Mysticism in the mid-century novel[e...
Bellow, Saul

 

  • Mysticism in the mid-century novel[electronic resource] /
  • 紀錄類型: 書目-語言資料,印刷品 : Monograph/item
    杜威分類號: 823/.91409
    書名/作者: Mysticism in the mid-century novel/ James Clements.
    作者: Clements, James,
    出版者: New York, NY : : Palgrave Macmillan,, c2011.
    面頁冊數: 1 online resource (p.)
    標題: Mysticism in literature.
    標題: English fiction - History and criticism. - 20th century
    標題: Australian fiction - History and criticism. - 20th century
    標題: American fiction - History and criticism. - 20th century
    標題: Philosophy in literature.
    標題: Ethics in literature.
    標題: LITERARY CRITICISM / European / English, Irish, Scottish, Welsh
    ISBN: 9780230353923 (electronic bk.)
    ISBN: 0230353924 (electronic bk.)
    書目註: Includes bibliographical references and index.
    內容註: Acknowledgements -- Introduction: The Middle Is Everywhere -- Towards an Ideal Limit: Linguistic Authority in the Work of Iris Murdoch -- From Apophasis to Aporia: William Golding and the Indescribable -- Verbal Sludge: The Ethics of Instability in Patrick White's Prose -- Bliss From Bricks: Saul Bellow's Moral Phenomenology -- Conclusion: Drawing Circles In The Sea: Un-Defining the 'Mystical Novelist' -- Endnotes -- Works Cited -- Index --.
    摘要、提要註: The mid-century novelist has often been regarded as occupying an ambiguous intermediary period, lost somewhere in the no-man's-land between modernism and postmodernism. This book challenges this view by proposing that many of the period's most significant writers b6 s Iris Murdoch, William Golding, Patrick White, and Saul Bellow b6 s were united by a distinct and common concern: to return the increasingly interior novel to the world, and, by extension, to ethical engagement. They did this not by reviving the now-antiquated nineteenth-century realist novel, but by devising a new type of novel, one concerned with unveiling a transcendent Good that exists outside of the spheres of society, politics, and the individual will. To do this, without ignoring the philosophical ideas that had led to the novel's apparent impoverishment b6 s the opacity of language, and the loss of stable external sources of meaning b6 s they drew upon techniques and concepts from the canon of mystical literature: a body of writing that had long been devising methods of approaching the ineffable through literary means.
    電子資源: http://www.palgraveconnect.com/doifinder/10.1057/9780230353923
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