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Populism, gender, and sympathy in the romantic novel[electronic resource] /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	823/.709355
書名/作者:	Populism, gender, and sympathy in the romantic novel/ James P. Carson.
作者:	Carson, James Patrick,
出版者:	New York : : Palgrave Macmillan,, 2010.
面頁冊數:	x, 247 p. : : ill.
標題:	English fiction - History and criticism. - 19th century
標題:	Crowds in literature.
標題:	Riots in literature.
標題:	Populism in literature.
標題:	Women in literature.
標題:	Disguise in literature.
標題:	Sympathy in literature.
ISBN:	9780230106574
ISBN:	0230106579
書目註:	Includes bibliographical references (p. [219]-235) and index.
內容註:	Gothic and romantic crowds -- Popular versus legitimate authority inScott's The heart of mid-Lothian -- Gothic properties: Matthew Lewis'sThe monk and Journal of a West India proprietor -- Unisonance and the echo: popular disturbances and theatricality in the works of Charles Maturin -- Godwin's "metaphysical dissecting knife" -- "A sigh of many hearts": history, humanity, and popular culture in Mary Shelley's Valperga and Lodore.
摘要、提要註:	Populism, Gender, and Sympathy in the Romantic Novel is a richly historicized account that explores anxieties about crowds, fiction and disguise, women authors, and unstable gender roles. JamesP. Carson arguesthat the Romantic novel is a form individualizing in its address, which exploits popular materials and stretches formal boundaries in an attempt to come to terms with the masses. Informed by Bakhtin, Foucault, and Freud, this book offers fresh new readings of works by Sir Walter Scott, William Godwin, Matthew Lewis, Charles Robert Maturin, and Mary Shelley.
電子資源:	access to fulltext (Palgrave)

Populism, gender, and sympathy in the romantic novel[electronic resource] /
Carson, James Patrick,1955-

Populism, gender, and sympathy in the romantic novel[electronic resource] /James P. Carson. - 1st ed. - New York :Palgrave Macmillan,2010. - x, 247 p. :ill. - Nineteenth-century major lives and letters. - Nineteenth-century major lives and letters..

Includes bibliographical references (p. [219]-235) and index.

Gothic and romantic crowds -- Popular versus legitimate authority inScott's The heart of mid-Lothian -- Gothic properties: Matthew Lewis'sThe monk and Journal of a West India proprietor -- Unisonance and the echo: popular disturbances and theatricality in the works of Charles Maturin -- Godwin's "metaphysical dissecting knife" -- "A sigh of many hearts": history, humanity, and popular culture in Mary Shelley's Valperga and Lodore.

Populism, Gender, and Sympathy in the Romantic Novel is a richly historicized account that explores anxieties about crowds, fiction and disguise, women authors, and unstable gender roles. JamesP. Carson arguesthat the Romantic novel is a form individualizing in its address, which exploits popular materials and stretches formal boundaries in an attempt to come to terms with the masses. Informed by Bakhtin, Foucault, and Freud, this book offers fresh new readings of works by Sir Walter Scott, William Godwin, Matthew Lewis, Charles Robert Maturin, and Mary Shelley.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2010.

Mode of access:World Wide Web.

ISBN: 9780230106574Subjects--Topical Terms:

371008
English fiction
--History and criticism.--19th centuryIndex Terms--Genre/Form:

336502
Electronic books.

LC Class. No.: PR868.C75 / C37 2010

Dewey Class. No.: 823/.709355

Populism, gender, and sympathy in the romantic novel[electronic resource] /
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520 $a Populism, Gender, and Sympathy in the Romantic Novel is a richly historicized account that explores anxieties about crowds, fiction and disguise, women authors, and unstable gender roles. JamesP. Carson arguesthat the Romantic novel is a form individualizing in its address, which exploits popular materials and stretches formal boundaries in an attempt to come to terms with the masses. Informed by Bakhtin, Foucault, and Freud, this book offers fresh new readings of works by Sir Walter Scott, William Godwin, Matthew Lewis, Charles Robert Maturin, and Mary Shelley.
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