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Broadway and corporate capitalism[el...
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Palgrave Connect (Online service)
Broadway and corporate capitalism[electronic resource] :the riseof the professional-managerial class, 1900-1920 /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
杜威分類號:
792.09747
書名/作者:
Broadway and corporate capitalism : the riseof the professional-managerial class, 1900-1920 // Michael Schwartz.
作者:
Schwartz, Michael,
出版者:
New York, NY : : Palgrave Macmillan,, 2009.
面頁冊數:
vi, 220 p. ;; 22 cm.
標題:
Theater and society - History - 20th century. - New York (State)
標題:
Theater management - History - 20th century. - New York (State)
標題:
Class consciousness - History - 20th century. - New York (State)
標題:
American drama - History and criticism. - 20th century
標題:
Class consciousness in literature.
ISBN:
9780230623323
ISBN:
0230623328
書目註:
Includes bibliographical references and index.
內容註:
Introduction: a matter for experts -- The growth of Broadway, the emergence of the PMC -- Brave New York : nowhere to go but up -- The showbusiness -- Who were the PMC? -- Meet the experts -- Where the actors stood : the actors' strike -- The problem of nerves -- Dim shadows : pre-PMC consciousness -- Modern men and modern nerves -- Gillette as Sherlock Holmes, super expert -- Fitch and thepsychological moment -- Neurasthenics caught on Kodak -- Muckraking the playing field : emerging PMC class consciousness -- The freshest kids in town -- Fair play : The college widow, Strongheart, and Brown of Harvard -- Sweepings from the muckrakes : The lion and the mouse -- Strikers, gentlemen, and toughs : The boss -- A size thirteen collar : musicals and PMC class consciousness -- The musical : pre-post-mortem -- The providences of God : The Sultan of Sulu -- Musicals grow up for a moment : the princess shows -- Showing a class how to move : the castles -- System and farce : emerging PMChabitus -- Cohan as super model, positive and negative -- F.W. Taylor : a scientific call for PMC -- Losing and making a fortune : Brewster's millions -- Grant Mitchell : PMC poster boy -- Humbuggingprelude :Get-Rich-Quick Wallingford -- Mitchell on the rise : it pays to advertise -- PMC apotheosis : a tailor-made man -- Conclusion : business as usual -- Clarence : leading the U.S. safely into the 1920s -- Freud and the PMC -- O'Neill and psychological capital -- Other cures for nerves : a look at the 1920s -- Postscript : the return of the tailor-made man.
摘要、提要註:
Broadway and Corporate Capitalism examines two overlapping and, in many ways, symbiotic phenomena of early 20th century America - the emergence of the Professional-Managerial Class within American corporate capitalism and the evolution of Broadway. Michael Schwartz shows how the class movements moved - literally and figuratively - to the rhythm of noisy, frenetic farces, highly charged business and sports melodramas, and exuberant musicals. This book brings to life the representative plays, playwrights, actors, critics, and audiences from one of the liveliestperiods of Broadway.
電子資源:
access to fulltext (Palgrave)
Broadway and corporate capitalism[electronic resource] :the riseof the professional-managerial class, 1900-1920 /
Schwartz, Michael,1963 Oct. 18-
Broadway and corporate capitalism
the riseof the professional-managerial class, 1900-1920 /[electronic resource] :Michael Schwartz. - 1st ed. - New York, NY :Palgrave Macmillan,2009. - vi, 220 p. ;22 cm. - Palgrave studies in theatre and performance history. - Palgrave studies in theatre and performance history..
Includes bibliographical references and index.
Introduction: a matter for experts -- The growth of Broadway, the emergence of the PMC -- Brave New York : nowhere to go but up -- The showbusiness -- Who were the PMC? -- Meet the experts -- Where the actors stood : the actors' strike -- The problem of nerves -- Dim shadows : pre-PMC consciousness -- Modern men and modern nerves -- Gillette as Sherlock Holmes, super expert -- Fitch and thepsychological moment -- Neurasthenics caught on Kodak -- Muckraking the playing field : emerging PMC class consciousness -- The freshest kids in town -- Fair play : The college widow, Strongheart, and Brown of Harvard -- Sweepings from the muckrakes : The lion and the mouse -- Strikers, gentlemen, and toughs : The boss -- A size thirteen collar : musicals and PMC class consciousness -- The musical : pre-post-mortem -- The providences of God : The Sultan of Sulu -- Musicals grow up for a moment : the princess shows -- Showing a class how to move : the castles -- System and farce : emerging PMChabitus -- Cohan as super model, positive and negative -- F.W. Taylor : a scientific call for PMC -- Losing and making a fortune : Brewster's millions -- Grant Mitchell : PMC poster boy -- Humbuggingprelude :Get-Rich-Quick Wallingford -- Mitchell on the rise : it pays to advertise -- PMC apotheosis : a tailor-made man -- Conclusion : business as usual -- Clarence : leading the U.S. safely into the 1920s -- Freud and the PMC -- O'Neill and psychological capital -- Other cures for nerves : a look at the 1920s -- Postscript : the return of the tailor-made man.
Broadway and Corporate Capitalism examines two overlapping and, in many ways, symbiotic phenomena of early 20th century America - the emergence of the Professional-Managerial Class within American corporate capitalism and the evolution of Broadway. Michael Schwartz shows how the class movements moved - literally and figuratively - to the rhythm of noisy, frenetic farces, highly charged business and sports melodramas, and exuberant musicals. This book brings to life the representative plays, playwrights, actors, critics, and audiences from one of the liveliestperiods of Broadway.
Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2010.
Mode of access:World Wide Web.
ISBN: 9780230623323
Standard No.: 10.1057/9780230623323doiSubjects--Topical Terms:
380443
Theater and society
--History--New York (State)--20th century.Index Terms--Genre/Form:
336502
Electronic books.
LC Class. No.: PN2277.N5 / S37 2009
Dewey Class. No.: 792.09747
Broadway and corporate capitalism[electronic resource] :the riseof the professional-managerial class, 1900-1920 /
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Introduction: a matter for experts -- The growth of Broadway, the emergence of the PMC -- Brave New York : nowhere to go but up -- The showbusiness -- Who were the PMC? -- Meet the experts -- Where the actors stood : the actors' strike -- The problem of nerves -- Dim shadows : pre-PMC consciousness -- Modern men and modern nerves -- Gillette as Sherlock Holmes, super expert -- Fitch and thepsychological moment -- Neurasthenics caught on Kodak -- Muckraking the playing field : emerging PMC class consciousness -- The freshest kids in town -- Fair play : The college widow, Strongheart, and Brown of Harvard -- Sweepings from the muckrakes : The lion and the mouse -- Strikers, gentlemen, and toughs : The boss -- A size thirteen collar : musicals and PMC class consciousness -- The musical : pre-post-mortem -- The providences of God : The Sultan of Sulu -- Musicals grow up for a moment : the princess shows -- Showing a class how to move : the castles -- System and farce : emerging PMChabitus -- Cohan as super model, positive and negative -- F.W. Taylor : a scientific call for PMC -- Losing and making a fortune : Brewster's millions -- Grant Mitchell : PMC poster boy -- Humbuggingprelude :Get-Rich-Quick Wallingford -- Mitchell on the rise : it pays to advertise -- PMC apotheosis : a tailor-made man -- Conclusion : business as usual -- Clarence : leading the U.S. safely into the 1920s -- Freud and the PMC -- O'Neill and psychological capital -- Other cures for nerves : a look at the 1920s -- Postscript : the return of the tailor-made man.
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