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Literary minstrelsy, 1770-1830[elect...
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Palgrave Connect (Online service)
Literary minstrelsy, 1770-1830[electronic resource] :minstrels and improvisers in British, Irish, and American literature /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
杜威分類號:
820.9/008
書名/作者:
Literary minstrelsy, 1770-1830 : minstrels and improvisers in British, Irish, and American literature // Erik Simpson.
作者:
Simpson, Erik,
出版者:
Basingstoke [England] ; : Palgrave Macmillan,, 2008.
面頁冊數:
ix, 215 p.
叢書名:
Palgrave studies in the Enlightenment, romanticism, and cultures of print
標題:
English literature - History and criticism. - 19th century
標題:
Minstrels in literature.
標題:
English literature - History and criticism. - 18th century
標題:
English literature - Irish authors
標題:
American literature - History and criticism. - 19th century
標題:
Authorship in literature.
標題:
Romanticism.
ISBN:
9780230593985
ISBN:
0230593984
書目註:
Includes bibliographical references (p. 158-208) and index.
內容註:
The minstrel mode -- The minstrel in the world : Sydney Owenson and Irish internationalism --'The minstrels of modern Italy' : Germaine deStaèel, improvisation, and myths of Corinne -- The minstrel and Regency Romanticism : James Beattie and the rivalry of Byron and Wordsworth -- The minstrelgoes to market : the prizes and contests of James Hogg, Letitia Elizabeth Landon, and Felicia Hermans -- The 'minstrel of the western continent' : The last of the Mohicans and transatlantic minstrelsy before blackface.
摘要、提要註:
Literary Minstrelsy, 1770-1830 argues that Romantic-era writers usedthe figure of the minstrel to imagine authorship as a social, responsive enterprise unlike the solitary process portrayed by Romantic myths of the lone genius. Simpson demonstrates that the minstrel was central to developments as varied as the introduction of the word 'improvisation' into English through portrayals of Italian improvisers, the rivalry between Wordsworth and Byron in the 1810s, and the emergence of poems that dramatized ancient minstrel contests to address the competitive dynamics of the literary marketplace. Reading The Last of the Mohicans alongside a wide range of materials from early nineteenth-century print culture, the book's final chapter draws out the project's implications forthe emergence oftransatlantic blackface minstrelsy in the 1830s and 1840s.
電子資源:
access to fulltext (Palgrave)
Literary minstrelsy, 1770-1830[electronic resource] :minstrels and improvisers in British, Irish, and American literature /
Simpson, Erik,1972-
Literary minstrelsy, 1770-1830
minstrels and improvisers in British, Irish, and American literature /[electronic resource] :Erik Simpson. - Basingstoke [England] ;Palgrave Macmillan,2008. - ix, 215 p. - Palgrave studies in the Enlightenment, romanticism, and cultures of print.
Includes bibliographical references (p. 158-208) and index.
The minstrel mode -- The minstrel in the world : Sydney Owenson and Irish internationalism --'The minstrels of modern Italy' : Germaine deStaèel, improvisation, and myths of Corinne -- The minstrel and Regency Romanticism : James Beattie and the rivalry of Byron and Wordsworth -- The minstrelgoes to market : the prizes and contests of James Hogg, Letitia Elizabeth Landon, and Felicia Hermans -- The 'minstrel of the western continent' : The last of the Mohicans and transatlantic minstrelsy before blackface.
Literary Minstrelsy, 1770-1830 argues that Romantic-era writers usedthe figure of the minstrel to imagine authorship as a social, responsive enterprise unlike the solitary process portrayed by Romantic myths of the lone genius. Simpson demonstrates that the minstrel was central to developments as varied as the introduction of the word 'improvisation' into English through portrayals of Italian improvisers, the rivalry between Wordsworth and Byron in the 1810s, and the emergence of poems that dramatized ancient minstrel contests to address the competitive dynamics of the literary marketplace. Reading The Last of the Mohicans alongside a wide range of materials from early nineteenth-century print culture, the book's final chapter draws out the project's implications forthe emergence oftransatlantic blackface minstrelsy in the 1830s and 1840s.
Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.
Mode of access:World Wide Web.
ISBN: 9780230593985
Standard No.: 10.1057/9780230593985doiSubjects--Topical Terms:
371047
English literature
--History and criticism.--19th centuryIndex Terms--Genre/Form:
336502
Electronic books.
LC Class. No.: PR468.M55 / S56 2008eb
Dewey Class. No.: 820.9/008
Literary minstrelsy, 1770-1830[electronic resource] :minstrels and improvisers in British, Irish, and American literature /
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Literary Minstrelsy, 1770-1830 argues that Romantic-era writers usedthe figure of the minstrel to imagine authorship as a social, responsive enterprise unlike the solitary process portrayed by Romantic myths of the lone genius. Simpson demonstrates that the minstrel was central to developments as varied as the introduction of the word 'improvisation' into English through portrayals of Italian improvisers, the rivalry between Wordsworth and Byron in the 1810s, and the emergence of poems that dramatized ancient minstrel contests to address the competitive dynamics of the literary marketplace. Reading The Last of the Mohicans alongside a wide range of materials from early nineteenth-century print culture, the book's final chapter draws out the project's implications forthe emergence oftransatlantic blackface minstrelsy in the 1830s and 1840s.
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