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Deviance in contemporary crime ficti...
~
Connelly, Michael, (1956-)
Deviance in contemporary crime fiction[electronic resource] /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
杜威分類號:
813.087209054
書名/作者:
Deviance in contemporary crime fiction/ Christina Gregoriou.
作者:
Gregoriou, Christiana,
出版者:
Basingstoke : : Palgrave Macmillan,, 2007.
面頁冊數:
xi, 178 p.
叢書名:
Crime files series
標題:
Detective and mystery stories - History and criticism.
ISBN:
9780230207219
ISBN:
0230207219
書目註:
Includes bibliographical references and index.
內容註:
Introduction: Narratology and Deviance -- Aims, material and method -- Narratology and deviance -- The structure of narratives -- Crime fiction as genre and as popular literature -- Outline of remaining contents -- Contemporary Crime Fiction: Constraints and Development -- Introduction -- Crime fiction: origins and development -- Rules, regularities and constraints -- Defining the crime fiction genre -- Rules and constraints -- Formulaic regularities -- What sort of an attraction does crime literature hold for its readers? -- Crime fiction reading as pleasure-- Crime fiction reading as an addiction -- Crime fiction and the notion of realism -- The genre as a mirror to society -- Challenging the masculinity, whiteness and straightness of the genre -- From private eye novel to police procedural -- Character in detective fiction -- The detective as the criminal's double -- Writers focusing on the murderer -- The future of crime fiction -- Linguistic Deviance: The Stylistics of Criminal Justification -- Introduction -- The stylistics of justification in contemporary crime fiction -- Contextualising the crime fiction extracts -- Stylisitc analysis of the extracts -- The study's conclusions-- A further investigation into the protrayal of the criminal mind in Patterson -- Contextualising the criminally-focalised extracts -- The poetics of the criminal mind -- The study's conclusions -- Social Deviance in Contemporary Crime Fiction -- Defining 'abnormal behaviour': the Connelly series -- The carnivalesque as social deviation in the genre -- Carnivals -- Carnivaleque -- The carnival of crime fiction -- Jungianarchtypes -- Criminal archtypes -- Generic Deviance in Contemporary Crime Fiction -- On defining genre -- Wittgenstein's family resemblance theory -- The prototype approach to sense -- Defamiliarisation and genre-- The crime fiction genre -- Cornwell's generic form: a subgenre or anew genre? -- What constitutes generic deviance? -- Conclusion -- Bookreview -- Metafunctions of deviance -- Investigating deviance -- Writers on their work.
摘要、提要註:
Christiana Gregoriou's book explores three aspects of deviance manipulated by contemporary crime fiction: linguistic, social, and generic. In detailed case studies of the work of James Patterson, Michael Connolly and Patricia Cornwell, Gregoriou investigates the ways in which crime fiction challenges linguistic norms, the boundaries of acceptable social behaviour, and generic conventions. Through the examination of recurrent criminal archetypes such as the monster, the vampire and the spoilt child, and also through analysis of the ways in which crime fiction can be seen as a version of 'carnival', this study attempts to redefinethe boundaries of an endlessly fascinating genre.
電子資源:
access to fulltext (Palgrave)
Deviance in contemporary crime fiction[electronic resource] /
Gregoriou, Christiana,1978-
Deviance in contemporary crime fiction
[electronic resource] /Christina Gregoriou. - Basingstoke :Palgrave Macmillan,2007. - xi, 178 p. - Crime files series.
Includes bibliographical references and index.
Introduction: Narratology and Deviance -- Aims, material and method -- Narratology and deviance -- The structure of narratives -- Crime fiction as genre and as popular literature -- Outline of remaining contents -- Contemporary Crime Fiction: Constraints and Development -- Introduction -- Crime fiction: origins and development -- Rules, regularities and constraints -- Defining the crime fiction genre -- Rules and constraints -- Formulaic regularities -- What sort of an attraction does crime literature hold for its readers? -- Crime fiction reading as pleasure-- Crime fiction reading as an addiction -- Crime fiction and the notion of realism -- The genre as a mirror to society -- Challenging the masculinity, whiteness and straightness of the genre -- From private eye novel to police procedural -- Character in detective fiction -- The detective as the criminal's double -- Writers focusing on the murderer -- The future of crime fiction -- Linguistic Deviance: The Stylistics of Criminal Justification -- Introduction -- The stylistics of justification in contemporary crime fiction -- Contextualising the crime fiction extracts -- Stylisitc analysis of the extracts -- The study's conclusions-- A further investigation into the protrayal of the criminal mind in Patterson -- Contextualising the criminally-focalised extracts -- The poetics of the criminal mind -- The study's conclusions -- Social Deviance in Contemporary Crime Fiction -- Defining 'abnormal behaviour': the Connelly series -- The carnivalesque as social deviation in the genre -- Carnivals -- Carnivaleque -- The carnival of crime fiction -- Jungianarchtypes -- Criminal archtypes -- Generic Deviance in Contemporary Crime Fiction -- On defining genre -- Wittgenstein's family resemblance theory -- The prototype approach to sense -- Defamiliarisation and genre-- The crime fiction genre -- Cornwell's generic form: a subgenre or anew genre? -- What constitutes generic deviance? -- Conclusion -- Bookreview -- Metafunctions of deviance -- Investigating deviance -- Writers on their work.
Christiana Gregoriou's book explores three aspects of deviance manipulated by contemporary crime fiction: linguistic, social, and generic. In detailed case studies of the work of James Patterson, Michael Connolly and Patricia Cornwell, Gregoriou investigates the ways in which crime fiction challenges linguistic norms, the boundaries of acceptable social behaviour, and generic conventions. Through the examination of recurrent criminal archetypes such as the monster, the vampire and the spoilt child, and also through analysis of the ways in which crime fiction can be seen as a version of 'carnival', this study attempts to redefinethe boundaries of an endlessly fascinating genre.
Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.
Mode of access:World Wide Web.
ISBN: 9780230207219
Standard No.: 10.1057/9780230207219doiSubjects--Personal Names:
370810
Patterson, James,
1947---Criticism and interpretation.Subjects--Topical Terms:
370813
Detective and mystery stories
--History and criticism.Index Terms--Genre/Form:
336502
Electronic books.
LC Class. No.: PS374.D4 / G74 2007eb
Dewey Class. No.: 813.087209054
Deviance in contemporary crime fiction[electronic resource] /
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Introduction: Narratology and Deviance -- Aims, material and method -- Narratology and deviance -- The structure of narratives -- Crime fiction as genre and as popular literature -- Outline of remaining contents -- Contemporary Crime Fiction: Constraints and Development -- Introduction -- Crime fiction: origins and development -- Rules, regularities and constraints -- Defining the crime fiction genre -- Rules and constraints -- Formulaic regularities -- What sort of an attraction does crime literature hold for its readers? -- Crime fiction reading as pleasure-- Crime fiction reading as an addiction -- Crime fiction and the notion of realism -- The genre as a mirror to society -- Challenging the masculinity, whiteness and straightness of the genre -- From private eye novel to police procedural -- Character in detective fiction -- The detective as the criminal's double -- Writers focusing on the murderer -- The future of crime fiction -- Linguistic Deviance: The Stylistics of Criminal Justification -- Introduction -- The stylistics of justification in contemporary crime fiction -- Contextualising the crime fiction extracts -- Stylisitc analysis of the extracts -- The study's conclusions-- A further investigation into the protrayal of the criminal mind in Patterson -- Contextualising the criminally-focalised extracts -- The poetics of the criminal mind -- The study's conclusions -- Social Deviance in Contemporary Crime Fiction -- Defining 'abnormal behaviour': the Connelly series -- The carnivalesque as social deviation in the genre -- Carnivals -- Carnivaleque -- The carnival of crime fiction -- Jungianarchtypes -- Criminal archtypes -- Generic Deviance in Contemporary Crime Fiction -- On defining genre -- Wittgenstein's family resemblance theory -- The prototype approach to sense -- Defamiliarisation and genre-- The crime fiction genre -- Cornwell's generic form: a subgenre or anew genre? -- What constitutes generic deviance? -- Conclusion -- Bookreview -- Metafunctions of deviance -- Investigating deviance -- Writers on their work.
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Christiana Gregoriou's book explores three aspects of deviance manipulated by contemporary crime fiction: linguistic, social, and generic. In detailed case studies of the work of James Patterson, Michael Connolly and Patricia Cornwell, Gregoriou investigates the ways in which crime fiction challenges linguistic norms, the boundaries of acceptable social behaviour, and generic conventions. Through the examination of recurrent criminal archetypes such as the monster, the vampire and the spoilt child, and also through analysis of the ways in which crime fiction can be seen as a version of 'carnival', this study attempts to redefinethe boundaries of an endlessly fascinating genre.
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