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Video cultures[electronic resource] :media technology and everyday creativity /

レコード種別:	言語・文字資料 (印刷物) : 単行資料
[NT 15000414] null:	384.558
タイトル / 著者:	Video cultures : media technology and everyday creativity // edited by David Buckingham and Rebekah Willett.
その他の著者:	Buckingham, David,
出版された:	Basingstoke : : Palgrave Macmillan,, 2009.
記述:	vii, 241 p. : : ill. ;; 23 cm.
主題:	Video recordings - Social aspects - Great Britain.
主題:	User-generated content - Great Britain.
主題:	Social media - Great Britain.
主題:	Video recordings - Case studies. - Social aspects - Great Britain
主題:	User-generated content - Case studies. - Great Britain
主題:	Social media - Case studies. - Great Britain
国際標準図書番号 (ISBN) :	9780230244696
国際標準図書番号 (ISBN) :	0230244696
[NT 15000227] null:	Includes bibliographical references and index.
[NT 15000228] null:	In The Frame: Mapping Camcorder Cultures; R.Willett -- A CommonplaceArt? Understanding Amateur Media Production; D.Buckingham -- 'Take Back The Tube!': The Discursive Construction of Amateur Film- and Video-Making; D.Buckingham, M.Pini & R.Willett -- Inside the Home Mode; M.Pini -- Speaking Back? In Search of the Citizen Journalist; D.Buckingham -- Parodic Practices: Amateur Spoofs on VideoSharing Sites; R.Willett -- Skate Perception: Self-Representation, Identity and Visual Style in a Youth Subculture; D.Buckingham -- Handing Over Control? Access, 'Ordinary People' and Video Nation; J.Henderson -- In The Bedroom: Sex on Video; M.Pini -- The Hidden World of Organised Amateur Film-Making; D.Buckingham -- Always On: Camera Phones, Video Production and Identity; R.Willett -- Power To The People? The Past and Future of Amateur Video; D.Buckingham.
[NT 15000229] null:	Over the past decade, the video camcorder has become a commonplace household object. The riseof YouTube and other video sharing sites has made it significantly easier to distribute amateur video productions, and national broadcasters are increasingly interested in 'user-generatedcontent' andthe work of so-called 'citizen journalists'. For some, this growth in access to video production ispart of a wider democratisation of media, and the emergence of a much more participatory media culture. However, others argue that such practices amount to little more than a trivial family pastime, that does little if anything to challenge the power of the established mass media. This book explores the diversity of 'video cultures' in contemporary Britain through a series of casestudies ranging from citizen journalists to amateur pornographers, andfrom teenage pranksters to elderly members of video-making clubs. Through its discussion of specific video-making practices, the book raises broader issues about key themes in contemporary cultural studies, including creativity, social capital, identity and technology.
電子資源:	access to fulltext (Palgrave)

Video cultures[electronic resource] :media technology and everyday creativity /
Video culturesmedia technology and everyday creativity /[electronic resource] :edited by David Buckingham and Rebekah Willett. - Basingstoke :Palgrave Macmillan,2009. - vii, 241 p. :ill. ;23 cm.

Includes bibliographical references and index.

In The Frame: Mapping Camcorder Cultures; R.Willett -- A CommonplaceArt? Understanding Amateur Media Production; D.Buckingham -- 'Take Back The Tube!': The Discursive Construction of Amateur Film- and Video-Making; D.Buckingham, M.Pini & R.Willett -- Inside the Home Mode; M.Pini -- Speaking Back? In Search of the Citizen Journalist; D.Buckingham -- Parodic Practices: Amateur Spoofs on VideoSharing Sites; R.Willett -- Skate Perception: Self-Representation, Identity and Visual Style in a Youth Subculture; D.Buckingham -- Handing Over Control? Access, 'Ordinary People' and Video Nation; J.Henderson -- In The Bedroom: Sex on Video; M.Pini -- The Hidden World of Organised Amateur Film-Making; D.Buckingham -- Always On: Camera Phones, Video Production and Identity; R.Willett -- Power To The People? The Past and Future of Amateur Video; D.Buckingham.

Over the past decade, the video camcorder has become a commonplace household object. The riseof YouTube and other video sharing sites has made it significantly easier to distribute amateur video productions, and national broadcasters are increasingly interested in 'user-generatedcontent' andthe work of so-called 'citizen journalists'. For some, this growth in access to video production ispart of a wider democratisation of media, and the emergence of a much more participatory media culture. However, others argue that such practices amount to little more than a trivial family pastime, that does little if anything to challenge the power of the established mass media. This book explores the diversity of 'video cultures' in contemporary Britain through a series of casestudies ranging from citizen journalists to amateur pornographers, andfrom teenage pranksters to elderly members of video-making clubs. Through its discussion of specific video-making practices, the book raises broader issues about key themes in contemporary cultural studies, including creativity, social capital, identity and technology.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2010.

Mode of access:World Wide Web.

ISBN: 9780230244696

Standard No.: 10.1057/9780230244696doiSubjects--Topical Terms:

378776
Video recordings
--Social aspects--Great Britain.Index Terms--Genre/Form:

336502
Electronic books.

LC Class. No.: PN1992.94

Dewey Class. No.: 384.558

Video cultures[electronic resource] :media technology and everyday creativity /
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504 $a Includes bibliographical references and index.
505 0 $a In The Frame: Mapping Camcorder Cultures; R.Willett -- A CommonplaceArt? Understanding Amateur Media Production; D.Buckingham -- 'Take Back The Tube!': The Discursive Construction of Amateur Film- and Video-Making; D.Buckingham, M.Pini & R.Willett -- Inside the Home Mode; M.Pini -- Speaking Back? In Search of the Citizen Journalist; D.Buckingham -- Parodic Practices: Amateur Spoofs on VideoSharing Sites; R.Willett -- Skate Perception: Self-Representation, Identity and Visual Style in a Youth Subculture; D.Buckingham -- Handing Over Control? Access, 'Ordinary People' and Video Nation; J.Henderson -- In The Bedroom: Sex on Video; M.Pini -- The Hidden World of Organised Amateur Film-Making; D.Buckingham -- Always On: Camera Phones, Video Production and Identity; R.Willett -- Power To The People? The Past and Future of Amateur Video; D.Buckingham.
520 $a Over the past decade, the video camcorder has become a commonplace household object. The riseof YouTube and other video sharing sites has made it significantly easier to distribute amateur video productions, and national broadcasters are increasingly interested in 'user-generatedcontent' andthe work of so-called 'citizen journalists'. For some, this growth in access to video production ispart of a wider democratisation of media, and the emergence of a much more participatory media culture. However, others argue that such practices amount to little more than a trivial family pastime, that does little if anything to challenge the power of the established mass media. This book explores the diversity of 'video cultures' in contemporary Britain through a series of casestudies ranging from citizen journalists to amateur pornographers, andfrom teenage pranksters to elderly members of video-making clubs. Through its discussion of specific video-making practices, the book raises broader issues about key themes in contemporary cultural studies, including creativity, social capital, identity and technology.
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