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Crossroads[electronic resource] :per...
~
Brady, Sara.
Crossroads[electronic resource] :performance studies and Irish culture /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
杜威分類號:
790.209415
書名/作者:
Crossroads : performance studies and Irish culture // edited by Sara Brady and Fintan Walsh.
其他作者:
Brady, Sara.
出版者:
Houndmills, Basingstoke, Hanpshire : : Palgrave Macmillan,, 2009.
面頁冊數:
xii, 255 p. : : ill. ;; 23 cm.
標題:
Performing arts - Ireland.
標題:
Arts and society - Ireland.
標題:
Ireland - Economic conditions - 1949-
ISBN:
9780230244788
ISBN:
0230244785
書目註:
Includes bibliographical references and index.
內容註:
Tradition, ritual and play -- Place, landscape and commemoration -- Political performances --Gender, feminism, and queer performance -- Diaspora, migration, globalization.
摘要、提要註:
In the expansive and expanding field of Irish studies, performance has typically featured as drama, theatre, dance, and music. Recent changes in Irish society, the arts industry, and modes of critical inquiry have all prompted the need to think further about the complex and under-researched area of performance in and of Irish culture. It is increasingly well recognized that the categories of 'Irish culture' and 'Irishness' are highly performative, effected through a wide range of social practices, cultural formations, and discursive utterances, and in timely need of critical address. The purpose of this seminal collection of essays is to broach this task by considering Irish culture through some ofthe paradigms and vocabularies offered by performance studies. As the title of the book makes clear, we return to the evocative metaphor of crossroads by way of signaling the manifold ways in which Irish culture has been performed in past, present, and likely futural tenses at local, national, and international domains. These roads do not respect the static symmetry indexed by a figural cross; rather the trajectories mapped here are suggestive, multiplicitous, and mobile. Practices, epistemologies, temporalities, geographies, and identities splinter in their wake, clearing the ground for the emergence of nuanced understandings of performance and cultural politics.
電子資源:
access to fulltext (Palgrave)
Crossroads[electronic resource] :performance studies and Irish culture /
Crossroads
performance studies and Irish culture /[electronic resource] :edited by Sara Brady and Fintan Walsh. - Houndmills, Basingstoke, Hanpshire :Palgrave Macmillan,2009. - xii, 255 p. :ill. ;23 cm.
Includes bibliographical references and index.
Tradition, ritual and play -- Place, landscape and commemoration -- Political performances --Gender, feminism, and queer performance -- Diaspora, migration, globalization.
In the expansive and expanding field of Irish studies, performance has typically featured as drama, theatre, dance, and music. Recent changes in Irish society, the arts industry, and modes of critical inquiry have all prompted the need to think further about the complex and under-researched area of performance in and of Irish culture. It is increasingly well recognized that the categories of 'Irish culture' and 'Irishness' are highly performative, effected through a wide range of social practices, cultural formations, and discursive utterances, and in timely need of critical address. The purpose of this seminal collection of essays is to broach this task by considering Irish culture through some ofthe paradigms and vocabularies offered by performance studies. As the title of the book makes clear, we return to the evocative metaphor of crossroads by way of signaling the manifold ways in which Irish culture has been performed in past, present, and likely futural tenses at local, national, and international domains. These roads do not respect the static symmetry indexed by a figural cross; rather the trajectories mapped here are suggestive, multiplicitous, and mobile. Practices, epistemologies, temporalities, geographies, and identities splinter in their wake, clearing the ground for the emergence of nuanced understandings of performance and cultural politics.
Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2010.
Mode of access:World Wide Web.
ISBN: 9780230244788
Standard No.: 10.1057/9780230244788doiSubjects--Topical Terms:
380454
Performing arts
--Ireland.Subjects--Geographical Terms:
340682
Ireland
--Economic conditions--1949-Index Terms--Genre/Form:
336502
Electronic books.
LC Class. No.: DA926.C85 / C76 2009
Dewey Class. No.: 790.209415
Crossroads[electronic resource] :performance studies and Irish culture /
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Tradition, ritual and play -- Place, landscape and commemoration -- Political performances --Gender, feminism, and queer performance -- Diaspora, migration, globalization.
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In the expansive and expanding field of Irish studies, performance has typically featured as drama, theatre, dance, and music. Recent changes in Irish society, the arts industry, and modes of critical inquiry have all prompted the need to think further about the complex and under-researched area of performance in and of Irish culture. It is increasingly well recognized that the categories of 'Irish culture' and 'Irishness' are highly performative, effected through a wide range of social practices, cultural formations, and discursive utterances, and in timely need of critical address. The purpose of this seminal collection of essays is to broach this task by considering Irish culture through some ofthe paradigms and vocabularies offered by performance studies. As the title of the book makes clear, we return to the evocative metaphor of crossroads by way of signaling the manifold ways in which Irish culture has been performed in past, present, and likely futural tenses at local, national, and international domains. These roads do not respect the static symmetry indexed by a figural cross; rather the trajectories mapped here are suggestive, multiplicitous, and mobile. Practices, epistemologies, temporalities, geographies, and identities splinter in their wake, clearing the ground for the emergence of nuanced understandings of performance and cultural politics.
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