大葉大學圖書館 |

Tattoos in American visual culture[electronic resource] /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	391.6/5
書名/作者:	Tattoos in American visual culture/ Mindy Fenske.
作者:	Fenske, Mindy,
出版者:	New York : : Palgrave Macmillan,, 2007.
面頁冊數:	xii, 201 p. : : ill.
標題:	Tattooing.
標題:	Tattooing - Social aspects.
標題:	Body image.
ISBN:	9780230609709
ISBN:	0230609708
書目註:	Includes bibliographical references (p. [183]-193) and index.
內容註:	Introduction: Picturing tattoos -- Vital images : the performance ofperformativity -- Modern day sideshows : class, classification, and tattoo conventions -- Rosie gets a tattoo : gender, fragmentation, and advertising -- Modern primitives : exoticism, hybridity, and photography -- Conclusion: Imag(E)Ining agency and criticism.
摘要、提要註:	Since the rise of the dime museum in the 19th century, tattooed bodies have been parading across stages both live and mediated. This book takes a close look at images of tattooed bodies in liveperformance, advertising, and photography. In so doing, the book combines the craft of cultural analysis with theories of performance while also generating a largely untold history of the tattooed body on display in the United States. Because of this unique combination, the book is truly interdisciplinary and appeals to multiple audiences. At the same time, it sustainsa deep theoretical engagementwith the central concepts of social and visual agency and the disruption of restrictive social norms. In the end, this study of the visual argues that the agency of images is locatedwithin, and not only in opposition to, cultural discourses such as gender, class, and exoticism.
電子資源:	access to fulltext (Palgrave)

Tattoos in American visual culture[electronic resource] /
Fenske, Mindy,1969-

Tattoos in American visual culture[electronic resource] /Mindy Fenske. - 1st ed. - New York :Palgrave Macmillan,2007. - xii, 201 p. :ill.

Includes bibliographical references (p. [183]-193) and index.

Introduction: Picturing tattoos -- Vital images : the performance ofperformativity -- Modern day sideshows : class, classification, and tattoo conventions -- Rosie gets a tattoo : gender, fragmentation, and advertising -- Modern primitives : exoticism, hybridity, and photography -- Conclusion: Imag(E)Ining agency and criticism.

Since the rise of the dime museum in the 19th century, tattooed bodies have been parading across stages both live and mediated. This book takes a close look at images of tattooed bodies in liveperformance, advertising, and photography. In so doing, the book combines the craft of cultural analysis with theories of performance while also generating a largely untold history of the tattooed body on display in the United States. Because of this unique combination, the book is truly interdisciplinary and appeals to multiple audiences. At the same time, it sustainsa deep theoretical engagementwith the central concepts of social and visual agency and the disruption of restrictive social norms. In the end, this study of the visual argues that the agency of images is locatedwithin, and not only in opposition to, cultural discourses such as gender, class, and exoticism.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.

Mode of access:World Wide Web.

ISBN: 9780230609709

Standard No.: 10.1057/9780230609709doiSubjects--Topical Terms:

371544
Tattooing.
Index Terms--Genre/Form:

336502
Electronic books.

LC Class. No.: GT2345 / .F455 2007eb

Dewey Class. No.: 391.6/5

Tattoos in American visual culture[electronic resource] /
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020 $a 0230609708
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100 1 $a Fenske, Mindy, $d 1969- $3 371543
245 1 0 $a Tattoos in American visual culture $h [electronic resource] / $c Mindy Fenske.
250 $a 1st ed.
260 $a New York : $b Palgrave Macmillan, $c 2007.
300 $a xii, 201 p. : $b ill.
504 $a Includes bibliographical references (p. [183]-193) and index.
505 0 $a Introduction: Picturing tattoos -- Vital images : the performance ofperformativity -- Modern day sideshows : class, classification, and tattoo conventions -- Rosie gets a tattoo : gender, fragmentation, and advertising -- Modern primitives : exoticism, hybridity, and photography -- Conclusion: Imag(E)Ining agency and criticism.
520 $a Since the rise of the dime museum in the 19th century, tattooed bodies have been parading across stages both live and mediated. This book takes a close look at images of tattooed bodies in liveperformance, advertising, and photography. In so doing, the book combines the craft of cultural analysis with theories of performance while also generating a largely untold history of the tattooed body on display in the United States. Because of this unique combination, the book is truly interdisciplinary and appeals to multiple audiences. At the same time, it sustainsa deep theoretical engagementwith the central concepts of social and visual agency and the disruption of restrictive social norms. In the end, this study of the visual argues that the agency of images is locatedwithin, and not only in opposition to, cultural discourses such as gender, class, and exoticism.
533 $a Electronic reproduction. $b Basingstoke, England : $c Palgrave Macmillan, $d 2009. $n Mode of access:World Wide Web. $n System requirements: Web browser. $n Title from title screen (viewed on Mar. 3, 2009). $n Access may berestricted to users at subscribing institutions.
650 0 $a Tattooing. $3 371544
650 0 $a Tattooing $x Social aspects. $3 371545
650 0 $a Body image. $3 371546
655 7 $a Electronic books. $2 local $3 336502
710 2 $a Palgrave Connect (Online service) $3 370384
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856 4 0 $3 Palgrave Connect $u http://www.palgraveconnect.com/doifinder/10.1057/9780230609709 $z access to fulltext (Palgrave)