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Performing childhood in the early mo...
~
Lamb, Edel, (1979-)
Performing childhood in the early modern theatre[electronic resource] :the children's playing companies (1599-1613) /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
杜威分類號:
792.02/8092
書名/作者:
Performing childhood in the early modern theatre : the children's playing companies (1599-1613) // Edel Lamb.
作者:
Lamb, Edel,
出版者:
Basingstoke ; : Palgrave Macmillan,, 2009.
面頁冊數:
1 online resource (xii, 189 p.)
附註:
Description based on print version record.
標題:
Child actors - History - 17th century. - England
標題:
Theater - History - 17th century. - England
ISBN:
9780230594739 (electronic bk.)
ISBN:
0230594735 (electronic bk.)
書目註:
Includes bibliographical references (p. 169-181) and index.
內容註:
Contents -- Acknowledgements -- Tables of the Children's Playing Companies' Repertories -- Introduction: Defining Early Modern Childhoods -- The Child as Trope: Performing Age and Gender on theEarly Modern Children's Stage -- Evaluating Childhood: The Theatrical Trade in Children-- PerformingCourt and Nation: The English Child Player -- Playing Children: Education and Youth Culture in theEarly Modern Theatre -- Remembering Childhood: Nathan Field's Theatrical Career -- Bibliography -- Index.
摘要、提要註:
Performing Childhood in the Early Modern Theatre explores the phenomenon of the child player at the centre of early modern theatrical culture. Drawing together the fields of Renaissance, theatre and childhood studies, it raises crucial questions about the role of the child in thisculture and about childhood was experienced and understood. It investigates how the two major children's playingcompanies, the Children of Paul's (1599-1606) and the Children of the Queen's Revels (1600-13), defined their players as children. Analyzing their plays, commercial and legal practices, and staging methods, it introduces theorizations of ageand childhood into studies of performance, gender and nationality and investigates theatre as a site in which children have the opportunity to articulate theiremerging selfhoods. It also offers new readings of plays by George Chapman, Nathan Field, Ben Jonson, John Marston and Thomas Middleton by locating them in the context of the children's repertories.
電子資源:
access to fulltext (Palgrave)
Performing childhood in the early modern theatre[electronic resource] :the children's playing companies (1599-1613) /
Lamb, Edel,1979-
Performing childhood in the early modern theatre
the children's playing companies (1599-1613) /[electronic resource] :Edel Lamb. - Basingstoke ;Palgrave Macmillan,2009. - 1 online resource (xii, 189 p.) - Early modern literature in history. - Early modern literature in history (Palgrave Macmillan (Firm)).
Description based on print version record.
Includes bibliographical references (p. 169-181) and index.
Contents -- Acknowledgements -- Tables of the Children's Playing Companies' Repertories -- Introduction: Defining Early Modern Childhoods -- The Child as Trope: Performing Age and Gender on theEarly Modern Children's Stage -- Evaluating Childhood: The Theatrical Trade in Children-- PerformingCourt and Nation: The English Child Player -- Playing Children: Education and Youth Culture in theEarly Modern Theatre -- Remembering Childhood: Nathan Field's Theatrical Career -- Bibliography -- Index.
Performing Childhood in the Early Modern Theatre explores the phenomenon of the child player at the centre of early modern theatrical culture. Drawing together the fields of Renaissance, theatre and childhood studies, it raises crucial questions about the role of the child in thisculture and about childhood was experienced and understood. It investigates how the two major children's playingcompanies, the Children of Paul's (1599-1606) and the Children of the Queen's Revels (1600-13), defined their players as children. Analyzing their plays, commercial and legal practices, and staging methods, it introduces theorizations of ageand childhood into studies of performance, gender and nationality and investigates theatre as a site in which children have the opportunity to articulate theiremerging selfhoods. It also offers new readings of plays by George Chapman, Nathan Field, Ben Jonson, John Marston and Thomas Middleton by locating them in the context of the children's repertories.
ISBN: 9780230594739 (electronic bk.)
Standard No.: 10.1057/9780230594739doiSubjects--Topical Terms:
373280
Child actors
--History--England--17th century.Index Terms--Genre/Form:
336502
Electronic books.
LC Class. No.: PN2590.B6 / L36 2009eb
Dewey Class. No.: 792.02/8092
Performing childhood in the early modern theatre[electronic resource] :the children's playing companies (1599-1613) /
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Contents -- Acknowledgements -- Tables of the Children's Playing Companies' Repertories -- Introduction: Defining Early Modern Childhoods -- The Child as Trope: Performing Age and Gender on theEarly Modern Children's Stage -- Evaluating Childhood: The Theatrical Trade in Children-- PerformingCourt and Nation: The English Child Player -- Playing Children: Education and Youth Culture in theEarly Modern Theatre -- Remembering Childhood: Nathan Field's Theatrical Career -- Bibliography -- Index.
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Performing Childhood in the Early Modern Theatre explores the phenomenon of the child player at the centre of early modern theatrical culture. Drawing together the fields of Renaissance, theatre and childhood studies, it raises crucial questions about the role of the child in thisculture and about childhood was experienced and understood. It investigates how the two major children's playingcompanies, the Children of Paul's (1599-1606) and the Children of the Queen's Revels (1600-13), defined their players as children. Analyzing their plays, commercial and legal practices, and staging methods, it introduces theorizations of ageand childhood into studies of performance, gender and nationality and investigates theatre as a site in which children have the opportunity to articulate theiremerging selfhoods. It also offers new readings of plays by George Chapman, Nathan Field, Ben Jonson, John Marston and Thomas Middleton by locating them in the context of the children's repertories.
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