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The suburban gothic in American popu...
~
Murphy, Bernice M.
The suburban gothic in American popular culture[electronic resource] /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
杜威分類號:
813.0872909
書名/作者:
The suburban gothic in American popular culture/ by Bernice M. Murphy.
作者:
Murphy, Bernice M.
出版者:
Basingstoke : : Palgrave Macmillan,, 2009.
面頁冊數:
vi, 236 p. ;; 23 cm.
標題:
Horror tales, American - History and criticism. - 20th century
標題:
Horror tales, American - History and criticism. - 21st century
標題:
Motion pictures - History - 20th century. - United States
標題:
Motion pictures - History - 21st century. - United States
標題:
Television programs - History - 20th century. - United States
標題:
Television programs - History - 21st century. - United States
標題:
Gothic revival (Literature) - United States.
標題:
Suburbs in literature.
標題:
Suburbs in motion pictures.
ISBN:
9780230244757
ISBN:
0230244750
書目註:
Includes bibliographical references and index.
內容註:
Acknowledgements -- Introduction: Welcome to Disturbia -- The House Down the Street: The Suburban Gothic in Shirley Jackson and Richard Matheson -- Conjure Wife: The Suburban Witch -- Aliens, Androids and Zombies: Dehumanisation and the Suburban Gothic -- 'You Son of a Bitch! You Only Moved the Headstones!': Haunted Suburbia -- Don't Go Down To The Basement!: Serial Murder, Family Values and the Suburban Horror Film -- 'Ah, But Underneath': Buffy the Vampire Slayer and Desperate Housewives-- Conclusion: The End of Suburbia?.
摘要、提要註:
From the beginnings of the post-war era, suburbia has frequently served as a setting for narratives of fear, repression and horror. Why hasthis been the case? And what actually is the Suburban Gothic? Beginning with a discussion of Shirley Jackson's novel The Road Through the Wall (1948) and ending with Desperate Housewives (2004 ), this book discusses representative texts from each decade up to the present day. Each chapter provides a contextualising examination of the era and cultural and historical contexts of its setting, thus providing a unique insight into the changing face of thesuburbs and, by extension, of American society. Murphy shows that depictions of suburbia in horror and the gothic provide an intriguing glimpse into the manner in which modern American society views itself. Making a major contribution to American cultural studies and to gothic criticism in general,this is the first sustained examination of the depiction of American suburbia in gothic and horror films, television and literature from 1948 up to today.
電子資源:
access to fulltext (Palgrave)
The suburban gothic in American popular culture[electronic resource] /
Murphy, Bernice M.
The suburban gothic in American popular culture
[electronic resource] /by Bernice M. Murphy. - Basingstoke :Palgrave Macmillan,2009. - vi, 236 p. ;23 cm.
Includes bibliographical references and index.
Acknowledgements -- Introduction: Welcome to Disturbia -- The House Down the Street: The Suburban Gothic in Shirley Jackson and Richard Matheson -- Conjure Wife: The Suburban Witch -- Aliens, Androids and Zombies: Dehumanisation and the Suburban Gothic -- 'You Son of a Bitch! You Only Moved the Headstones!': Haunted Suburbia -- Don't Go Down To The Basement!: Serial Murder, Family Values and the Suburban Horror Film -- 'Ah, But Underneath': Buffy the Vampire Slayer and Desperate Housewives-- Conclusion: The End of Suburbia?.
From the beginnings of the post-war era, suburbia has frequently served as a setting for narratives of fear, repression and horror. Why hasthis been the case? And what actually is the Suburban Gothic? Beginning with a discussion of Shirley Jackson's novel The Road Through the Wall (1948) and ending with Desperate Housewives (2004 ), this book discusses representative texts from each decade up to the present day. Each chapter provides a contextualising examination of the era and cultural and historical contexts of its setting, thus providing a unique insight into the changing face of thesuburbs and, by extension, of American society. Murphy shows that depictions of suburbia in horror and the gothic provide an intriguing glimpse into the manner in which modern American society views itself. Making a major contribution to American cultural studies and to gothic criticism in general,this is the first sustained examination of the depiction of American suburbia in gothic and horror films, television and literature from 1948 up to today.
Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2010.
Mode of access:World Wide Web.
ISBN: 9780230244757
Standard No.: 10.1057/9780230244757doiSubjects--Topical Terms:
378754
Horror tales, American
--History and criticism.--20th centuryIndex Terms--Genre/Form:
336502
Electronic books.
LC Class. No.: PS374.G68 / M87 2009
Dewey Class. No.: 813.0872909
The suburban gothic in American popular culture[electronic resource] /
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Acknowledgements -- Introduction: Welcome to Disturbia -- The House Down the Street: The Suburban Gothic in Shirley Jackson and Richard Matheson -- Conjure Wife: The Suburban Witch -- Aliens, Androids and Zombies: Dehumanisation and the Suburban Gothic -- 'You Son of a Bitch! You Only Moved the Headstones!': Haunted Suburbia -- Don't Go Down To The Basement!: Serial Murder, Family Values and the Suburban Horror Film -- 'Ah, But Underneath': Buffy the Vampire Slayer and Desperate Housewives-- Conclusion: The End of Suburbia?.
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From the beginnings of the post-war era, suburbia has frequently served as a setting for narratives of fear, repression and horror. Why hasthis been the case? And what actually is the Suburban Gothic? Beginning with a discussion of Shirley Jackson's novel The Road Through the Wall (1948) and ending with Desperate Housewives (2004 ), this book discusses representative texts from each decade up to the present day. Each chapter provides a contextualising examination of the era and cultural and historical contexts of its setting, thus providing a unique insight into the changing face of thesuburbs and, by extension, of American society. Murphy shows that depictions of suburbia in horror and the gothic provide an intriguing glimpse into the manner in which modern American society views itself. Making a major contribution to American cultural studies and to gothic criticism in general,this is the first sustained examination of the depiction of American suburbia in gothic and horror films, television and literature from 1948 up to today.
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