brought about the World Cinema turn in European cinema by introducing new narratives and by fusing Western and non-Western aesthetic traditions. European Cinema in Motion develops an original theory of migrant and diasporic cinema and provides an overview of its cultural and industrial contexts in Europe. Representative case studies of more than eighty films adopt a comparative perspective in the search for the commonalities and differences between productions from Western, Southern and Eastern Europe. The contributions reflect the wide spectrum of this important new field at the interface of (trans)national, European and World Cinema.
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