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Women on the edge[electronic resource] :twelve political film practices /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	791.430233082
書名/作者:	Women on the edge : twelve political film practices // Sharon Lin Tay.
作者:	Tay, Sharon Lin,
出版者:	Basingstoke : : Palgrave Macmillan,, 2009.
面頁冊數:	xi, 211 p. : : ill. ;; 23 cm.
標題:	Women motion picture producers and directors.
標題:	Feminism and motion pictures.
ISBN:	9780230250543
ISBN:	0230250548
書目註:	Includes bibliographical references and index.
內容註:	Introduction: A Revised Women's Cinema Through Lynn Hershmann-Leeson's Cyberfeminist Interventions -- On the Edges of the Authorial Voice: Liv Ullmann's Faithless, Gendered Authorship, and Ingmar Bergman -- On the Edges of the Documentary: Jill Craigie's Political and Aesthetic Sensibilities -- On the Edges of Ethnography: Kim Longinotto's Institution of Feminist Discourses -- On the Edges of Art Cinema: Sally Potter and the Feminist Response -- On the Edges of Postcolonialism: Deepa Mehtaand Transnational Cinema -- On the Edges of National Cinema: Sofia Coppola and Female Authorship --On the Edges of Geopolitics: Sexual Difference in Ursula Biemann's Video Essays -- Conclusion: Vignettes of A New Feminist Politique: Gisela Sanders Alácntara, Guo Xiaolu, Christina McPhee, Liz Miller.
摘要、提要註:	Women on the Edge re-envisions women's cinema as contemporary political practices by exploring the works of twelve filmmakers. Moving on from the 1970s feminist adage that the personal is political, the book argues that contemporary women's cinema must exceed the personal to be politically relevant and ethically cogent. The individual chapters cover a range of filmmaking practices: Hollywood cinema (Sofia Coppola), European arthouse fare (Sally Potter, Liv Ullmann), the political documentary (Jill Craigie, Kim Longinotto, Liz Miller), world cinema (Guo Xiaolu, Deepa Mehta), the video essay (Ursula Biemann), as well as independent and multi-platformed works (Lynn Hershmann-Leeson, Christina McPhee and Gisela Sanders Alácntara). Expanding the scope of women's cinema beyond themes suchas domesticity and beyond feminine stories, issues and concerns to arrive at a range of possible responses to a transnational world, Women on the Edge constructs a feminist ethics for contemporary film and media culture.
電子資源:	access to fulltext (Palgrave)

Women on the edge[electronic resource] :twelve political film practices /
Tay, Sharon Lin,1976-

Women on the edgetwelve political film practices /[electronic resource] :Sharon Lin Tay. - Basingstoke :Palgrave Macmillan,2009. - xi, 211 p. :ill. ;23 cm.

Includes bibliographical references and index.

Introduction: A Revised Women's Cinema Through Lynn Hershmann-Leeson's Cyberfeminist Interventions -- On the Edges of the Authorial Voice: Liv Ullmann's Faithless, Gendered Authorship, and Ingmar Bergman -- On the Edges of the Documentary: Jill Craigie's Political and Aesthetic Sensibilities -- On the Edges of Ethnography: Kim Longinotto's Institution of Feminist Discourses -- On the Edges of Art Cinema: Sally Potter and the Feminist Response -- On the Edges of Postcolonialism: Deepa Mehtaand Transnational Cinema -- On the Edges of National Cinema: Sofia Coppola and Female Authorship --On the Edges of Geopolitics: Sexual Difference in Ursula Biemann's Video Essays -- Conclusion: Vignettes of A New Feminist Politique: Gisela Sanders Alácntara, Guo Xiaolu, Christina McPhee, Liz Miller.

Women on the Edge re-envisions women's cinema as contemporary political practices by exploring the works of twelve filmmakers. Moving on from the 1970s feminist adage that the personal is political, the book argues that contemporary women's cinema must exceed the personal to be politically relevant and ethically cogent. The individual chapters cover a range of filmmaking practices: Hollywood cinema (Sofia Coppola), European arthouse fare (Sally Potter, Liv Ullmann), the political documentary (Jill Craigie, Kim Longinotto, Liz Miller), world cinema (Guo Xiaolu, Deepa Mehta), the video essay (Ursula Biemann), as well as independent and multi-platformed works (Lynn Hershmann-Leeson, Christina McPhee and Gisela Sanders Alácntara). Expanding the scope of women's cinema beyond themes suchas domesticity and beyond feminine stories, issues and concerns to arrive at a range of possible responses to a transnational world, Women on the Edge constructs a feminist ethics for contemporary film and media culture.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2010.

Mode of access:World Wide Web.

ISBN: 9780230250543

Standard No.: 10.1057/9780230250543doiSubjects--Topical Terms:

378774
Women motion picture producers and directors.
Index Terms--Genre/Form:

336502
Electronic books.

LC Class. No.: PN1995.9.W6 / T39 2009

Dewey Class. No.: 791.430233082

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