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Staging black feminisms[electronic r...
~
Goddard, Lynette, (1966-)
Staging black feminisms[electronic resource] :identity, politics, performance /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
杜威分類號:
792.089/96041
書名/作者:
Staging black feminisms : identity, politics, performance // Lynette Goddard.
作者:
Goddard, Lynette,
出版者:
Basingstoke ; : Palgrave Macmillan,, 2007.
面頁冊數:
ix, 229 p.
叢書名:
Performance interventions
標題:
Black theater - History - 20th century. - Great Britain
標題:
Feminist theater - History - 20th century. - Great Britain
標題:
Lesbian theater - History - 20th century. - Great Britain
標題:
Women in the theater - History - 20th century. - Great Britain
標題:
English drama - History and criticism. - 20th century
標題:
English drama - Women authors
標題:
English drama - Black authors
ISBN:
9780230801448
ISBN:
0230801447
書目註:
Includes bibliographical references (p. 198-220) and index.
內容註:
PART I: HISTORY AND AESTHETICS -- Black British Women and Theatre: An Overview -- Black Feminist Performance Aesthetics -- PART II: PLAYS -- Winsome Pinnock's Migration Narratives -- JacquelineRudet (Re)Writing Sexual Deviancy -- Jackie Kay and Valerie Mason-John's Zamis, Lesbians and Queers-- PART III: PERFORMANCES -- Black Mime Theatre Women's Troops -- Solo Voices: Performance Art, Danceand Poetry -- PART IV: CONCLUSIONS -- Black Feminist Futures?
摘要、提要註:
Staging Black Feminisms sets out to challenge perceptions of black women's theatre work as inherently feminist. Drawing on black feminist theories of identity and theories of black and feministperformance form, it analyzes key themes such as migration, motherhood, sexuality, mixed race identity and interracial relationships, in a range of late twentieth- and early twenty-first-century blackBritish women's plays and performances. Case studies explore plays by Winsome Pinnock, Jackie Kay,Valerie Mason John, Jacqueline Rudet and debbie tucker green, alongsidedevised performance, dance, poetry and live art by Black Mime Theatre Women's Troop, Patience Agbabi, SuAndi, Dorothea Smartt and Susan Lewis.
電子資源:
access to fulltext (Palgrave)
Staging black feminisms[electronic resource] :identity, politics, performance /
Goddard, Lynette,1966-
Staging black feminisms
identity, politics, performance /[electronic resource] :Lynette Goddard. - Basingstoke ;Palgrave Macmillan,2007. - ix, 229 p. - Performance interventions.
Includes bibliographical references (p. 198-220) and index.
PART I: HISTORY AND AESTHETICS -- Black British Women and Theatre: An Overview -- Black Feminist Performance Aesthetics -- PART II: PLAYS -- Winsome Pinnock's Migration Narratives -- JacquelineRudet (Re)Writing Sexual Deviancy -- Jackie Kay and Valerie Mason-John's Zamis, Lesbians and Queers-- PART III: PERFORMANCES -- Black Mime Theatre Women's Troops -- Solo Voices: Performance Art, Danceand Poetry -- PART IV: CONCLUSIONS -- Black Feminist Futures?
Staging Black Feminisms sets out to challenge perceptions of black women's theatre work as inherently feminist. Drawing on black feminist theories of identity and theories of black and feministperformance form, it analyzes key themes such as migration, motherhood, sexuality, mixed race identity and interracial relationships, in a range of late twentieth- and early twenty-first-century blackBritish women's plays and performances. Case studies explore plays by Winsome Pinnock, Jackie Kay,Valerie Mason John, Jacqueline Rudet and debbie tucker green, alongsidedevised performance, dance, poetry and live art by Black Mime Theatre Women's Troop, Patience Agbabi, SuAndi, Dorothea Smartt and Susan Lewis.
Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.
Mode of access:World Wide Web.
ISBN: 9780230801448
Standard No.: 10.1057/9780230801448doiSubjects--Topical Terms:
371098
Black theater
--History--Great Britain--20th century.Index Terms--Genre/Form:
336502
Electronic books.
LC Class. No.: PN2595.13.B34 / G63 2007eb
Dewey Class. No.: 792.089/96041
Staging black feminisms[electronic resource] :identity, politics, performance /
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Staging Black Feminisms sets out to challenge perceptions of black women's theatre work as inherently feminist. Drawing on black feminist theories of identity and theories of black and feministperformance form, it analyzes key themes such as migration, motherhood, sexuality, mixed race identity and interracial relationships, in a range of late twentieth- and early twenty-first-century blackBritish women's plays and performances. Case studies explore plays by Winsome Pinnock, Jackie Kay,Valerie Mason John, Jacqueline Rudet and debbie tucker green, alongsidedevised performance, dance, poetry and live art by Black Mime Theatre Women's Troop, Patience Agbabi, SuAndi, Dorothea Smartt and Susan Lewis.
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